Children And Theatre In Victorian Britain
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Children And Theatre In Victorian Britain
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Author : A. Varty
language : en
Publisher: Springer
Release Date : 2007-12-14
Children And Theatre In Victorian Britain written by A. Varty and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-14 with History categories.
The cult of the child performer was a significant emergence of the Victorian age. Fierce public debate and lasting legislation grew out of the conflict between a desire for juvenile display and a determination to stop exploitation. This study explores the social and artistic context of their lives and their developing professionalism as actors.
Child Labor In The British Victorian Entertainment Industry
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Author : Dyan Colclough
language : en
Publisher: Springer
Release Date : 2016-01-26
Child Labor In The British Victorian Entertainment Industry written by Dyan Colclough and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-26 with Performing Arts categories.
Child labor greatly contributed to the cultural and economic success of the British Victorian theatrical industry. This book highlights the complexities of the battle for child labor laws, the arguments for the needs of the theatre industry, and the weight of opposition that confronted any attempt to control employers.
Historical Dictionary Of British Theatre
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Author : Darryll Grantley
language : en
Publisher: Scarecrow Press
Release Date : 2013-10-10
Historical Dictionary Of British Theatre written by Darryll Grantley and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-10 with Performing Arts categories.
This book has over 1,183 entries in the dictionary section, these being mainly on playwrights and plays, but others as well including managers and critics, and also on specific theatres, legislative acts and some technical jargon. Then there are entries on the different genres, from comedy to tragedy and everything in between. Inevitably, the chronology is quite long as it has a long period to cover and the introduction provides the necessary overview. The Historical Dictionary of British Theatre: Early Period concludes with a pretty massive bibliography. That will be of use to particularly assiduous researchers, but this book itself is a good place to start any research since it covers periods that are far less well-known and documented, and ordinary theatre-goers will also find useful information.
The Oxford Handbook Of The Georgian Theatre 1737 1832
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Author : Julia Swindells
language : en
Publisher: OUP Oxford
Release Date : 2014-01-16
The Oxford Handbook Of The Georgian Theatre 1737 1832 written by Julia Swindells and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-01-16 with Literary Criticism categories.
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, it shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
Critical Perspectives On Applied Theatre
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Author : Jenny Hughes
language : en
Publisher: Cambridge University Press
Release Date : 2016-04-14
Critical Perspectives On Applied Theatre written by Jenny Hughes and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-14 with Art categories.
This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre in a range of global contexts.
The Broadview Anthology Of Nineteenth Century British Performance
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Author : Tracy C. Davis
language : en
Publisher: Broadview Press
Release Date : 2011-12-20
The Broadview Anthology Of Nineteenth Century British Performance written by Tracy C. Davis and has been published by Broadview Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-12-20 with Drama categories.
This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.
Women S Theatre Writing In Victorian Britain
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Author : K. Newey
language : en
Publisher: Springer
Release Date : 2005-11-01
Women S Theatre Writing In Victorian Britain written by K. Newey and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-11-01 with Performing Arts categories.
Women's Theatre Writing in Victorian Britain is the first book to make a comprehensive study of women playwrights in the British theatre from 1820 to 1918. It looks at how women playwrights negotiated their personal and professional identities as writers, and examines the female tradition of playwriting which dramatises the central experience of women's lives around the themes of home, the nation, and the position of women in marriage and the family. The book also includes an extensive Appendix of authors and plays, which will be a useful reference tool for students and scholars in nineteenth-century studies and theatre historians.
The Routledge Pantomime Reader
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Author : Jennifer Schacker
language : en
Publisher: Routledge
Release Date : 2021-08-30
The Routledge Pantomime Reader written by Jennifer Schacker and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-30 with Drama categories.
The Routledge Pantomime Reader is the first anthology to document this entertainment genre—one of the most distinctive and ubiquitous in nineteenth-century Britain. Across ten different shows, readers witness pantomime’s development from a highly improvisational venue for clowning, dance, and musical parody to a complex amalgamation of physical and topical comedy, stage wizardry, scenic spectacle, satire, and magical mayhem. Combining well-known tales such as "Cinderella", "Aladdin", and "Jack and the Beanstalk" with the lesser-known plotlines of "Peter Wilkins" and "The Prince of Happy Land", the book demonstrates not only how popular narratives were adapted to the current moment, but also how this blend of high and low entertainment addressed a whole range of social and cultural anxieties. Along with carefully annotated scripts, readers will find detailed introductions to all of the collected pantomimes and supplementary materials such as reviews, reminiscences, and a host of visual materials that bring these neglected entertainments to life. The plays collected here provide a remarkable perspective on the history of sexuality, class, and race during a period of vast imperial expansion and important social upheaval in Britain itself—essential reading for students and scholars of theatre history and popular performance.
Opera Outside The Box
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Author : Roberta Montemorra Marvin
language : en
Publisher: Taylor & Francis
Release Date : 2022-11-18
Opera Outside The Box written by Roberta Montemorra Marvin and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-11-18 with Music categories.
Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.
Theatre And Evolution From Ibsen To Beckett
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Author : Kirsten E. Shepherd-Barr
language : en
Publisher: Columbia University Press
Release Date : 2015-03-03
Theatre And Evolution From Ibsen To Beckett written by Kirsten E. Shepherd-Barr and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-03 with Performing Arts categories.
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.