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Moonlight And Magnolias


Author : Ron Hutchinson
language : en
Publisher: Oberon Books
Release Date : 2007

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Hollywood, 1939: semi-independent mogul David O. Selznick has just shut down production on the most eagerly anticipated movie in history - his megabudget version of Margaret Mitchell's bestselling novel Gone With The Wind - scrapping the original script and sacking the director in the progress. Determined to produce a rewrite in five days, he engages the reluctant services of ace script doctor Ben Hecht - possibly the only person in America who has not read the novel - and the movie's new director Victor Fleming, poached straight from the set of The Wizard of Oz, where he had been squabbling with the Munchkins and coming to blows with Judy Garland. His reputation on the line, and with nothing but a stockpile of peanuts and bananas to sustain them, Selznick locks himself in his office with his two collaborators, and a marathon creative session begins.

Hitchcock And Selznick


Author : Leonard J. Leff
language : en
Publisher: Univ of California Press
Release Date : 1999

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Paperback reprint of a book depicting the oddly brilliant relationship between Alfred Hitchcock and David O. Selznick, two of Hollywood's most legendary filmmakers.

David O Selznick S Hollywood


Author : Ronald Haver
language : en
Publisher: Harvill Secker
Release Date : 1980-01-01

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Making Music In Selznick S Hollywood


Author : Nathan Platte
language : en
Publisher: Oxford University Press
Release Date : 2017

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Iconic images from fiery scenes of catharsis in Gone With the Wind and Rebecca to The Third Man's decadent cinematography have proven inseparable from their accompanying melodies. From the 1910s-50s, producer David O. Selznick depended upon music to distinguish his films from his competitors'.By demonstrating music's value in film and encouraging its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums, Selznick changed audiences' relationship to movie music. But what role did Selznick play in the actual music composition that distinguished his productions,and how was that music made?As the first of its kind to consider film music from the perspective of a producer, this book tells the story of the evolution of Selznick's style through the many artists whose work defined Hollywood sound. Utilizing thousands of archival documents, chapters in this book unearth and analyzeSelznick's efforts in the late silent-era, his work at three major Hollywood studios, and his accomplishments as an independent producer, including music-making for King Kong, A Star is Born, Prisoner of Zenda, Duel in the Sun, among many others.

Indecent Exposure


Author : David McClintick
language : en
Publisher: Harper Collins
Release Date : 2002-12-03

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Download Indecent Exposure written by David McClintick and has been published by Harper Collins this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-12-03 with Business & Economics categories.


When the head of Columbia Pictures, David Begelman, got caught forging Cliff Robertson's name on a $10,000 check, it seemed, at first, like a simple case of embezzlement. It wasn't. The incident was the tip of the iceberg, the first hint of a scandal that shook Hollywood and rattled Wall Street. Soon powerful studio executives were engulfed in controversy; careers derailed; reputations died; and a ruthless, take-no-prisoners corporate power struggle for the world-famous Hollywood dream factory began. First published in 1982, this now classic story of greed and lies in Tinseltown appears here with a stunning final chapter on Begelman's post-Columbia career as he continued to dazzle and defraud . . . until his last hours in a Hollywood hotel room, where his story dramatically and poignantly would end.

Harnessing The Technicolor Rainbow


Author : Scott Higgins
language : en
Publisher: University of Texas Press
Release Date : 2009-02-17

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Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world. Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of color—and shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

Vivien Leigh


Author : Anne Edwards
language : en
Publisher: Taylor Trade Publishing
Release Date : 2013-04-16

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This is the story of the actress who became a Hollywood legend by winning the coveted role of Scarlett O’Hara in Gone with the Wind, and whose circle included both theatrical and political celebrities, from Winston Churchill to Noel Coward, John Gielgud, and Marlon Brando. But behind the dazzling exterior lay the sinister shadow of another Vivien Leigh—a shadow which pursued her throughout her aristocratic upbringing, her frustrating first marriage, her tempestuous romance with Laurence Olivier, and her meteoric rise to stardom. As The New York Times wrote of the hardcover edition, “To read her story is to be inspired with pity and terror.”