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Fifty Key Texts In Art History


Author : Diana Newall
language : en
Publisher: Routledge
Release Date : 2013-03-01

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Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)

Fifty Key Writers On Photography


Author : Mark Durden
language : en
Publisher: Routledge
Release Date : 2013-02-15

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A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.

Aesthetic Hybridity In Mughal Painting 1526 1658


Author : Valerie Gonzalez
language : en
Publisher: Routledge
Release Date : 2016-03-03

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The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique

Key Writers On Art From Antiquity To The Nineteenth Century


Author : Chris Murray
language : en
Publisher: Psychology Press
Release Date : 2003

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Arranged chronologically, features more than forty essays by an international panel of experts on art, art critiicism, and art therory tracing the evolution of art from ancient times to the twentieth century.

The Story Of Art


Author : Ernst H. Gombrich
language : en
Publisher: Perfection Learning
Release Date : 2006-10

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Combining text with hundreds of full-colour illustrations, this book traces the history of art in an unfolding narrative, from primitive cave paintings to modern controversial art works.

Art And Visual Perception


Author : Rudolf Arnheim
language : en
Publisher: Univ of California Press
Release Date : 2004

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Gestalt theory and the psychology of visual perception form the basis for an analysis of art and its basic elements

Art Psalms


Author : Alex Grey
language : en
Publisher: North Atlantic Books
Release Date : 2008

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The capacity of art--both visual and verbal--to stimulate creativity and personal growth is the theme of this challenging collection from an internationally known artist. Grey combines poems, artwork, and thoughtful declarations that fuse imagination, creativity, and spirituality.