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Author by : Katharine Kuh Languange Used : en Release Date : 2006 Publisher by : Arcade Publishing ISBN : 1559707690 File Size : 51,6 Mb Total Download : 544
The late curator of the Chicago Art Institute traces the evolution of modern art in America, describing her relationships with numerous artists and collectors as forged throughout her career, and recounting her efforts to acquire some of the Institute's most famous pieces.
Author by : Katharine Kuh Languange Used : en Release Date : 2012-07 Publisher by : Skyhorse Publishing Inc. ISBN : 9781611455069 File Size : 40,9 Mb Total Download : 448
One of America’s leading curators, “a woman of resilience and vision, a writer of clarity and ardor” (Chicago Tribune), takes you on a personal tour of the world of modern art. In the Depression-era climate of the 1930s, Katharine Kuh defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand Léger, Paul Klee, Joan Miró, Ansel Adams, Marc Chagall, and Alexander Calder. Her extraordinary story reveals how and why America became a major force in the world of contemporary art.
Author by : Gary Tinterow Languange Used : en Release Date : 2007 Publisher by : Metropolitan Museum of Art ISBN : 9781588392749 File Size : 42,5 Mb Total Download : 857
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
Author by : Dawn V. Rogala Languange Used : en Release Date : 2016-08-01 Publisher by : Getty Publications ISBN : 9781606064870 File Size : 47,5 Mb Total Download : 365
The career of the German-American painter and educator Hans Hofmann (1880–1966) describes the arc of artistic modernism from pre–World War I Munich and Paris to mid twentieth-century Greenwich Village. His career also traces the transatlantic engagement of modern painting with the materials of its own making, a relationship that is perhaps still not completely understood. In these interrelated narratives, Hofmann is a central protagonist, providing a vital link between nineteenth- and twentieth-century art practice and between European and American modernism. The remarkable vitality of his