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Memo From David O Selznick


Author : David O. Selznick
language : en
Publisher:
Release Date : 2000

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Short Run

Hitchcock And Selznick


Author : Leonard J. Leff
language : en
Publisher: Univ of California Press
Release Date : 1999

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Paperback reprint of a book depicting the oddly brilliant relationship between Alfred Hitchcock and David O. Selznick, two of Hollywood's most legendary filmmakers.

Moonlight And Magnolias


Author : Ron Hutchinson
language : en
Publisher: Oberon Books
Release Date : 2007

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Hollywood, 1939: semi-independent mogul David O. Selznick has just shut down production on the most eagerly anticipated movie in history - his megabudget version of Margaret Mitchell's bestselling novel Gone With The Wind - scrapping the original script and sacking the director in the progress. Determined to produce a rewrite in five days, he engages the reluctant services of ace script doctor Ben Hecht - possibly the only person in America who has not read the novel - and the movie's new director Victor Fleming, poached straight from the set of The Wizard of Oz, where he had been squabbling with the Munchkins and coming to blows with Judy Garland. His reputation on the line, and with nothing but a stockpile of peanuts and bananas to sustain them, Selznick locks himself in his office with his two collaborators, and a marathon creative session begins.

The Art Of The Moving Picture


Author : Vachel Lindsay
language : en
Publisher: Modern Library
Release Date : 2010-12-15

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"In the field of film aesthetics, it is the first important American work, still important--The Art of the Moving Picture is astonishing." --Stanley Kauffmann Written in 1915, The Art of the Moving Picture by poet Vachel Lindsay is the first book to treat movies as art. Lindsay writes a brilliant analysis of the early silent films (including several now lost films). He is extraordinarily prescient about the future of moviemaking--particularly about the business, the prominence of technology, and the emergence of the director as the author of the film. From the Trade Paperback edition.

Inside Warner Bros 1935 1951


Author : Rudy Behlmer
language : en
Publisher: Fireside
Release Date : 1987-03-01

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Culled from Warner Brothers' voluminous files, these collected memos and letters present a behind-the-scenes look at the legendary Hollywood studio in the words of the stars and studio executives who helped build that legend

Frank Capra


Author : Joseph McBride
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2011-06-02

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Moviegoers often assume Frank Capra’s life resembled his beloved films (such as Mr. Smith Goes to Washington and It’s a Wonderful Life). A man of the people faces tremendous odds and, by doing the right thing, triumphs! But as Joseph McBride reveals in this meticulously researched, definitive biography, the reality was far more complex, a true American tragedy. Using newly declassified U.S. government documents about Capra’s response to being considered a possible “subversive” during the post–World War II Red Scare, McBride adds a final chapter to his unforgettable portrait of the man who gave us It Happened One Night, Mr. Deeds Goes to Town, and Meet John Doe.

Making Music In Selznick S Hollywood


Author : Nathan Platte
language : en
Publisher: Oxford University Press
Release Date : 2017-10-13

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Through the rise and fall of the Hollywood studio system, David O. Selznick reigned as Hollywood's preeminent producer. His reputation depended in large part on music. The orchestral cacophony of King Kong, the pulsing electronic sonorities of Spellbound, and the Tara theme from Gone with the Wind made music a distinguishing feature of the Selznick experience. By flaunting music's role in film and overseeing its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums, Selznick cultivated a fascination with film scores. But he did not do it alone. In Making Music in Selznick's Hollywood, Nathan Platte brings to light the men and women whose work sounds throughout Selznick's many films. The cast includes familiar composers like Max Steiner, Franz Waxman, and Dimitri Tiomkin, but extends to overlooked contributors, including music editor Audray Granville, orchestrator Hugo Friedhofer, harpist Louise Klos, choral director Jester Hairston, publicist Ted Wick, and many others. Novelists, studio writers, and directors like Alfred Hitchcock also influenced the soundscapes of Selznick's films. Whether working with the producer directly or managing his presence from a distance, all had to reckon with Selznick's musical preoccupations. Rarely was it easy. Rewritten scores, fired personnel, and other skirmishes reflect the troubles-and uneven compromises-that shaped music for films like Gone with the Wind, Duel in the Sun, and Rebecca. Even Selznick anticipated that such problems would "go down in the history of Hollywood as the last wild fling of people who really fiddled-and how!-while Hollywood burned." Drawing on extensive archival research, Platte recounts those stories here, tracing Selznick's musical labors during the silent era through his work at the major studios and his culminating efforts at Selznick International Pictures. Taken together, Selznick's films provide a sweeping vista of the relationships among musicians and filmmakers that defined the Hollywood sound.