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The Notebooks Of Leonardo Da Vinci


Author : Leonardo (da Vinci)
language : en
Publisher:
Release Date : 1958

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Two Volumes Vol. One is drawings of Leonardo da Vinci; edited and notes by A.E. Popham; Vol. Two is Notebooks of Leonardo da Vinci translated and arranged by Edward MacCurdy.

The Da Vinci Notebooks


Author : Emma Dickens
language : en
Publisher: Skyhorse Publishing, Inc.
Release Date : 2011-05-25

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Towering across time as the creator of the Mona Lisa, forever famous as a sculptor and inventor, Leonardo da Vinci was one of the greatest minds of both the Italian Renaissance and Western civilization. His keen scientific imagination and, most of all, his aesthetic and creative genius have forever changed the course of our culture. Dan Brown’s The Da Vinci Code and recent in-depth biographies have stimulated renewed interest in da Vinci and his complex and inquiring intelligence. He is a challenging figure easily defined only by his great works, but this revealing selection of sketches, diagrams, and writings from his notebooks is a beautiful and varied record of da Vinci’s theories and observations. They embrace not only art but also architecture, town planning, engineering, naval warfare, music, medicine, mathematics, science, and philosophy. The notebooks—a treasure trove of unparalleled ingenuity, curiosity, and creative energy—have inspired readers for centuries. The Da Vinci Notebooks is the perfect introduction to the mysteries of a master artist.

Leonardo Da Vinci S Notebooks


Author : Edward McCurdy
language : en
Publisher:
Release Date : 2013-10

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This is a new release of the original 1923 edition.

Notebooks


Author : Leonardo da Vinci
language : en
Publisher: OUP Oxford
Release Date : 2008-04-17

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'Study me reader, if you find delight in me...Come, O men, to see the miracles that such studies will disclose in nature.' Most of what we know about Leonardo da Vinci, we know because of his notebooks. Some 6,000 sheets of notes and drawings survive, which represent perhaps one-fifth of what he actually produced. In them he recorded everything that interested him in the world around him, and his study of how things work. With an artist's eye and a scientist's curiosity he studied the movement of water and the formation of rocks, the nature of flight and optics, anatomy, architecture, sculpture, and painting. He jotted down fables and letters and developed his belief in the sublime unity of nature and man. Through his notebooks we can get an insight into Leonardo's thoughts, and his approach to work and life. This selection offers a cross-section of his writings, organized around coherent themes. Fully updated, this new edition includes some 70 line drawings and a Preface by Martin Kemp, one of the world's leading authorities on Leonardo. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Leonardo Da Vinci


Author : Leonardo (da Vinci)
language : en
Publisher: Scala Books
Release Date : 2007

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A unique interpretation of one of the most important pieces of scholarly material in existence.

The Notebooks Of Leonardo Da Vinci


Author : Leonardo da Vinci
language : en
Publisher: Courier Corporation
Release Date : 2012-07-12

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Volume 1 of 2-volume set. Total of 1,566 extracts includes writings on painting, sculpture, architecture, anatomy, mining, inventions, and music. Dual Italian-English texts, with 186 plates plus over 500 additional drawings.

The Notebooks Of Leonardo Da Vinci


Author : da Vinci, Leonardo
language : en
Publisher: Aegitas
Release Date : 2015-04-11

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A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description.