The Artist Himself In African Art Studies
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The Artist Himself In African Art Studies
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Author : Sam Vangheluwe
language : id
Publisher: Academia Press
Release Date : 2001
The Artist Himself In African Art Studies written by Sam Vangheluwe and has been published by Academia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Masks, Dan categories.
A Companion To Modern African Art
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Author : Gitti Salami
language : en
Publisher: John Wiley & Sons
Release Date : 2013-12-24
A Companion To Modern African Art written by Gitti Salami and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-24 with Art categories.
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
An Anthology Of African Art
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Author : N'Goné Fall
language : en
Publisher: Distributed Art Publishers (DAP)
Release Date : 2002
An Anthology Of African Art written by N'Goné Fall and has been published by Distributed Art Publishers (DAP) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Art categories.
The term "Modern African Art" is not an abuse of language. The 20th century has seen, but not properly documented, the birth, development, and maturation of contemporary art in sub-Saharan Africa, an art which was not simply imported in the 1950s but which finds its sources both in colonial realities and in local cultures and civilizations. Anthology of African Art: The Twentieth Century does not propose to document any one African art, but rather to open up this vast but underexplored field to include a diverse theoretical, historical, geographical, and critical map of this dense and ancient region. Contributions by more than 30 international authors recount the birth of art schools in the 1930s, the development of urban design and public art, and the importance of socially-concerned art during the Independence movements. From Ethiopia, Nigeria, and the Belgian Congo to Ghana, Senegal, and Angola, through the works of hundreds of artists working in every conceivable medium and context, this anthology manages the continental and unique feat of providing a thorough, expansive, diversified, and fully illustrated history of African art in the 20th century. Since 1991, Paris-based Revue Noire Editions has dedicated itself to the multidisciplinary artistic production of the African continent and the African diaspora. Publishers of the critically-acclaimed An Anthology of African Photography, a comprehensive chronicle of African photography from the mid-1800s to the present, Revue Noire also produces a self-titled magazine devoted to contemporary African art and culture.
What Is African Art
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Author : Peter Probst
language : en
Publisher: University of Chicago Press
Release Date : 2022-12-06
What Is African Art written by Peter Probst and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-06 with Art categories.
A history of the evolving field of African art. Peter Probst offers the first book to explore the invention and development of African art as an art historical category. He starts his exploration with a simple question: What do we actually talk about when we talk about African art? By confronting the historically shifting answers to this question, Probst identifies the notion of African art as a conceptual vessel whose changing content manifests wider societal transformations. The perspective is a pragmatic and relational one. Rather than providing an affirmative answer to what African art is and what local meanings it has, Probst shows how the works labeled as "African art" figure in the historical processes and social interactions that constitute the Africanist art world. What Is African Art? covers three key stages in the field's history. Starting with the late-nineteenth through the mid-twentieth century, Probst focuses on the role of museums, collectors, and photography in disseminating visual culture and considers how early anthropologists, artists, and art historians imbued objects with values that reflected ideas of the time. He then explores the remaking of the field at the dawn of African independence with the shift towards contemporary art and the rise of Black Atlantic studies in the 1970s and 1980s. Finally, he examines the postcolonial reconfiguration of the field driven by questions of heritage, reparation, and representation. Probst looks to the future, arguing that, if the study of African art is to move in productive new directions, we must look to how the field is evolving within Africa.
Angaza Africa
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Author : Chris Spring
language : en
Publisher: Laurence King
Release Date : 2008-11-22
Angaza Africa written by Chris Spring and has been published by Laurence King this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11-22 with Art categories.
Africa's artistic landscape is immensely fertile. It has emerged from its colonial past, and is once again asserting its own identity.
The De Africanization Of African Art
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Author : Denis Ekpo
language : en
Publisher: Routledge
Release Date : 2021-08-12
The De Africanization Of African Art written by Denis Ekpo and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-12 with Art categories.
This book argues for a radical new approach to thinking about art and creativity in Africa, challenging outdated normative discourses about Africa’s creative heritage. Africanism, which is driven by a traumatic response to colonialism in Africa, has an almost unshakable stranglehold on the content, stylistics, and meaning of art in Africa. Post-African aesthetics insists on the need to move beyond this counter-colonial self-consciousness and considerably change, re-work and enlarge the ground, principles and mission of artistic imagination and creativity in Africa. This book critiques and dismantles the tropes of Africanism and Afrocentrism, providing the criteria and methodology for a Post-African art theory or Post-African aesthetics. Grounded initially in essays by Denis Ekpo, the father of Post-Africanism, the book then explores a range of applications and interpretations of Post-African theory to the art forms and creative practices in Africa. With particular reference to South Africa, this book will be of interest to researchers across the disciplines of Art, Literature, Media Studies, Cultural Anthropology, and African Studies.
Reading The Contemporary
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Author : Olu Oguibe
language : en
Publisher: MIT Press
Release Date : 1999
Reading The Contemporary written by Olu Oguibe and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Art categories.
In the past decade, contemporary African art has been featured in major exhibtions in museums, galleries, international biennials, and other forums. African cinema has established itself on the stage of world cinema, culminating in the Ouagadougou Film Festival. While African art and visual culture have become an integral part of the art history and cultural studies curricula in universities worldwide, critical readings and interpretations have remained difficult to obtain. This pioneering anthology collects twenty key essays in which major critical thinkers, scholars, and artists explore contemporary African visual culture, locating it within current cultural debates and within the context of the continent's history. The sections of the book are Theory and Cultural Transaction, History, Location and Practice, and Negotiated Identities. Copublished with the Institute of International Visual Arts (inIVA), London
Visual Cultures Of Africa
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Author : Mary Clare Kidenda
language : en
Publisher: Waxmann Verlag
Release Date : 2022-04-06
Visual Cultures Of Africa written by Mary Clare Kidenda and has been published by Waxmann Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-06 with Social Science categories.
The voices in this book offer a multi-perspectival approach to Africa, focusing on the skills and the knowledge underpinning visual cultural expressions ranging from Akan symbolism to embodied performances by dancers and storytellers, even re-designed models of Western cars. Educators, designers, artists, critics, curators, and custodians based both in Africa and in Europe are configuring spaces for public, private, institutional as well as digital conversation – whether through pottery or portraiture, furniture or film, shoes or selfies, buildings or books. Readers are encouraged to question how African visual cultures are both ‘in’ and ‘of’; identifying and confrontational; post- and decolonial; preserved and practised; old and new; borrowed and authentic; composite and complete; rooted and soaring. Disciplines being engaged include visual culture studies, media studies, performance studies, orature, literature, art and design – as well as their histories. The editors Mary Clare Kidenda, Lize Kriel and Ernst Wagner represent three nodes in the Exploring Visual Cultures north-south collaborative network: The Technical University of Kenya, the University of Pretoria in South Africa and Munich Academy of Fine Arts in Germany.
Yoruba Art And Language
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Author : Rowland Abiodun
language : en
Publisher: Cambridge University Press
Release Date : 2014-09-29
Yoruba Art And Language written by Rowland Abiodun and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-29 with Art categories.
Rowland Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts.
African Art And Agency In The Workshop
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Author : Sidney Littlefield Kasfir
language : en
Publisher: Indiana University Press
Release Date : 2013-04-01
African Art And Agency In The Workshop written by Sidney Littlefield Kasfir and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-01 with Art categories.
“Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review