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Impressionism


Author : Robert L. Herbert
language : en
Publisher: Yale University Press
Release Date : 1988

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Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings

Impressionism


Author : John House
language : en
Publisher: Yale University Press
Release Date : 2004

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In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.

Impressionism


Author : Nathalia Brodskaïa
language : en
Publisher: Parkstone International
Release Date : 2018-03-13

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Impressionism


Author : Jessica Gunderson
language : en
Publisher: The Creative Company
Release Date : 2009

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Introduces the artistic movement that began in the late 1800s and includes such well-known painters as Claude Monet, Pierre Auguste Renoir, and Georges Seurat.

The Art Of Impressionism


Author : Anthea Callen
language : en
Publisher: Yale University Press
Release Date : 2000

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This magnificent book is the first full-scale exploration of Impressionist technique. Focusing on the easel-painted work of Monet, Pissarro, Renoir, Cézanne, Cassatt, Morisot, Caillebotte, Sisley, and Degas in the period before 1900, it places their methods and materials in a historical perspective and evaluates their origins, novelty, and meanings within the visual formation of urban modernity. Drawing on scientific studies of pigments and materials, artists’ treatises, colormens’ archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyzes the material constituents of oil painting and the complex processes of “making” entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice, and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real “modernity” of the Impressionist enterprise lies in the painters’ material practices. Bold brushwork, unpolished, sketchy surfaces, and bright, “primitive” colors were combined with their subject matter—the effects of light, the individual sensation made visible—to establish the modern as visual.

Impressionism


Author : Michael Jacobs
language : en
Publisher: Dramatists Play Service Inc
Release Date : 2010-01-01

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THE STORY: IMPRESSIONISM is set in the small art gallery of Katharine Keenan, where she and her assistant, Thomas Buckle, have been hiding from a world that has shattered them. Thomas has been hurt by what he's seen behind his camera as a world-tra

Impressionism


Author : John I. Clancy
language : en
Publisher: Nova Publishers
Release Date : 2003

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Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art historys most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.