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The Disaster Artist

The Disaster Artist Author by : Greg Sestero
Languange Used : en
Release Date : 2014-10-07
Publisher by : Simon and Schuster
ISBN : 9781476730400
File Size : 49,8 Mb
Total Download : 740

Presents a humorous ode to cinematic hubris, discussing the story of the mysteriously wealthy misfit, Tommy Wiseau, the producer, director, and star of the "The Room," which later became an international cult film despite making no money at the box office.
Category: Biography & Autobiography

The Disaster Artist

The Disaster Artist Author by : Greg Sestero
Languange Used : en
Release Date : 2013-10-01
Publisher by : Simon and Schuster
ISBN : 9781451661194
File Size : 53,9 Mb
Total Download : 211

This side-splittingly funny ode to cinematic hubris tells the story of the mysteriously wealthy misfit and producer, director and star of The Room, an international phenomenon to rival The Rocky Horror Picture Show.
Category: Biography & Autobiography

The Disaster Artist

The Disaster Artist Author by : Greg Sestero
Languange Used : en
Release Date : 2013-10-01
Publisher by : Simon and Schuster
ISBN : 9781451661200
File Size : 44,8 Mb
Total Download : 295

New York Times bestseller—now a major motion picture directed by and starring James Franco! From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room. In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,80
Category: Social Science

9 11 And The Visual Culture Of Disaster

9 11 And The Visual Culture Of Disaster Author by : Thomas Stubblefield
Languange Used : en
Release Date : 2014-12-17
Publisher by : Indiana University Press
ISBN : 9780253015631
File Size : 45,5 Mb
Total Download : 913

The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle. Though the collapse of the World Trade Center was "the most photographed disaster in history," it failed to yield a single noteworthy image of carnage. Thomas Stubblefield argues that the absence within these spectacular images is the paradox of 9
Category: Social Science
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