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Romeo And Juliet


Author : Charles François Gounod
language : en
Publisher: Alfred Music
Release Date :

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A vocal solo, composed by Charles François Gounod.

Romeo And Juliet


Author : Charles Gounod
language : fr
Publisher: Forgotten Books
Release Date : 2017-11-19

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Excerpt from Romeo and Juliet: Opera in Five Acts Overture-prologue Verone vit jadis deux familles rivales (chorus) act I. Introduction L'heure s'envole (chorus; Juliet, Paris, Tybalt, Capulet) 2 Ballad of Queen Mab Mab, la reine des mensonges (mercutio) Arietta Je veux Vivre dans le reve (juliet) 4 Madrigal Ange adorable (juliet, Romeo) Finale Quelqu'un! C'est mon cousin Tybalt (juliet, Romeo Tybalt, Mercutio, Paris, Capulet) 64 act II. Entr'acte and Chorus Mysterieux et sombre 78 Cavatina L'amour, oui, son ardeur a trouble (romeo) 82 Scene and Choruses Helas! Moi le hair! (juliet, Gertrude, Romeo, Gregorio) 88 Duet 0 nuit divine, je t'implore (juliet, Romeo) 103 act, III. Entr'acte and Scene Mon pere, Dieu vous garde! (juliet, Romeo, Friar Laurence) 119 u Trio and Quartet Dieu, qui fis l'homme a. Ton image (f. Laurence, etc.) 126 Chanson Depuis hier je cherche en vain mon maitre (stephano) 135 13 Finale (of the duels) Ah! Ah! Voici nos gens! 14: act IV. Duet Va! Je t'ai pardonne (juliet, Romeo) 15 Quartet Juliette! Ah! Le ciel scit louel (juliet, Gertrude, Capulet, F. Laurence) 200 Scene Mon pere! Tout m'accable! (juliet, F Laurence) 208 Scene and Aria Dieu! Quel frisson! (juliet) 215 ballet. 18 Nuptial Procession x8bls Epithalamium O Juliette, sois heureuse! 19. Finale Ma fille, cede aux vceux act V. Entr'acte zobls Scene Eh bienl ma lettre a Romeo (f. Laurence) 2. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Arias For Soprano


Author : Hal Leonard Corp.
language : en
Publisher: Hal Leonard Corporation
Release Date : 1991-05-01

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(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).

Rom O And Juliet


Author : Charles Gounod
language : en
Publisher: G Schirmer Inc
Release Date : 1986-11-01

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French/English. Translated by Baker.

Bringing Soprano Arias To Life


Author : Boris Goldovsky
language : en
Publisher: Scarecrow Press
Release Date : 1990-01-01

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New in Paperback! This book supplies a soprano with nearly everything she may need to perform the operatic arias discussed. The 28 arias included are chosen from among those that are more popular and most widely studied and performed. There are descriptions of stage settings, with costume sketches by famed theatrical designer Leo Van Witsen. The heart of each discussion is a detailed descriptions of the sections of the area. While the scenic design may change from one production to another, the suggestions given for dramatic motivations, character building, and stage movement can be readily adapted for use in any theatrical environment. Although it is not intended that these arias be acted out on the concert stage, much of the information—the dramatic analysis, discussions of vocal and musical aspects, matters of style and tradition, and translations of the texts—should be profitable for students of singing and stage direction, as well as professional opera singers, no matter how or where the arias are performed. Paperback edition available June 2001. Cloth edition previously published in 1990.

Macbeth Multiplied


Author : Christoph Clausen
language : en
Publisher: Rodopi
Release Date : 2005-01-01

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In what sense did Shakespeare's representation of the Weird Sisters participate in the rewriting of village witchcraft? Was it likely to “encourage the Sword”? Did opera's specific medial conditions offer Verdi special opportunities to justify the presence of stage witches more than three centuries later? How valid is the parallel between 19th century opera and the voyeurism of madhouse spectacle? Was Shakespeare's play really engaged in the project of exorcizing Queen Elizabeth's cultural memory? What does Verdi's chorus of Scottish refugees have to do with shifting representations of 'the people'?These are among the questions tackled in this study. It provides the first in-depth comparison of Shakespeare's and Verdi'sMacbeth that is written expressly from the perspective of current Shakespearean criticism whilst striving to do justice to the topic's musicological dimension at the same time. Exploring to what extent the play's matrix of possible readings is distinct from Verdi's two operatic versions, the book seeks to relate such differences both to the historical contexts of the works' geneses and to their respective medial conditions. In doing so, it pays particular attention to shifting negotiations of witchcraft, gender, madness, and kingship. The study eventually broadens its discussion to consider other Shakespearean plays and their operatic offshoots, reflecting on some possible relations between historical and medial difference.

Shakespeare Quarterly


Author :
language : en
Publisher:
Release Date : 1950

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Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.