Renaissance Theories Of Vision


Renaissance Theories Of Vision
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Renaissance Theories Of Vision


Renaissance Theories Of Vision
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Author : John Shannon Hendrix
language : en
Publisher: Routledge
Release Date : 2016-12-05

Renaissance Theories Of Vision written by John Shannon Hendrix and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Art categories.


How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.



Renaissance Theories Of Vision


Renaissance Theories Of Vision
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Author : John Hendrix
language : en
Publisher:
Release Date : 2016

Renaissance Theories Of Vision written by John Hendrix and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with categories.


How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.



Theories Of Vision From Al Kindi To Kepler


Theories Of Vision From Al Kindi To Kepler
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Author : David C. Lindberg
language : en
Publisher: University of Chicago Press
Release Date : 1976

Theories Of Vision From Al Kindi To Kepler written by David C. Lindberg and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Medical categories.


Kepler's successful solution to the problem of vision early in the seventeenth century was a theoretical triumph as significant as many of the more celebrated developments of the scientific revolution. Yet the full import of Kepler's arguments can be grasped only when they are viewed against the background of ancient, medieval, and Renaissance visual theory. David C. Lindberg provides this background, and in doing so he fills the gap in historical scholarship and constructs a model for tracing the development of scientific ideas. David C. Lindberg is professor and chairman of the department of the history of science at the University of Wisconsin, Madison.



Renaissance Vision From Spectacles To Telescopes


Renaissance Vision From Spectacles To Telescopes
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Author : Vincent Ilardi
language : en
Publisher: American Philosophical Society
Release Date : 2007

Renaissance Vision From Spectacles To Telescopes written by Vincent Ilardi and has been published by American Philosophical Society this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Eyeglasses categories.




Leon Battista Alberti And Nicholas Cusanus Towards An Epistemology Of Vision For Italian Renaissance Art And Cult


Leon Battista Alberti And Nicholas Cusanus Towards An Epistemology Of Vision For Italian Renaissance Art And Cult
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Author : Charles H. Carman
language : en
Publisher: Lund Humphries Publishers
Release Date : 2014-08-01

Leon Battista Alberti And Nicholas Cusanus Towards An Epistemology Of Vision For Italian Renaissance Art And Cult written by Charles H. Carman and has been published by Lund Humphries Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-01 with ART categories.


Providing a fresh evaluation of Alberti's text On Painting (1435), along with comparisons to various works of Nicholas Cusanus this study reveals a hitherto unsuspected shared epistemology of vision. Analyzing a range of artworks in light of Alberti's and Cusanus's ideals of vision, the author attributes a more deeply Christian Neoplatonic ideal than is typically accorded to Alberti, and adds a new dimension to our understanding of theories of vision in the Italian Renaissance.



Reading By Design


Reading By Design
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Author : Pauline Reid
language : en
Publisher: University of Toronto Press
Release Date : 2019-04-08

Reading By Design written by Pauline Reid and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-08 with Literary Criticism categories.


Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books’ design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.



Theories Of Vision From Al Kindi To Kepler


Theories Of Vision From Al Kindi To Kepler
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Author : David Charles Lindberg
language : en
Publisher:
Release Date : 1976

Theories Of Vision From Al Kindi To Kepler written by David Charles Lindberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with categories.




The Routledge Companion To Music And Visual Culture


The Routledge Companion To Music And Visual Culture
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Author : Tim Shephard
language : en
Publisher: Routledge
Release Date : 2013-07-31

The Routledge Companion To Music And Visual Culture written by Tim Shephard and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-31 with Music categories.


As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation – the musical in visual culture and the visual in musical culture Convergence –in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.



Early Modern Art Theory Visual Culture And Ideology 1400 1700


Early Modern Art Theory Visual Culture And Ideology 1400 1700
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Author : James Hutson
language : en
Publisher: Anchor Academic Publishing
Release Date : 2016-03

Early Modern Art Theory Visual Culture And Ideology 1400 1700 written by James Hutson and has been published by Anchor Academic Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03 with Art categories.


The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.



Measuring Shadows


Measuring Shadows
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Author : Raz Chen-Morris
language : en
Publisher: Penn State Press
Release Date : 2016-03-31

Measuring Shadows written by Raz Chen-Morris and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-31 with History categories.


In Measuring Shadows, Raz Chen-Morris demonstrates that a close study of Kepler’s Optics is essential to understanding his astronomical work and his scientific epistemology. He explores Kepler’s radical break from scientific and epistemological traditions and shows how the seventeenth-century astronomer posited new ways to view scientific truth and knowledge. Chen-Morris reveals how Kepler’s ideas about the formation of images on the retina and the geometrics of the camera obscura, as well as his astronomical observations, advanced the argument that physical reality could only be described through artificially produced shadows, reflections, and refractions. Breaking from medieval and Renaissance traditions that insisted upon direct sensory perception, Kepler advocated for instruments as mediators between the eye and physical reality, and for mathematical language to describe motion. It was only through this kind of knowledge, he argued, that observation could produce certainty about the heavens. Not only was this conception of visibility crucial to advancing the early modern understanding of vision and the retina, but it affected how people during that period approached and understood the world around them.