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Surrealism


Author : Cathrin Klingsöhr-Leroy
language : en
Publisher: Taschen
Release Date : 2004

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Introduction with 30 photographs plus a timeline of the most important political, cultural, scientific and sporting events that took place during the movement; 35 most important works and artists included.

Surrealism


Author : Anna Balakian
language : en
Publisher: University of Chicago Press
Release Date : 1986-01

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First published in 1959, Surrealism remains the most readable introduction to the French surrealist poets Apollinaire, Breton, Aragon, Eluard, and Reverdy. Providing a much-needed overview of the movement, Balakian places the surrealists in the context of early twentieth-century Paris and describes their reactions to symbolist poetry, World War I, and developments in science and industry, psychology, philosophy, and painting. Her coherent history of the movement is enhanced by her firsthand knowledge of the intellectual climate in which some of these poets worked and her interviews with Reverdy and Breton. In a new introduction, Balakian discusses the influence of surrealism on contemporary poetry. This volume includes photographs of the poets and reproductions of paintings by Ernst, Dali, Tanguy, and others.

Dada And Surrealism A Very Short Introduction


Author : David Hopkins
language : en
Publisher: Oxford University Press
Release Date : 2004-04-08

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A stimulating introduction to the many debates surrounding the Dadaist and Surrealist movements, such as the Marquis de Sade's position as a Surrealist deity, attitudes towards the city, the impact of Freud, and attitudes towards women.

Surrealism And Women


Author : Mary Ann Caws
language : en
Publisher: MIT Press
Release Date : 1991

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These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surrealism. The essays in this collection explore the complexity of these women's works, which simultaneously employ and subvert the dominant discourse of male surrealists.Mary Ann Caws is Professor of French and Comparative Literature at the Graduate Center of the City University of New York. Rudolf Kuenzli is Professor of English and Comparative Literature and Director of the International Dada Archive at the University of Iowa. Gwen Raaberg is Director of the Center for Women's Resources and Research at Western Michigan University.The Essays : What Do Little Girls Dream Of: The Insurgent Writing of Gis�le Prassinos. Finding What You Are Not Looking For. From D�jeuner en fourrure to Caroline: Meret Oppenheim's Chronicle of Surrealism. Speaking with Forked Tongues: "Male" Discourse in "Female" Surrealism? Androgyny: Interview with Meret Oppenheim. The Body Subversive: Corporeal Imagery in Carrington, Prassinos, and Mansour. Identity Crises: Joyce Mansour's Narratives. Joyce Mansour and Egyptian Mythology. In the Interim: The Constructivist Surrealism of Kay Sage. The Flight from Passion in Leonora Carrington's Literary Work. Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedio Varo, and Leonor Fini. Valentine, Andr�, Paul et les autres, or the Surrealization of Valentine Hugo. Refashioning the World to the Image of Female Desire: The Collages of Aube Ell�ou�t. Eileen Agar. Statement by Dorothea Tanning.

Surrealism


Author : Natalia Brodskaya
language : en
Publisher: Parkstone International
Release Date : 2018-03-13

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Surrealism Feminism Psychoanalysis


Author : Natalya Lusty
language : en
Publisher: Routledge
Release Date : 2017-03-02

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How did women Surrealists such as Leonora Carrington and Claude Cahun take up the question of female identity in terms of their own aesthetic and intellectual practice? What was the response of women analysts such as Joan Riviere to Freud's psychoanalytic construction of femininity? These are among the questions that Natalya Lusty brings to her sophisticated and theoretically informed investigation into the appropriation of 'the feminine' by the Surrealist movement. Combining biographical and textual methods of analysis with historically specific discussions of related cultural sites such as women's magazines, fashion, debutante culture, sexology, modernist lesbian subculture, pornography, and female criminality, the book examines the ambiguities and blind spots that haunt the work of more central figures such as André Breton, Georges Bataille, Jacques Lacan, Walter Benjamin, and the Surrealist photographer Hans Bellmer. Lusty's examination of a series of psychoanalytic Surrealist themes, including narcissism, fantasy, masquerade, perversion, and 'the double', illuminates a modernist preoccupation with the crisis of subjectivity and representation and its ongoing relevance to more recent work by Cindy Sherman and Judith Butler. Her book is an important contribution to modernist studies that will appeal to scholars and students working across a diverse range of fields, including literary studies, gender studies, visual culture, cultural studies, and cultural history.

Surrealism


Author : Elza Adamowicz
language : en
Publisher: Peter Lang
Release Date : 2006

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This collection of essays, inspired by Andre Breton's concept of the limites "non-frontieres" of Surrealism, focuses on the crossings, intersections and margins of the surrealist movement rather than its divides and exclusion zones. Some of the essays originated as papers given at the colloquium 'Surrealism: Crossings/Frontiers' held at the Institute of Romance Studies, University of London, in November 2001. Surrealism is foregrounded as a trajectory rather than a fixed body of doctrines, radically challenging the notion of frontiers. The essays explore real and imaginary journeys, as well as the urban "derives" of the surrealists and situationists. The concept of crossing, central to a reading of the dynamics at work in Surrealism, is explored in studies of the surrealist object, which eludes or elides genres, and explorations of the shifting sites of identity, as in the work of Joyce Mansour or Andre Masson. Surrealism's engagement with frontiers is further investigated through a number of revealing cases, such as a political reading of 1930s photography, the parodic rewriting of the popular 'locked room' mystery, or the surrealists' cavalier redrawing of the map of the world. The essays contribute to our understanding of the diversity and dynamism of Surrealism as an international and interdisciplinary movement."