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Author by : Michael Hardt Languange Used : en Release Date : 2001-09-15 Publisher by : Harvard University Press ISBN : 0674038320 File Size : 45,7 Mb Total Download : 360
Imperialism as we knew it may be no more, but Empire is alive and well. It is, as Michael Hardt and Antonio Negri demonstrate in this bold work, the new political order of globalization. Their book shows how this emerging Empire is fundamentally different from the imperialism of European dominance and capitalist expansion in previous eras. Rather, today's Empire draws on elements of U.S. constitutionalism, with its tradition of hybrid identities and expanding frontiers. More than analysis, Empire is also an unabashedly utopian work of political philosophy.
Author by : Various Languange Used : en Release Date : 2018-08-21 Publisher by : Games Workshop ISBN : 1784967572 File Size : 42,9 Mb Total Download : 361
Huge omnibus tracking the course of the Realmgate Wars, the epic conflict that defined Games Workshop's newest fantasy setting: the Age of Sigmar. For five centuries, Chaos has tormented the Mortal Realms. Ancient portals known as realmgates stand defiled by the armies of the Dark Gods, preventing the forces of order from moving freely between the realms. The lands are broken, their populations enslaved, hunted for sport or infected with unholy plague. All hope of salvation was thought lost – until now. For Sigmar has been watching and making ready, and those destined to suffer his retributi
Author by : Jennifer Walden Languange Used : en Release Date : 2014-01-14 Publisher by : Cambridge Scholars Publishing ISBN : 9781443855914 File Size : 54,6 Mb Total Download : 268
Most talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale ‘destructive’ interventions into the world of the made or exhibited art object, or more singular and particularised approaches to the representation of mass destruction.