Music Endangerment
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Music Endangerment
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Author : Catherine Grant
language : en
Publisher: Oxford University Press, USA
Release Date : 2014
Music Endangerment written by Catherine Grant and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.
Situated within the growing field of applied ethnomusicology, and breaking with a tradition in ethnomusicology of ethnographic and fieldwork-based studies, this book explores the phenomenon of endangered music genres and ways in which the fields of language endangerment and language maintenance may inform efforts to support them.
Music Endangerment
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Author : Catherine Grant
language : en
Publisher: Oxford University Press
Release Date : 2014
Music Endangerment written by Catherine Grant and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.
Situated within the growing field of applied ethnomusicology, and breaking with a tradition in ethnomusicology of ethnographic and fieldwork-based studies, this book explores the phenomenon of endangered music genres and ways in which the fields of language endangerment and language maintenance may inform efforts to support them.
Music Communities Sustainability
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Author : Huib Schippers
language : en
Publisher: Oxford University Press
Release Date : 2022
Music Communities Sustainability written by Huib Schippers and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Applied ethnomusicology categories.
"The 2003 UNESCO Convention on the Safeguarding of Intangible Cultural Heritage was a major step in addressing concerns about musical diversity and vitality on a global scale. 180 nation-states have ratified the Convention to date. Many have developed policies to address the sustainability of their music practices. On the eve of its twentieth anniversary of the Convention, 14 experts were invited to reflect on two decades of approaching music as Intangible Cultural Heritage. In introducing the contributions to this volume, this chapter introduces the genesis of the Convention, its most prominent features, its workings and successes, and the challenges that have arisen from using this framework to address threats to music sustainability worldwide"--
Sustainable Futures For Music Cultures
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Author : Huib Schippers
language : en
Publisher: Oxford University Press, USA
Release Date : 2016
Sustainable Futures For Music Cultures written by Huib Schippers and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.
Professor Huib Schippers has broad, hands-on experience of more than forty years in the practice and study of world music, ethnomusicology and music education. He is a recognised leader of action research projects focusing on cultural diversity, and was responsible for establishing the World Music et Dance Centre (Rotterdam, 1996-2006) and the innovative Queensland Conservatorium Research Centre (Brisbane, 2003-2015). Dr Catherine Grant is a former Endeavour Australia Research Fellow and recipient of Australia's Future Justice medal for her work on issues of music endangerment and sustainability. Her book Music Endangerment: How Language Maintenance can Help was published in 2014 by Oxford University Press.
Strengthening The Vitality And Viability Of Endangered Music Genres
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Author : Catherine Fiona Grant
language : en
Publisher:
Release Date : 2012
Strengthening The Vitality And Viability Of Endangered Music Genres written by Catherine Fiona Grant and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Communication in ethnology categories.
Abstract : In recent decades, communities across the world have been impacted by a raft of deep economic, social and political changes within their local and global environments. For some communities, these changes have had little effect on the vitality of their music genres, or have even strengthened them. For others - especially indigenous and minority communities - the changes have threatened the viability of certain genres, often against the will of the communities concerned. This in turn holds potential repercussions for individual and social identity, social cohesion, and the strength of other forms of cultural expression within those communities, as well as holding wider repercussions for the diversity of human heritage and even potentially the adaptability of our species. Since the early 1990s, when linguists fully recognised the dire predicament of many of the world's 6,000+ languages, the study of language endangerment and maintenance has raised general awareness of language loss, as well as increasing practical knowledge of how endangered languages might be supported. Relatively, efforts to sustain endangered music genres remain incipient. Breaking with a tradition in ethnomusicology of ethnographic and fieldwork-based studies, this dissertation theoretically investigates the ways in which research and practical experience from the field of language maintenance can inform efforts to support the sustainability of music genres. It responds to an increasing sense of urgency to address the wide-scale endangerment and loss of intangible expressions of culture, including music, as underscored by the 2003 UESCO Convention for the Safeguarding of Intangible Cultural Heritage. Drawing on literature from both language maintenance and ethnomusicology, interviews with linguists and ethnomusicologists, and a case study (in turn based on literature, interviews, and a field visit), in this dissertation I argue that the extensive experiences and discourse from language maintenance hold significant relevance to efforts that support music genres to become or remain vibrant and viable. The dissertation presents four key outcomes of the research. The first is a theoretical framework articulating the synergies and disconnects between language and music, specifically in relation to their viability. The second is a framework for assessing the level of vitality of music genres, based on an equivalent framework for languages. The third is a case study of a specific music genre demonstrating how this framework functions in practice. The fourth is a set of recommendations for progressing efforts in music sustainability. I hope these outcomes may act as points of reference and departure for researchers, policy-makers, culture-bearers themselves, and other stakeholders in cultural vitality and viability, with the overarching aim to ultimately benefit the communities whose music genres are facing challenges to their viability. In this way, this dissertation contributes to a growing body of applied ethnomusicological research on the broad topic of music sustainability.
Music As Heritage
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Author : Barley Norton
language : en
Publisher: Routledge
Release Date : 2018-07-20
Music As Heritage written by Barley Norton and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-20 with Music categories.
As economic, technological and cultural change gathers pace across the world, issues of music heritage and sustainability have become ever more pressing. Discourse on intangible cultural heritage has developed in complex ways in recent years, and musical practices have been transformed by safeguarding agendas. Music as Heritage takes stock of these transformations, bringing new ethnographic and historical perspectives to bear on our encounters with music heritage. The volume evaluates the cultural politics, ethics and audiovisual representation of music heritage; the methods and consequences of music transmission across national borders; and the perennial issues of revival, change and innovation. UNESCO’s 2003 Convention for the Safeguarding of the Intangible Cultural Heritage provides an essential reference point for studies of music heritage. However, this volume also pays attention to important spheres of musical activity that lie outside of UNESCO’s reach and the reasons why some repertories of music are chosen for safeguarding while others are not. Some practices of art music in Europe explored in this book, for example, have received little attention despite being susceptible to endangerment. Developing a comparative framework that cuts across genre distinctions and disciplinary boundaries, Music as Heritage explores how music cultures are being affected by heritage discourse and the impact of international and national policies on grass-roots music practices.
International Journal Of Intangible Heritage
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Author :
language : en
Publisher:
Release Date : 2010
International Journal Of Intangible Heritage written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Cultural property categories.
Continuum Encyclopedia Of Popular Music Of The World Part 1 Media Industry Society
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Author : John Shepherd
language : en
Publisher: Continuum
Release Date : 2003-01-30
Continuum Encyclopedia Of Popular Music Of The World Part 1 Media Industry Society written by John Shepherd and has been published by Continuum this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-01-30 with Social Science categories.
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Library Of Congress Information Bulletin
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Author :
language : en
Publisher:
Release Date : 1994
Library Of Congress Information Bulletin written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Documentation categories.
American Popular Music Business In The 20th Century
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Author : Russell Sanjek
language : en
Publisher: Oxford University Press, USA
Release Date : 1991
American Popular Music Business In The 20th Century written by Russell Sanjek and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Music categories.
This book is an abridgment of the third volume of American Popular Music and Its Business--The First Four Hundred Years by Russell Sanjek, my late father. It covers the years 1900 to 1984, a rich and provocative period in the history of American entertainment, one marked by persistent technological innovation, an expansion of markets, the refinement of techniques of commercial exploitation, and the ongoing democratization of American culture.