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European Art And The Wider World 1350 1550


Author : Leah Clark
language : en
Publisher: Art and its Global Histories
Release Date : 2017-08-15

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Inspired by recent approaches to the field, the book reexamines the field of Renaissance art history by exploring the art of this era in the light of global connections. It considers the movement of objects, ideas and technologies and its significance for European art and material culture, analysing images through the lens of cultural encounter and conflict.

Art And Its Global Histories


Author :
language : en
Publisher: Oxford University Press
Release Date : 2017-06-16

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The Reader Art and its global histories represents an invaluable teaching tool, offering content ranging from academic essays and excerpts, new translations, interviews with curators and artists, to art criticism. The introduction sets out the state of art history today as it undergoes the profound shift of a 'global turn. Particular focus is given to British India, which represents a shift from the usual attention paid to Orientalism and French art in this period. The sources and debates on this topic have never before been brought together in a satisfactory way and this book will represent a particularly significant and valuable contribution for postgraduate and undergraduate art history teaching.

Collecting Art In The Italian Renaissance Court


Author : Leah R. Clark
language : en
Publisher:
Release Date : 2018-06-28

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This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.

Western Art And The Wider World


Author : Paul Wood
language : en
Publisher: John Wiley & Sons
Release Date : 2013-12-16

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Western Art and the Wider World explores the evolvingrelationship between the Western canon of art, as it has developedsince the Renaissance, and the art and culture of the Islamicworld, the Far East, Australasia, Africa and the Americas. Explores the origins, influences, and evolving relationshipbetween the Western canon of art as it has developed since theRenaissance and the art and culture of the Islamic world, the FarEast, Australasia, Africa and the Americas Makes the case for ‘world art’ long before thefashion of globalization Charts connections between areas of study in art that long wereconsidered in isolation, such as the Renaissance encounter with theOttoman Empire, the influence of Japanese art on the19th-century French avant-garde and of African art on earlymodernism, as well as debates about the relation of‘contemporary art’ to the past. Written by a well-known art historian and co-editor of thelandmark Art in Theory volumes

Art Commerce And Colonialism 1600 1800


Author : Emma Barker
language : en
Publisher: Art and its Global Histories
Release Date : 2017-10-31

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Art, Commerce and Colonialism 1600-1800 examines European art, architecture and design of the seventeenth and eighteenth centuries in the light of the continent's growing engagement with the rest of the world. In a series of case studies spanning the globe from Asia to the Americas, it shows how the expansion of intercontinental trade and the proliferation of colonial ventures gave rise to new and diverse forms of visual and material culture. Among the examples discussed are ornate altarpieces in the cathedrals of colonial Latin America, Dutch still-life paintings of exotic luxury imports, English interior decoration in the Chinoiserie style and the architecture of plantation houses in North America and the Caribbean. Drawing on a wide range of recent scholarship, the book proposes a new history of European art 1600-1800, which should appeal to undergraduate students as well as to a general readership

Art In Renaissance Italy 1350 1500


Author : Evelyn S. Welch
language : en
Publisher: Oxford University Press, USA
Release Date : 2000

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'impressive... compares well with other recent offerings on the same subject' -The Bookseller'Fully and often surprisingly illustrated, carefully annotated and captioned, each combines a historical overview with a nicely opinionated individual approach.' -Independent on Sunday'These two books in a new series, the Oxford History of Art, are welcome attempts to assimilate genuine and informed scholarship of the best sort to some, at least, of the ostensible aims of what refers to itself as the 'new' art history. If these volumes are anything to go by, the series will provide authoritative and reliable essays on key aspects of the history of art, in a convenient format and, given the high quality, quantity and range of the illustrations, at an astonishingly reasonable price. This is an extraordinarily wide-ranging book within its brief compass, full of insights and information of a kind not readily met with, and Dr Welch always reminds us of how art appeared and functioned within its context, both historical and topographical. The book is also notably well and clearly written.' -Robin Simon, Apollo Magazine: May 1997'thought-provoking... Accessible and clearly written' -Yorkshire Post (Leeds)'a superb piece of publishing' -Rupert Christiansen, Spectator

Empire And Art


Author : Renate Dohmen
language : en
Publisher: Art and its Global Histories
Release Date : 2018-01-05

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The book explores British art in relation to British India. It examines the aesthetic interactions initiated by the Anglo-Indian colonial encounter across the disciplines of painting, print-making, design, photography and architecture. It also considers the display of Indian artefacts at exhibitions in Britain and in India and presents the art of urban elites alongside popular arts and artefacts.