[PDF] A Bibliography Of The Musical Works Published By John Walsh 2 During The Years 1721 1766 - eBooks Review

A Bibliography Of The Musical Works Published By John Walsh 2 During The Years 1721 1766


A Bibliography Of The Musical Works Published By John Walsh 2 During The Years 1721 1766
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A Biographical Dictionary Of English Court Musicians 1485 1714 Volumes I And Ii


A Biographical Dictionary Of English Court Musicians 1485 1714 Volumes I And Ii
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Author : David Lasocki
language : en
Publisher: Routledge
Release Date : 2018-05-08

A Biographical Dictionary Of English Court Musicians 1485 1714 Volumes I And Ii written by David Lasocki and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-08 with Music categories.


Compiled by scholars with unrivalled knowledge of the sources, this dictionary provides biographies of all musicians and instrument makers employed by the English court from 1485-1714. A number of the musicians featured here have never previously received a dictionary entry. Coverage of these minor figures helps to flesh out the picture of musical life in the court in a way which individual studies of more major composers cannot. In addition to basic biographical details, entries feature information on: appointments; probate material; family background; heraldry; signatures and holograph documents; subscriptions to books; bibliographic references. A finding-list of variant names, details of the succession of court places assumed by musicians and an index of subjects and place names completes this comprehensive reference work.



A Short Title Catalogue Of Music Printed Before 1825 In The Fitzwilliam Museum Cambridge


A Short Title Catalogue Of Music Printed Before 1825 In The Fitzwilliam Museum Cambridge
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Author : Fitzwilliam Museum
language : en
Publisher: Cambridge University Press
Release Date : 1992-11-27

A Short Title Catalogue Of Music Printed Before 1825 In The Fitzwilliam Museum Cambridge written by Fitzwilliam Museum and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-11-27 with Music categories.


The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.



Music In Eighteenth Century Britain


Music In Eighteenth Century Britain
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Author : DavidWyn Jones
language : en
Publisher: Routledge
Release Date : 2017-07-05

Music In Eighteenth Century Britain written by DavidWyn Jones and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.



Two Centuries Of British Symphonism


Two Centuries Of British Symphonism
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Author : Jürgen Schaarwächter
language : en
Publisher: Georg Olms Verlag
Release Date : 2015-02-27

Two Centuries Of British Symphonism written by Jürgen Schaarwächter and has been published by Georg Olms Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-27 with Music categories.


Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.



Reader S Guide To Music


Reader S Guide To Music
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Author : Murray Steib
language : en
Publisher: Routledge
Release Date : 2013-12-02

Reader S Guide To Music written by Murray Steib and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-02 with Music categories.


The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).



Twelve Violin Concertos Opus 1


Twelve Violin Concertos Opus 1
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Author : Carlo Tessarini
language : en
Publisher: A-R Editions, Inc.
Release Date : 2001-01-01

Twelve Violin Concertos Opus 1 written by Carlo Tessarini and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-01 with Music categories.




The Solo English Cantatas And Italian Odes Of Thomas A Arne


The Solo English Cantatas And Italian Odes Of Thomas A Arne
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Author : Paul F. Rice
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2020-01-08

The Solo English Cantatas And Italian Odes Of Thomas A Arne written by Paul F. Rice and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-08 with Music categories.


This study examines Thomas Arne’s solo cantatas and Italian odes from musical, literary and social perspectives. Arne composed these works between 1740 and 1774. As such, they provide a means of evaluating the evolving aspects of his musical style throughout his compositional career. The Italian odes have been little-studied, but provide an important gloss on Charles Burney’s comments on Arne’s inability to set the Italian language. Study of the cantata texts that Arne set reveals that they are often pastiches which make use of the words of William Congreve, Alexander Pope, Christopher Smart and others. The resulting process of adaptation and recombination re-contextualizes the borrowed material, resulting in differing emphases and changed meanings. Arne was restricted in his career opportunities because of his Catholic faith. The cantata genre provided Arne with an important creative outlet in the hedonistic atmosphere of the concerts of London’s pleasure gardens.



The Theatre Career Of Thomas Arne


The Theatre Career Of Thomas Arne
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Author : Todd Gilman
language : en
Publisher: Rowman & Littlefield
Release Date : 2013

The Theatre Career Of Thomas Arne written by Todd Gilman and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Biography & Autobiography categories.


This book concerns the life and theatrical career of the great native-born English composer and musician of the eighteenth century, Thomas Augustine Arne (1710-1778), best known today as the composer of "Rule, Britannia." It will appeal to those interested in the mid-to-late eighteenth-century London and Dublin theatre, opera, and music scenes.



Songs Without Words


Songs Without Words
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Author : Sandra Mangsen
language : en
Publisher: Boydell & Brewer
Release Date : 2016

Songs Without Words written by Sandra Mangsen and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with History categories.


Keyboard arrangements of vocal music flourished in England between1560 and 1760. Songs without Words, by noted harpsichordist and early-music authority Sandra Mangsen, is the first in-depth study of this topic, uncovering a body of material that is remarkably varied, musically interesting, and indicative of major trends in musical and social life at the time. Mangsen's Songs without Words argues that the pieces upon which these keyboard arrangements were based constituted a shared repertoire, akin to the jazz standards of the twentieth century. In Restoration England, the ballad tradition saw tunes and texts move between oral, manuscript, and printed transmission and from street to playhouse and back again. During the eighteenth century, printed keyboard arrangements were aimed particularly at female amateur keyboardists and helped opera to become a widely popular genre. Songs without Words considers a wide range of model pieces, including songs of many kinds and arias and other numbers from operas and oratorios. The resulting keyboard versions range from simple and pedagogically oriented to highly virtuosic. Two central issues -- the relationship between an arrangement and its model and the reception and aesthetics of arrangements -- are explored in the framing chapters. The result is a study that will be of great interest to scholars, performers, and anyone who loves the music of the late Renaissance, Baroque, and early Classic eras. Sandra Mangsen is professor emerita of music at the University of Western Ontario.



The Operas Of Leonardo Vinci Napoletano


The Operas Of Leonardo Vinci Napoletano
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Author : Kurt Sven Markstrom
language : en
Publisher: Pendragon Press
Release Date : 2007

The Operas Of Leonardo Vinci Napoletano written by Kurt Sven Markstrom and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


Vinci produced a string of operas during a brief career of little more than a decade. He died mysteriously. He was hailed by connoisseurs of the later 18th century as one of the originators of the classical style.