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European Art And The Wider World 1350 1550


Author : Leah Clark
language : en
Publisher: Art and its Global Histories
Release Date : 2017-08-15

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Inspired by recent approaches to the field, the book reexamines the field of Renaissance art history by exploring the art of this era in the light of global connections. It considers the movement of objects, ideas and technologies and its significance for European art and material culture, analysing images through the lens of cultural encounter and conflict.

Art And Its Global Histories


Author :
language : en
Publisher: Oxford University Press
Release Date : 2017-06-16

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The Reader Art and its global histories represents an invaluable teaching tool, offering content ranging from academic essays and excerpts, new translations, interviews with curators and artists, to art criticism. The introduction sets out the state of art history today as it undergoes the profound shift of a 'global turn. Particular focus is given to British India, which represents a shift from the usual attention paid to Orientalism and French art in this period. The sources and debates on this topic have never before been brought together in a satisfactory way and this book will represent a particularly significant and valuable contribution for postgraduate and undergraduate art history teaching.

Western Art And The Wider World


Author : Paul Wood
language : en
Publisher: John Wiley & Sons
Release Date : 2013-12-16

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Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas. Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas Makes the case for ‘world art’ long before the fashion of globalization Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of ‘contemporary art’ to the past. Written by a well-known art historian and co-editor of the landmark Art in Theory volumes

Collecting Art In The Italian Renaissance Court


Author : Leah R. Clark
language : en
Publisher: Cambridge University Press
Release Date : 2018-07-31

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In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed through their exchange. Her study brings forward the mechanisms that structured relations within the court, and most importantly, also with individuals, representations, and spaces outside the court. The volume examines the courts of Italy through the wide variety of objects - statues, paintings, jewellery, furniture, and heraldry - that were valued for their subject matter, material forms, histories, and social functions. As Clark shows, the late fifteenth-century Italian court an be located not only in the body of the prince, but also in the objects that constituted symbolic practices, initiated political dialogues, caused rifts, created memories, and formed associations.

Urban Carnival


Author : Anu Mänd
language : en
Publisher: Brepols Pub
Release Date : 2005

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This is a significant new study of the festival culture of northern Europe in the later Middle Ages: more specifically of the German-speaking communities of the great cities of the eastern Baltic littoral in what was then called Livonia, corresponding roughly to the territories of present-day Estonia and Latvia. While subject to a degree of Scandinavian influence, the festival culture of Livonian cities such as Riga, Reval (Tallinn), and Dorpat (Tartu), which were members of the Hanseatic League, substantially overlapped with that of other German-speaking areas, not least the Hanseatic cities of northern Germany. The major part of the book is devoted to the main annual festivals of the merchants' guilds: Christmas, Carnival, the popinjay shoot, and the May Count celebrations. There follows an analysis of specific aspects of the festivals: spatial contexts, finances, food and drink, entertainments (dances, jousts, games), customs and rituals. There is also a concluding glance at changes in festival culture after the Reformation. The study combines close scrutiny of local customs (made possible by the almost miraculous survival of uniquely detailed documentation), contextualization within the wider comparative context of festival culture in late-medieval Europe, and an alterness to significant recent scholarship in both English and German.

Vermeer S Hat


Author : Timothy Brook
language : en
Publisher: Profile Books
Release Date : 2010-07-09

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In one painting, a Dutch military officer leans toward a laughing girl. In another, a woman at a window weighs pieces of silver. In a third, fruit spills from a porcelain bowl onto a Turkish carpet. The officer's dashing hat is made of beaver fur, which European explorers got from Native Americans in exchange for weapons. Beaver pelts, in turn, financed the voyages of sailors seeking new routes to China. There - with silver mined in Peru - Europeans would purchase, by the thousands, the porcelain so often shown in Dutch paintings of this time. Vermeer's haunting images hint at the stories behind these exquisitely rendered moments. As Timothy Brook shows us in Vermeer's Hat, these pictures, which seem so intimate, actually open doors onto a rapidly expanding world.

Art Commerce And Colonialism 1600 1800


Author : Emma Barker
language : en
Publisher: Art and its Global Histories
Release Date : 2017-10-31

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Art, Commerce and Colonialism 1600-1800 examines European art, architecture and design of the seventeenth and eighteenth centuries in the light of the continent's growing engagement with the rest of the world. In a series of case studies spanning the globe from Asia to the Americas, it shows how the expansion of intercontinental trade and the proliferation of colonial ventures gave rise to new and diverse forms of visual and material culture. Among the examples discussed are ornate altarpieces in the cathedrals of colonial Latin America, Dutch still-life paintings of exotic luxury imports, English interior decoration in the Chinoiserie style and the architecture of plantation houses in North America and the Caribbean. Drawing on a wide range of recent scholarship, the book proposes a new history of European art 1600-1800, which should appeal to undergraduate students as well as to a general readership