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The Vienna School Of Art History


Author : Matthew Rampley
language : en
Publisher: Penn State Press
Release Date : 2013-11-11

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Matthew Rampley’s The Vienna School of Art History is the first book in over seventy-five years to study in depth and in context the practices of art history from 1847, the year the first teaching position in the discipline was created, to 1918, the collapse of Austria-Hungary. It traces the emergence of art history as a discipline, the establishment of norms of scholarly inquiry, and the involvement of art historians in wider debates about the cultural and political identity of the monarchy. The so-called Vienna School plays the central role in the study, but Rampley also examines the formation of art history elsewhere in Austria-Hungary. Located in the Habsburg imperial capital, Vienna art historians frequently became entangled in debates that were of importance to art historians elsewhere in the Empire, and Rampley pays particular attention to these areas of overlapping interest. He also analyzes the methodological innovations for which the Vienna School was well known. Rampley focuses most fully, however, on the larger political and ideological context of the practice of art history—particularly the way in which art-historical debates served as proxies for wider arguments over the political, social, and cultural life of the Habsburg Empire.

The Vienna School Reader


Author : Christopher S. Wood
language : en
Publisher:
Release Date : 2000

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An anthology of writings by and about the formalist New Vienna School of art history.

Discourses And Strategies


Author : Ján Bakoš
language : en
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Release Date : 2014

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Essays collected in this book were drafted and written during the previous decade and published in their original form, without correction.

The Age Of Insight


Author : Eric R. Kandel
language : en
Publisher: Random House Incorporated
Release Date : 2012

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Download The Age Of Insight written by Eric R. Kandel and has been published by Random House Incorporated this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Psychology categories.


A Nobel Prize-winning neuroscientist and author of In Search of Memory documents the work of five leading minds including Sigmund Freud and Gustave Klimt in 1900 Vienna, revealing how their critical breakthroughs in science, medicine and art laid the groundwork for present-day discoveries in brain science.

Art In Crisis


Author : Hans Sedlmayr
language : en
Publisher: Transaction Publishers
Release Date : 2006-01-01

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The history of art from the early nineteenth century on-ward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In Art and Crisis, first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and point to much deeper processes of cultural and religious disintegration. As Roger Kimball observes in his informative new introduction, Art in Crisis is as much an exercise in cultural or spiritual analysis as it is a work of art history. Sedlmayr's reads the art of the last two centuries as a fever chart of the modern age in its greatness and its decay. He discusses the advent of Romanticism with its freeing of the imagination as a conscious sundering of art from humanist and religious traditions with the aesthetic treated as a category independent of human need. Looking at the social purposes of architecture, Sedlmayr shows how the landscape garden, the architectural monument, and the industrial exhibition testified to a new relationship not only between man and his handiwork but also between man and the forces that transcend him. In these institutions man deifies his inventive powers with which he hopes to master and supersede nature. Likewise, the art museum denies transcendence through a cultural leveling in which "Heracles and Christ become brothers" as objects of aesthetic contemplation. At the center of Art in Crisis is the insight that, in art as in life, the pursuit of unqualified autonomy is in the end a prescription for disaster, aesthetic as well as existential. Sedlmayr writes as an Augustinian Catholic. For him, the underlying motive for the pursuit of autonomy is pride. The "lost center" of his subtitle is God. The dream of autonomy, Sedlmayr argues, is for finite, mortal creatures, a dangerous illusion. The book invites serious analysis from art critics and theological thinkers alike. Hans Sedlmayr (1896-1984) was a founding member of the New Vienna School of art historians. His books include The Architecture of Borromini, The Revolution of Modern Art, and Austrian Baroque Architecture. Roger Kimball is co-editor and publisher of The New Criterion and president and publisher of Encounter Books. His most recent book is The Rape of the Masters: How Political Correctness Sabotages Art.

Historical Grammar Of The Visual Arts


Author : Alois Riegl
language : en
Publisher: Zone Books (NY)
Release Date : 2004

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A survey of the different visual arts within a sweeping conception of the history of culture by a highly influential figure in art history.

The Memory Factory


Author : Julie M. Johnson
language : en
Publisher: Purdue University Press
Release Date : 2012

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"The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. However, and especially because so many of the artists were Jewish, their contributions were actively obscured beginning in the late 1930s. Many had to flee Austria, losing their studios and lifework in the process. Some were killed in concentration camps. Along with the stories of individual women artists, the author reconstructs the history of separate women artists' associations and their exhibitions. Chapters covering the careers of Tina Blau, Elena Luksch-Makowsky, Helene Funke, and Teresa Ries (among others) point to a more integrated and cosmopolitan art world than previously thought; one where women became part of the avant-garde, accepted and even highlighted in major exhibitions at the Secession and with the Klimt group. "This is an excellent addition to the literature on fin-de-siáecle Vienna, well-researched and well-argued. It highlights little-known artists and situates them in a novel interpretation of women's roles in the art world. The author challenges dominant tropes of feminist historiography and thus sheds new light on twentieth-century art historyand historiography," Michael Gubser, James Madison University. "--Provided by publisher.