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Exhibiting Contradiction


Author : Alan Wallach
language : en
Publisher: Univ of Massachusetts Press
Release Date : 1998

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The author of this text considers the way art museums have depicted and continue to depict American society and the American past. He explores issues from the absence of art museums before the Civil War, to the dilemma of the Museum of Modern Art over their West as America exhibition.

Exhibiting Blackness


Author : Bridget R. Cooks
language : en
Publisher: Univ of Massachusetts Press
Release Date : 2011

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In 1927, the Chicago Art Institute presented the first major museum exhibition of art by African Americans. Designed to demonstrate the artists' abilities and to promote racial equality, the exhibition also revealed the art world's anxieties about the participation of African Americans in the exclusive venue of art museums -- places where blacks had historically been barred from visiting let alone exhibiting. Since then, America's major art museums have served as crucial locations for African Americans to protest against their exclusion and attest to their contributions in the visual arts. In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans -- an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions -- Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent.

Exhibiting Outside The Academy Salon And Biennial 1775 1999


Author : Andrew Graciano
language : en
Publisher: Routledge
Release Date : 2017-07-05

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In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology.

Proceedings Of The Aristotelian Society For The Systematic Study Of Philosophy


Author :
language : en
Publisher:
Release Date : 1894

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List of members in each volume.

Bradley And The Structure Of Knowledge


Author : Phillip Ferreira
language : en
Publisher: SUNY Press
Release Date : 1999

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Arguing against those who situate F.H. Bradley as a skeptic, mystic, or empiricist, this book makes a case for understanding his thought firmly in the tradition of rationalistic idealism.

Proceedings Of The Aristotelian Society


Author : Aristotelian Society (Great Britain)
language : en
Publisher:
Release Date : 1894

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List of members in each volume.

Wonder In Contemporary Artistic Practice


Author : Christian Mieves
language : en
Publisher: Routledge
Release Date : 2017-01-12

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Wonder has an established link to the history and philosophy of science. However, there is little acknowledgement of the relationship between the visual arts and wonder. This book presents a new perspective on this overlooked connection, allowing a unique insight into the role of wonder in contemporary visual practice. Artists, curators and art theorists give accounts of their approach to wonder through the use of materials, objects and ways of exhibiting. These accounts not only raise issues of a particular relevance to the way in which we encounter our reality today but ask to what extent artists utilize the function of wonder purposely in their work.