Modern Art Invasion


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Modern Art Invasion

Modern Art Invasion Author by : Elizabeth Lunday
Languange Used : en
Release Date : 2013-09-27
Publisher by : Rowman & Littlefield
ISBN : 9781493000739
File Size : 45,8 Mb
Total Download : 245

The story of the most important art show in U.S. history. Held at Manhattan’s 69th Regiment Armory in 1913, the show brought modernism to America in an unprecedented display of 1300 works by artists including Picasso, Matisse, and Duchamp, A quarter of a million Americans visited the show; most couldn’t make sense of what they were seeing. Newspaper critics questioned the artists’ sanity. A popular rumor held that the real creator of one abstract canvas was a donkey with its tail dipped in paint. The Armory Show went on to Boston and Chicago and its effects spread across the country. Ame
Category: Art

Claes Oldenburg And Coosje Van Bruggen Cleveland S Free Stamp

Claes Oldenburg And Coosje Van Bruggen Cleveland S Free Stamp Author by : Edward J. Olszewski
Languange Used : en
Release Date : 2017-08-04
Publisher by : Ohio University Press
ISBN : 9780821446034
File Size : 41,7 Mb
Total Download : 806

In 1985, the Sohio oil company commissioned Claes Oldenburg and Coosje van Bruggen to design and construct a large outdoor sculpture for its new corporate headquarters in Cleveland, Ohio. The result was Free Stamp, a bold and distinctive installation that captured both a Pop Art sensibility and a connection to the city’s industrial past. Sohio executives approved the design, and work was already underway, when British Petroleum acquired the company. The new owners quickly decided that the sculpture was “inappropriate” for their building and attempted to rid themselves of Free Stamp by do
Category: Art

A Social History Of Modern Art Volume 2

A Social History Of Modern Art Volume 2 Author by : Albert Boime
Languange Used : en
Release Date : 1993-05-15
Publisher by : University of Chicago Press
ISBN : 0226063364
File Size : 51,7 Mb
Total Download : 903

In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandi
Category: Art
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