Italian Renaissance Art


Italian Renaissance Art
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Italian Renaissance Art


Italian Renaissance Art
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Author : Christiane L. Joost-Gaugier
language : en
Publisher: John Wiley & Sons
Release Date : 2013-03-04

Italian Renaissance Art written by Christiane L. Joost-Gaugier and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-04 with Art categories.


Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known



Italian Renaissance Art


Italian Renaissance Art
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Author : Stephen J. Campbell
language : en
Publisher:
Release Date : 2017

Italian Renaissance Art written by Stephen J. Campbell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art categories.


A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.



Visualizing The Past In Italian Renaissance Art


Visualizing The Past In Italian Renaissance Art
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Author : Jennifer Cochran Anderson
language : en
Publisher: BRILL
Release Date : 2021-03-22

Visualizing The Past In Italian Renaissance Art written by Jennifer Cochran Anderson and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-22 with Art categories.


A team of specialists addresses a foundational concept as central to early modern thinking as to our own: that the past is always an important part of the present.



Art In Renaissance Italy 1350 1500


Art In Renaissance Italy 1350 1500
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Author : Evelyn S. Welch
language : en
Publisher: Oxford University Press, USA
Release Date : 2000

Art In Renaissance Italy 1350 1500 written by Evelyn S. Welch and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Art categories.


"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).



Art In Renaissance Italy


Art In Renaissance Italy
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Author : John T. Paoletti
language : en
Publisher: Laurence King Publishing
Release Date : 2005

Art In Renaissance Italy written by John T. Paoletti and has been published by Laurence King Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Art, Italian categories.


'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.



Italian Renaissance Art


Italian Renaissance Art
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Author : Laurie Schneider Adams
language : en
Publisher: Routledge
Release Date : 2018-05-04

Italian Renaissance Art written by Laurie Schneider Adams and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-04 with Art categories.


"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."



Art And Love In Renaissance Italy


Art And Love In Renaissance Italy
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Author : Metropolitan Museum of Art (New York, N.Y.)
language : en
Publisher: Metropolitan Museum of Art
Release Date : 2008

Art And Love In Renaissance Italy written by Metropolitan Museum of Art (New York, N.Y.) and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art del Renaixement categories.


"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.



Women In Italian Renaissance Art


Women In Italian Renaissance Art
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Author : Paola Tinagli
language : en
Publisher: Manchester University Press
Release Date : 1997-06-15

Women In Italian Renaissance Art written by Paola Tinagli and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-06-15 with Art categories.


This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.



Classical Myths In Italian Renaissance Painting


Classical Myths In Italian Renaissance Painting
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Author : Luba Freedman
language : en
Publisher: Cambridge University Press
Release Date : 2011-06-30

Classical Myths In Italian Renaissance Painting written by Luba Freedman and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06-30 with Art categories.


"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"-- Provided by publisher.



Low And High Style In Italian Renaissance Art


Low And High Style In Italian Renaissance Art
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Author : Patricia Emison
language : en
Publisher: Routledge
Release Date : 2013-10-28

Low And High Style In Italian Renaissance Art written by Patricia Emison and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-28 with Music categories.


During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.