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The Firebird Ballet


Author : Igor Stravinsky
language : en
Publisher:
Release Date : 196?

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A Companion To Beethoven S Pianoforte Sonatas


Author : Donald Francis Tovey
language : en
Publisher:
Release Date : 1965

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Cello Concerto Op 104 B 191


Author : Antonin Dvorak
language : en
Publisher: Petrucci Library Press
Release Date : 2013-07-01

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Dvorak had long refused the repeated requests for a cello concerto from his friend, the renowned cellist Hanus Wihan (1855-1920) until he attended the premiere of Victor Herbert's second concerto in New York in the fall of 1894 during his tenure as director of the National Conservatory. The second movement of Herbert's concerto was in B minor, which might have been a factor in Dvorak's choice of the same key for his own concerto, which was started in New York on November 8, 1894 and completed on February 8 of the following year. Despite the dedication to Wihan, the first performance was given by the English cellist Leo Stern in London's Queen's Hall on March 19, 1896 with the composer conducting the London Philharmonic. This new study score is a reprint of the critical edition prepared by Fratisek Bartos for the Collected Works issued by the Czech State Publisher in 1955. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Igor Stravinsky


Author : Igor Stravinsky
language : en
Publisher: Read Books
Release Date : 2008-11-01

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IGOR STRAVINSKY An Autobiography Foreword ONE Development of the Composer 1 TWO Composer and Performer 87 CITY MO. PUBLIC 6870524 Foreword The aim of this volume is to set down a few recollections connected with various periods of my life. It is equally in tended for those interested in my music and in myself. Rather therefore, than a biography it will be a simple account of im portant events side by side with facts of minor consequence bothy however, have a certain significance for me, and I wish to relate them according to the dictates of my memory. Naturally I shall not be able to keep within the bounds of bare statement. As I call my recollections to mind, I shall necessarily be obliged to speak of my opinions, my tastes, my preferences, and my abhorrences. I am but too well aware of how much these feelings vary in the course of time. This is why I shall take great care not to confuse my present reactions with those experienced at other stages in my life. There are still further reasons which induce me to write this book. In numerous interviews I have given, my thoughts, my words, and even facts have often been disfigured to the extent of becoming absolutely unrecognizable. I therefore undertake this task today in order to present to the reader a true picture of myself, and to dissipate the accumulation of misunderstandings that has gathered about both my work and my person. ONE Development of the Composer I As memory reaches back along the vista of the years, the increasing distance adds to the difficulty of seeing clearly and choosing between those incidents which make a deep impres sion and those which, though perhaps more important in themselves, leave no trace, and in no wayinfluence ones development. Thus, one of my earliest memories of sound will seem somewhat odd. It was in the country, where my parents, like most peo ple of their class, spent the summer with their children. I can see it now. An enormous peasant seated on the stump of a tree. The sharp resinous tang of fresh-cut wood in my nos trils. The peasant simply clad in a short red shirt. His bare legs covered with reddish hair, on his feet birch sandals, on his head a mop of hair as thick and as red as his beard not a white hair, yet an old man. He was dumb, but he had a way of clicking his tongue very noisily, and the children were afraid of him. So was I. But curiosity used to triumph over fear. The children would gather round him. Then, to amuse them, he would begin to sing. This song was composed of two syllables, the only ones he could pronounce. They were devoid of any meaning, but he made them alternate with incredible dexterity in a very rapid tempo. He used to accompany this clucking in the fol lowing way pressing the palm of his right hand under hi left armpit, he would work his left arm with a rapid move ment, making it press on the right hand...

Stravinsky The Composer And His Works


Author : Eric Walter White
language : en
Publisher: Univ of California Press
Release Date : 1984

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In the second edition of the definitive account of Igor Stravinsky's life and work, arranged in two separate sections, Eric Walter White revised the whole book, completing the biographical section by taking it up to Stravinsky's death in 1971. To the list of works, the author added some early pieces that have recently come to light, as well as the late compositions, including the Requiem Canticles and The Owl and the Pussycat. Four more of Stravinsky's own writings appear in the Appendices, and there are several important additions to the bibliography.

De Basil S Ballets Russes


Author : Kathrine Sorley Walker
language : en
Publisher: Dance Books Limited
Release Date : 2010

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The author details the story of Colonel W. de Basil's company of Russian ballet dancers who kept alive the heritage of the Russian ballet for 20 years.

Symphony No 4 In E Flat Romantic


Author : Anton Bruckner
language : en
Publisher: Alfred Music
Release Date :

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An Intermediate / AdvancedPiano Duet, composed by Anton Bruckner for 1 Piano, 4 Hands.