Andr Breton Ou Le Surr Alisme M Me

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Les Pens Es D Andr Breton

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Author : André Breton
language : fr
Publisher: L'AGE D'HOMME
Release Date : 1988

Les Pens Es D Andr Breton written by André Breton and has been published by L'AGE D'HOMME this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Surrealism categories.

Manifestoes Of Surrealism

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Author : André Breton
language : en
Publisher: Pattern Books
Release Date : 2020-07-04

Manifestoes Of Surrealism written by André Breton and has been published by Pattern Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-04 with Art categories.

A collection of both of the Manifestoes of Surrealism written by Andre Breton in 1924 and 1929. The pocket book size to make the two manifestoes more accessible in print without being part of some collected works.

Manifesto Of Surrealism

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Author : André Breton
language : en
Publisher:
Release Date : 2016-12-30

Manifesto Of Surrealism written by André Breton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-30 with categories.

Two Surrealist Manifestos were issued by the Surrealist movement, in 1924 and 1929. They were both written by Andr� Breton. Andr� Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. The first Surrealist manifesto was written by Breton and published in 1924 as a booklet (Editions du Sagittaire). The document defines Surrealism as:"Psychic automatism in its pure state, by which one proposes to express - verbally, by means of the written word, or in any other manner - the actual functioning of thought. Dictated by thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern." Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to "resolve the previously contradictory conditions of dream and reality". Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself.

The Absence Of Myth

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Author : Georges Bataille
language : en
Publisher: Verso Books
Release Date : 2020-05-05

The Absence Of Myth written by Georges Bataille and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-05 with Philosophy categories.

For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.

Kant After Duchamp

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Author : Thierry De Duve
language : en
Publisher: Mit Press
Release Date : 1998

Kant After Duchamp written by Thierry De Duve and has been published by Mit Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.

Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.The essays : Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.

A Century Of Artists Books

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Author : Riva Castleman
language : en
Publisher: ABRAMS
Release Date : 1997-09

A Century Of Artists Books written by Riva Castleman and has been published by ABRAMS this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-09 with categories.

Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.

Ren Char

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Author : Marie-Claude Char
language : fr
Publisher:
Release Date : 1992

Ren Char written by Marie-Claude Char and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with categories.

The Automatic Message

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Author : André Breton
language : en
Publisher: Atlas Press (GB)
Release Date : 1997

The Automatic Message written by André Breton and has been published by Atlas Press (GB) this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Fiction categories.

This book collects together the two most vital "automatic" texts Surrealism. Breton's prefatory essay The Automatic Message relates this technique to the underlying concepts and aesthetic of the Surrealist movement. The Magnetic Fields (1919) was the first work of literary Surrealism and is thus one of the foundations of modern European thought and writing. This authorised translation is by the poet David Gascoyne, himself a member of the group and a friend of both authors. The Immaculate Conception (1930) traces the interior and exterior life of man from Conception and Intra-Uterine Life to Death and The Original Judgement. The central section is a celebrated series of "simulations" of various types of mental instability.

L Archibras

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Author :
language : fr
Publisher:
Release Date : 1967

L Archibras written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1967 with Surrealism categories.

The Optical Unconscious

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Author : Rosalind E. Krauss
language : en
Publisher: MIT Press
Release Date : 1994-07-25

The Optical Unconscious written by Rosalind E. Krauss and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-07-25 with Design categories.

The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.