Verbal Violence In Contemporary Drama


Verbal Violence In Contemporary Drama
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Verbal Violence In Contemporary Drama


Verbal Violence In Contemporary Drama
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Author : Jeanette R. Malkin
language : en
Publisher: Cambridge University Press
Release Date : 1992-04-23

Verbal Violence In Contemporary Drama written by Jeanette R. Malkin and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-04-23 with Drama categories.


This book considers a spectrum of post-war plays in which characters are created, coerced and destroyed by language.



Verbal Violence In Modern Drama


Verbal Violence In Modern Drama
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Author : Jeanette Rosenzweig Malkin
language : en
Publisher:
Release Date : 1988

Verbal Violence In Modern Drama written by Jeanette Rosenzweig Malkin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Drama categories.




Violence In Contemporary British Drama Sarah Kane S Play Cleansed


Violence In Contemporary British Drama Sarah Kane S Play Cleansed
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Author : Lea Jasmin Gutscher
language : en
Publisher: GRIN Verlag
Release Date : 2008-12

Violence In Contemporary British Drama Sarah Kane S Play Cleansed written by Lea Jasmin Gutscher and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-12 with categories.


Thesis (M.A.) from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,3, Free University of Berlin (Fachbereich Philosophie und Geisteswissenschaften Institut f r Englische Philologie), course: Abschlussarbeit Englische Literaturwissenschaft, 78 entries in the bibliography, language: English, abstract: When Sarah Kane, born in 1971 in Essex, England, committed suicide at the age of 28 in February 1999, she left five plays and the script for a ten minute screenplay. Kane had dedicated much of her short life to the understanding, exploration and (re)invention of drama. While still at school she started writing and acting, activities which she continued at university, where she further experimented with theatre and where she also took up directing. After leaving the University of Bristol with a First Class Honours Degree in drama studies, she enrolled at Birmingham University and crowned her education with a Master's degree in playwriting. After several minor dramatic experiments, staged as student productions in unofficial venues, her first full-length play, Blasted, premi red at the Royal Court Theatre in London in January 1995. The play immediately became notorious for its depiction of all kinds of physical and verbal violence for which it was fiercely attacked by both public opinion and reviewers. The fact that the plays which followed contained many unspeakable scenes of sheer cruelty, earned her the reputation as the enfant terrible of contemporary British drama. During her brief career Sarah Kane created a body of work that brought her both success and notoriety. Her controversial theatre divided critics and audiences from the beginning. While some attacked her persistently, others recognised her as a new voice, and after she explored and discovered different linguistic and theatrical devices, critical approval followed.



Words As Swords Verbal Violence As A Construction Of Authority In Renaissance And Contemporary English Drama


Words As Swords Verbal Violence As A Construction Of Authority In Renaissance And Contemporary English Drama
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Author : Senlen Sila
language : en
Publisher:
Release Date : 2012

Words As Swords Verbal Violence As A Construction Of Authority In Renaissance And Contemporary English Drama written by Senlen Sila and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with categories.




Revelation Or Damnation Depictions Of Violence In Sarah Kane S Theatre


Revelation Or Damnation Depictions Of Violence In Sarah Kane S Theatre
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Author : Lea Jasmin Gutscher
language : en
Publisher: Anchor Academic Publishing (aap_verlag)
Release Date : 2014-12

Revelation Or Damnation Depictions Of Violence In Sarah Kane S Theatre written by Lea Jasmin Gutscher and has been published by Anchor Academic Publishing (aap_verlag) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12 with Language Arts & Disciplines categories.


With her controversial stage art, the young playwright Sarah Kane broke new dramaturgic ground and made a lasting impression that changed British drama forever. Even though it is part of the canon covering post-war drama, Kane’s work has often met with misunderstanding and fierce criticism due to the uncountable representations of atrocities. How can we make sense of Kane’s seemingly crude and bleak theatre? Mainly concentrating on the play Cleansed, the author examines the nature of violence in Kane’s writing. What purpose does it serve? Is it simply employed for its shock value? Or is it rather used as a metaphor? Kane herself considered her third full-length play as a play about love. In suggesting a figurative reading of the late playwright’s texts, the author shows how Kane embraces violence as a metaphor of the various sufferings both love and life perpetrate upon the human being. Locked beneath the revolting cruelties, we can find a vivid theatricality, powerful images, and a unique rhythm and sound of language.



Words As Swords


Words As Swords
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Author : Sıla Şenlen
language : en
Publisher: Ibidem Press
Release Date : 2009

Words As Swords written by Sıla Şenlen and has been published by Ibidem Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Literary Criticism categories.


Verbal violence, as a sophisticated means of persuasion and manipulation, is as effective on the stage as physical violence. Since the destructive effects of verbal violence are less recognized and long-term, it is a vital instrument for constructing power and authority. S'la ?enlen tackles this subject in Renaissance and contemporary English drama. In Renaissance tragedies composed in blank-verse such as Marlowe's Tamburlaine, Part I, and Shakespeare's Richard III, political power is identified and matched with a powerful rhetorical style. Almost all of the battles in such plays are fought verbally rather than physically on the stage. In these verbal duels or battles, competent speakers such as Tamburlaine and Richard III exploit the frontiers of deception, manipulate, abuse and destroy their opponents with low verbal competence through verbal violence. Thus, a parallel is drawn between rhetorical skills and military power, and between 'word' and 'sword'. In contemporary English plays, the violence of daily language not only contributes to the creation of a realistic spectacle, but also –and more importantly– to the process of replacing free critical thinking by automatically preconceived patterns of thought and speech. Institutions and related discourses function to set up norms or standards against which people are defined, categorized, judged and punished. In Bernard Shaw's Pygmalion, Harold Pinter's The Birthday Party and Anthony Neilson's The Censor, verbal violence in the form of daily language is not only deployed to construct authority, dominate and 'standardize' subjects, but also to deconstruct and defy authority.



Violent Acts


Violent Acts
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Author : Severino João Medeiros Albuquerque
language : en
Publisher: Wayne State University Press
Release Date : 1991

Violent Acts written by Severino João Medeiros Albuquerque and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Latin American drama categories.


Albuquerque analyzes the use of violence in Latin American theatre from the 1950s through the 1980s. He argues that in the face of repression and torture, some playwrights counter victimization with art as urgent as street confrontation. A study from both Spanish and Portuguese-speaking countries. Annotation copyrighted by Book News, Inc., Portland, OR



Silence And Subject In Modern Literature


Silence And Subject In Modern Literature
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Author : U. Olsson
language : en
Publisher: Springer
Release Date : 2013-10-10

Silence And Subject In Modern Literature written by U. Olsson and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-10 with Fiction categories.


Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays.



A History Of Modern Drama Volume Ii


A History Of Modern Drama Volume Ii
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Author : David Krasner
language : en
Publisher: John Wiley & Sons
Release Date : 2016-03-03

A History Of Modern Drama Volume Ii written by David Krasner and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Literary Criticism categories.


A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah Kane Provides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle East Considers the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literature Combines wide-ranging topics with original theories, international perspective, and philosophical and cultural context Completes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.



Performing Character In Modern Irish Drama


Performing Character In Modern Irish Drama
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Author : Michał Lachman
language : en
Publisher: Springer
Release Date : 2018-05-23

Performing Character In Modern Irish Drama written by Michał Lachman and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-23 with Performing Arts categories.


This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O’Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after. The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.