Il Secolo Spezzato Delle Avanguardie Vintage
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Il Secolo Spezzato Delle Avanguardie Vintage
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Author : Philippe Daverio
language : it
Publisher: Rizzoli
Release Date : 2015-05-07T00:00:00+02:00
Il Secolo Spezzato Delle Avanguardie Vintage written by Philippe Daverio and has been published by Rizzoli this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-07T00:00:00+02:00 with Art categories.
L’arte della prima metà del Novecento è un vorticoso susseguirsi di movimenti e “ismi”. Il secolo breve, racchiuso fra l’illuminazione elettrica del cielo di Parigi dall’alto della Tour Eiffel per l’expo del 1889 e il lampo devastante del fungo atomico a Hiroshima, ha forgiato il nostro immaginario. Da qui Philippe Daverio parte per creare un affresco fatto di assonanze e migrazioni, incontri reali e fantastici tra opere e artisti: Klimt, Balla, Kandinskij, Picasso... Un libro-mondo guidato dall’irresistibile libertà del pensiero folle.
Il Secolo Spezzato Delle Avanguardie
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Author : Philippe Daverio
language : it
Publisher: Jumpstart request for Mondadori Libri Electa Trade
Release Date : 2014-11-26
Il Secolo Spezzato Delle Avanguardie written by Philippe Daverio and has been published by Jumpstart request for Mondadori Libri Electa Trade this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-26 with Art categories.
L'arte della prima metà del Novecento è un vorticoso susseguirsi di movimenti e "ismi". Difficile dunque definirla in un sistema chiuso e immutabile, meglio, e forse più giusto, cercare di catturarne lo spirito di molteplicità e di contaminazione continua attraverso un programma di mostre temporanee, percorsi visivi, tematici o storici che tengono conto di connessioni, rimandi e affinità tra artisti anche apparentemente lontani. Il secolo breve, racchiuso fra l'illuminazione elettrica del cielo di Parigi dall'alto della Tour Eiffel per l'expo del 1889 e il lampo devastante del fungo atomico a Hiroshima, ha forgiato il nostro immaginario di uomini contemporanei, frantumando le certezze del secolo lungo. Con queste esposizioni immaginate Philippe Daverio percorre strade poco battute, e si allontana dai consueti percorsi scolastici, cercando piuttosto assonanze e migrazioni, incontri reali o immaginari fra opere e artisti. Klimt, Balla, Kandinskij, Picasso e alcuni altri diventano così i cavalieri dell'arte, che hanno gettato i semi e inventato le "forme" del Novecento, e alcuni temi come la danza, l'ansia dell'uomo contemporaneo e la città, sono i luoghi, reali o fantastici, che raccontano la joie de vivre, la frenesia e la solitudine dell'esistenza nel XX secolo.
Il Secolo Spezzato Delle Avanguardie Il Museo Immaginato
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Author : Philippe Daverio
language : it
Publisher:
Release Date : 2014
Il Secolo Spezzato Delle Avanguardie Il Museo Immaginato written by Philippe Daverio and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.
Il Secolo Spezzato Delle Avanguardie Il Museo Immaginato
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Author : Philippe Daverio
language : it
Publisher:
Release Date : 2015
Il Secolo Spezzato Delle Avanguardie Il Museo Immaginato written by Philippe Daverio and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Art categories.
Guardar Lontano Veder Vicino Vintage
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Author : Philippe Daverio
language : it
Publisher: Rizzoli
Release Date : 2014-06-11T00:00:00+02:00
Guardar Lontano Veder Vicino Vintage written by Philippe Daverio and has been published by Rizzoli this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-11T00:00:00+02:00 with Art categories.
Un viaggio iniziatico nel Rinascimento italiano. L’esercizio della curiosità vi porterà ad alzare lo sguardo per guardar lontano, abbracciando i complessi intrecci della storia, e a veder vicino, direttamente dentro le immagini. “Questo non sarà mai un libro di Storia dell’Arte, con le due auliche maiuscole, non assomiglia a uno di quei tomi scolastici che hanno forse lasciato tedio e sonnolenza sui banchi di scuola, ma è piuttosto un viaggio esoterico nelle storie dell’arte.” Forte della sua esperienza di autore e conduttore televisivo, Philippe Daverio non è mai banalmente divulgativo, non intende semplificare fenomeni complessi, ma affronta le vicende degli artisti, delle opere e dei committenti secondo un metodo d’indagine che è diventato la sua cifra personale: sa guardare da lontano o accostarsi per vedere da vicino. Ogni suo nuovo libro è un’avventura che apre nuove prospettive. Il “metodo Daverio” è applicato in questo caso al Rinascimento. Il periodo fondativo della cultura e dell’arte italiana acquista così nuova freschezza e vivacità, prende le mosse dalla pittura di Giotto, “un fulmine nella storia dell’arte”, e si conclude con quel “talentaccio e caratteraccio” di Caravaggio, attraversando la curiosità anarchica di Leonardo, i cagnolini di Tiziano, l’eccentrica sensualità di Parmigianino e i sussulti religiosi di Michelangelo. L’allontanamento dalle categorie canoniche della storia dell’arte e la pratica dello spostamento del punto di vista si rivelano in particolare nelle Daveriologie, pagine nelle quali la curiosità impertinente dell’autore affronta nuove strade di lettura, attraverso accostamenti insoliti, a volte audaci, di capolavori e artisti lontani nel tempo e nello spazio.
The Ideal Museum
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Author : Philippe Daverio
language : en
Publisher: Rizzoli Publications
Release Date : 2013-07-02
The Ideal Museum written by Philippe Daverio and has been published by Rizzoli Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-02 with Art categories.
Philippe Daverio is one of Italy’s most important contemporary art historians, whose discerning comments about art are voraciously consumed by the public through his writing as editor of the famed magazine Art e Dossier and his platform on a leading Italian television program Passepartout. Now, in his first full-length work of narrative nonfiction, Daverio uses the conceit of creating his own perfect museum gallery and in the process reexamines major artistic masterpieces of Western art. Daverio turns his critical eye on the place of Western art in contemporary twenty-first-century culture and how we relate to art generally. According to Daverio, we relate to the history of art based on views that crystallized in the nineteenth century, and so we look to the past to understand the present, though the present is what truly matters to everyone. Daverio means to challenge this perspective, and guided by his curiosity and personal taste, he examines key masterworks to rediscover the true meaning and power they had before they became commoditized and clichéd. Some distinctive features of this illustrated eBook are: • 800+ full size and detailed images of paintings and drawings. • 280+ artworks with pop-up ability. • 160 thumbnails with links showing the setting of the work and location in its home museum, with informational text. • 92 links to museum websites that house the real works. The Italian-language edition of The Ideal Museum ebook has been awarded the QED Seal (Quality, Excellence, Design)—the premier award for ebooks and book apps—by the council of the Publishing Innovation Awards. This award recognizes the title’s portability and readability, providing the best reading experience possible.
I Colori Delle Avanguardie Arte In Romania 1910 1950
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Author : Aa.Vv.
language : it
Publisher: Gangemi Editore spa
Release Date : 2011-11-10T00:00:00+01:00
I Colori Delle Avanguardie Arte In Romania 1910 1950 written by Aa.Vv. and has been published by Gangemi Editore spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-10T00:00:00+01:00 with Art categories.
Non possiamo dire che I Colori dell'Avanguardia sia una mostra dedicata all'avanguardia, neanche ad un'avanguardia così complessa e contraddittoria come quella romena. Se la si guarda con spirito purista, questa mostra è quasi un tradimento. Non solo si apre con opere moderniste create attorno al 1910, molto prima dell'aurora dadaista europea nata nei lunatici incontri del Cabaret Voltaire, ma si chiude con montaggi pseudoavanguardisti, opere del realismo socialista posteriori al 1950, nate quindi molto dopo la fine ufficiale dell'avanguardia storica propriamente detta. Inoltre, gran parte della mostra è dedicata ad un miscuglio di modernismi moderati, dal simbolismo ad un postimpressionismo classico, tradizionale, influenzato dalle opere di Cézanne, dal costruttivismo al surrealismo o ad un espressionismo che scivola armoniosamente verso la Neue Sachlichkeit, il realismo corporativo dall'obiettività carica d'ideologia. A dispetto delle posizioni politiche teoricamente antitetiche di questi orientamenti, sorprendono alcuni temi iconografici ricorrenti che collegano artisti, opere ed eventi apparentemente situati ai poli opposti di un unico contesto artistico locale. Ma è proprio questa la scommessa di questa mostra. Colours of the Avant-garde is decidedly not an exhibition thoroughly and honestly dedicated to the avant-garde, not even to the complex and contradictory, Romanian one. Seen from the purist, advanced avant-garde outposts, the exhibition is almost disloyal. It not only starts with modernist works of the 1910s, long before the Dadaist European debut through the agency of the lunatic proceedings at Cabaret Voltaire, but it also ends with pseudo-avant-garde, realist-socialist collages produced in 1950s, long after the official expiration of the properly historical avant-garde. Moreover, the very bulk of the exhibition is assigned to a mixture of various kinds of mellow modernisms, ranging from Symbolism to a Cézanne-touched classical, traditional post-impressionism or from Constructivist to Surrealist and even somehow retarded, Expressionist works. Despite the fact that most of their ideological standpoints were theoretically adverse, one is struck by the unexpected recurrence of some prominent iconographical data that link together artists, works and events apparently disconnected, placed at the opposing ends of the same art scene. But this is precisely the point of the exhibition.
Teatro Verdi
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Author : Luca Scarlini
language : it
Publisher: Giunti Editore
Release Date : 2008
Teatro Verdi written by Luca Scarlini and has been published by Giunti Editore this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with History categories.
The Years Of Alienation In Italy
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Author : Alessandra Diazzi
language : en
Publisher: Springer
Release Date : 2019-06-11
The Years Of Alienation In Italy written by Alessandra Diazzi and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-11 with Social Science categories.
The Years of Alienation in Italy offers an interdisciplinary overview of the socio-political, psychological, philosophical, and cultural meanings that the notion of alienation took on in Italy between the 1960s and the 1970s. It addresses alienation as a social condition of estrangement caused by the capitalist system, a pathological state of the mind and an ontological condition of subjectivity. Contributors to the edited volume explore the pervasive influence this multifarious concept had on literature, cinema, architecture, and photography in Italy. The collection also theoretically reassesses the notion of alienation from a novel perspective, employing Italy as a paradigmatic case study in its pioneering role in the revolution of mental health care and factory work during these two decades.
Out Of This Century The Informal Memoirs Of Peggy Guggenheim
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Author : Peggy Guggenheim
language : en
Publisher: Ravenio Books
Release Date : 2016-02-06
Out Of This Century The Informal Memoirs Of Peggy Guggenheim written by Peggy Guggenheim and has been published by Ravenio Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-06 with Art categories.
I have no memory. I always say to my friends, “Don’t tell me anything you don’t want repeated. I just can’t remember not to.” Invariably I forget and I repeat everything. In 1923 I began to write my memoirs. They began like this: “I come from two of the best Jewish families. One of my grandfathers was born in a stable like Jesus Christ or, rather, over a stable in Bavaria, and my other grandfather was a peddler.” I don’t seem to have gotten very far with this book. Maybe I had nothing to say, or possibly I was too young for the task which I had set myself. Now I feel I am ripe for it. By waiting too long I may forget everything I have somehow managed to remember. If my grandfathers started life modestly they ended it sumptuously. My stable-born grandfather, Mr. Seligman, came to America in steerage, with forty dollars in his pocket and contracted smallpox on board ship. He began his fortune by being a roof shingler and later by making uniforms for the Union Army in the Civil War. Later he became a renowned banker and president of Temple Emanu-el. Socially he got way beyond my other grandfather, Mr. Guggenheim the peddler, who was born in St. Gallen in German Switzerland. Mr. Guggenheim far surpassed Mr. Seligman in amassing an enormous fortune and buying up most of the copper mines of the world, but he never succeeded in attaining Mr. Seligman’s social distinction. In fact, when my mother married Benjamin Guggenheim the Seligmans considered it a mésalliance. To explain that she was marrying into the well known smelting family, they sent a cable to their kin in Europe saying, “Florette engaged Guggenheim smelter.” This became a great family joke, as the cable misread “Guggenheim smelt her.” By the time I was born the Seligmans and the Guggenheims were extremely rich. At least the Guggenheims were and the Seligmans hadn’t done so badly. My grandfather, James Seligman, was a very modest man who refused to spend money on himself and underfed his trained nurse. He lived sparsely and gave everything to his children and grandchildren. He remembered all our birthdays and, although he did not die until ninety-three, he never failed to make out a check on these occasions. The checks were innumerable, as he had eleven children and fifteen grandchildren. Most of his children were peculiar, if not mad. That was because of the bad inheritance they received from my grandmother. My grandfather finally had to leave her. She must have been objectionable. My mother told me that she could never invite young men to her home without a scene from her mother. My grandmother went around to shopkeepers and, as she leaned over the counter, asked them confidentially, “When do you think my husband last slept with me?” My mother’s brothers and sisters were very eccentric. One of my favorite aunts was an incurable soprano. If you happened to meet her on the corner of Fifth Avenue while waiting for a bus, she would open her mouth wide and sing scales trying to make you do as much. She wore her hat hanging off the back of her head or tilted over one ear. A rose was always stuck in her hair. Long hatpins emerged dangerously, not from her hat, but from her hair. Her trailing dresses swept up the dust of the streets. She invariably wore a feather boa. She was an excellent cook and made beautiful tomato jelly. Whenever she wasn’t at the piano, she could be found in the kitchen or reading the ticker-tape. She was an inveterate gambler. She had a strange complex about germs and was forever wiping her furniture with lysol. But she had such extraordinary charm that I really loved her. I cannot say her husband felt as much. After he had fought with her for over thirty years, he tried to kill her and one of her sons by hitting them with a golf club. Not succeeding, he rushed to the reservoir where he drowned himself with heavy weights tied to his feet.