Chinese Contemporary Art Since 1989


Chinese Contemporary Art Since 1989
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Chinese Contemporary Art Since 1989


Chinese Contemporary Art Since 1989
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Author : Peng Lü
language : en
Publisher: Somogy Art Publishing
Release Date : 2018

Chinese Contemporary Art Since 1989 written by Peng Lü and has been published by Somogy Art Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Art categories.


The year 1989 was a turning point in Chinese art, as it shifted from modernism or avant-garde to so called "contemporary art." However, this shift, unlike that in the West after World War II, wasn't the logical result of post-modernist theories. Art in China may be influenced by Western art, but it is also severely constrained by the state political system and ideology, as well as a particular historical background. The shift had complex causes, which produced a specific language and artistic forms. This book provides a historical review and analysis of the political and social realities of China since the end of the Cold War, and more specifically after the June 6th suppression of the student movement on Tiananmen Square. This book also analyzes the global context of the new century and points out some issues that must be faced in the judgment of Chinese contemporary art.



Art And China After 1989


Art And China After 1989
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Author : Alexandra Munroe
language : en
Publisher: Guggenheim Museum
Release Date : 2017

Art And China After 1989 written by Alexandra Munroe and has been published by Guggenheim Museum this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art, Chinese categories.


Twenty years of experimental art from a globalized China Published on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and China after 1989: Theater of the World explores recent experimental art from 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization and the rise of China. Critical essays explore how Chinese artists have been both agents and skeptics of China's arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, land art and performance, as well as painting and photography. Featured artists include Ai Weiwei, Big Tail Elephant Group, Cai Guo-Qiang, Cao Fei, Chen Zhen, Chen Chieh-jen, Ding Yi, Geng Jianyi, Huang Yong Ping, Kan Xuan, Rem Koolhaas/OMA, Libreria Borges, Liu Wei, Liu Xiaodong, New Measurement Group, Ou Ning, Ellen Pau, Qiu Zhijie, Shen Yuan, Song Dong, Wang Guangyi, Wang Jianwei, Yan Lei, Yang Jiechang, Yu Hong, Xijing Men, Xu Bing, Zeng Fanzhi, Zhang Peili, Zhang Hongtu, Zhang Xiaogang and Zhou Tiehai. An appendix includes a selected history of contemporary art exhibitions in China, artist biographies and a bibliography.



Contemporary Chinese Art


Contemporary Chinese Art
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Author : Paul Gladston
language : en
Publisher: Reaktion Books
Release Date : 2014-06-15

Contemporary Chinese Art written by Paul Gladston and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-15 with Art categories.


Since the confirmation of Deng Xiaoping’s policy of Opening and Reform in 1978, the People’s Republic of China has undergone a liberalization of culture that has led to the production of numerous forms of avant-garde, experimental, and museum-based art. With a fast-growing international market and a thriving artistic community, contemporary Chinese art is riding a wave of prosperity, though issues of censorship still abound. Shedding light on the current art scene, Paul Gladston’s Contemporary Chinese Art puts China’s recent artistic output into the context of the wider cultural, economic, and political conditions that surround it. Providing a critical mapping of ideas and practices that have shaped the development of Chinese art, Gladston shows how these combine to bind it to the structure of power and state both within and outside of China. Focusing principally on art produced by artists from mainland China—including painting, film, video, photography, and performance—he also discusses art created in Taiwan, Hong Kong, Macau, and diasporic communities. Illustrated with 150 images, Contemporary Chinese Art unravels the complexities of politics, artistic practice, and culture in play in China’s art scene.



Dissidence


Dissidence
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Author : Marie Leduc
language : en
Publisher: MIT Press
Release Date : 2018-11-20

Dissidence written by Marie Leduc and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-20 with Art categories.


How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work—a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists—Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun—who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence—their formal innovations and introduction of new media and concepts—and for their political dissidence—how their work challenges political values in both China and the West. As Leduc concludes, the rise of Chinese contemporary art in the West highlights the significance of artistic and political dissidence in the production of contemporary art, and the often-unrecognized relationship between contemporary art and liberal democracy.



Dissidence


Dissidence
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Author : Marie Leduc
language : en
Publisher: MIT Press
Release Date : 2018-11-20

Dissidence written by Marie Leduc and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-20 with Art categories.


How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work—a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists—Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun—who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence—their formal innovations and introduction of new media and concepts—and for their political dissidence—how their work challenges political values in both China and the West. As Leduc concludes, the rise of Chinese contemporary art in the West highlights the significance of artistic and political dissidence in the production of contemporary art, and the often-unrecognized relationship between contemporary art and liberal democracy.



Contemporary Chinese Art Primary Documents


Contemporary Chinese Art Primary Documents
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Author :
language : en
Publisher: The Museum of Modern Art
Release Date :

Contemporary Chinese Art Primary Documents written by and has been published by The Museum of Modern Art this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Total Modernity And The Avant Garde In Twentieth Century Chinese Art


Total Modernity And The Avant Garde In Twentieth Century Chinese Art
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Author : Minglu Gao
language : en
Publisher: MIT Press
Release Date : 2011-04-29

Total Modernity And The Avant Garde In Twentieth Century Chinese Art written by Minglu Gao and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-29 with Art categories.


A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.



A History Of Contemporary Chinese Art


A History Of Contemporary Chinese Art
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Author : Yan Zhou
language : en
Publisher: Springer Nature
Release Date : 2020-07-14

A History Of Contemporary Chinese Art written by Yan Zhou and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-14 with Art categories.


Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.



Deconstructing Contemporary Chinese Art


Deconstructing Contemporary Chinese Art
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Author : Paul Gladston
language : en
Publisher: Springer
Release Date : 2015-08-21

Deconstructing Contemporary Chinese Art written by Paul Gladston and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-21 with Art categories.


The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display.



The History Of Chinese Contemporary Art 1978 1999


The History Of Chinese Contemporary Art 1978 1999
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Author : Lu Hong
language : en
Publisher:
Release Date : 2020-05

The History Of Chinese Contemporary Art 1978 1999 written by Lu Hong and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05 with categories.


The History of Chinese Contemporary Art 1978-1999 serves as an open window through which contemporary art lovers can see the history and development of Chinese contemporary art in the recent twenty years. The book is authored by a Chinese well-known scholar Lu Hong. The author provides an accessible, focused, and much-needed narrative of the development of Chinese art across all media from 1978 to 1999, a time span characterized by radically social, political, and economic changes in China. The chapters in the book follow a chorological order Backwash of the "Ultra-left" Artistic Creation Mode (1978-1984), Quest for Artistic Modernization (1985-1989), and Sociological Turn of Chinese Contemporary Art (1990-1999). Each chapter focuses on important issues and art movements in China, as well as includes a brief introduction of the historical events and a detailed review of the significant artists and their body of works. The book is a richly illustrated and easily navigated for both Chinese and international readers.