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Cantata


Cantata
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The Eighteenth Century French Cantata


The Eighteenth Century French Cantata
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Author : David Tunley
language : en
Publisher: Oxford University Press
Release Date : 1997

The Eighteenth Century French Cantata written by David Tunley and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Music categories.


This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.



Aspects Of The Secular Cantata In Late Baroque Italy


Aspects Of The Secular Cantata In Late Baroque Italy
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Author : Michael Talbot
language : en
Publisher: Routledge
Release Date : 2017-07-05

Aspects Of The Secular Cantata In Late Baroque Italy written by Michael Talbot and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.



Tears Into Wine


Tears Into Wine
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Author : Eric Chafe
language : en
Publisher: Oxford University Press
Release Date : 2015-05-01

Tears Into Wine written by Eric Chafe and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-01 with Music categories.


In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.



Cantatas On Texts By Francesco Buti 1606 82


Cantatas On Texts By Francesco Buti 1606 82
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Author : Michael Klaper
language : it
Publisher: A-R Editions, Inc.
Release Date : 2021-10

Cantatas On Texts By Francesco Buti 1606 82 written by Michael Klaper and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10 with Music categories.


This is an edition of all the surviving cantatas with texts by Francesco Buti (1606‒82), and thus one of the first editions of seventeenth-century Italian cantatas organized around a single poet rather than a single composer. It contains ten pieces set to music by the first generation of Roman cantata composers, such as Carlo Caproli, Giacomo Carissimi, Marco Marazzoli, Luigi Rossi, Mario Savioni, and Loreto Vittori, as well as the traveling guitar virtuoso Francesco Corbetta. Most of the pieces belong to the genre of chamber cantata and are scored for solo voice and basso continuo, though also included are a duet and a lengthy, semi-dramatic cantata for four voices and obbligato instruments. The compositions in this volume thus make a significant sampling of the early Italian cantata repertoire available to scholars and performers.



Cantata No 6 Bieib Bei Uns Denn Es Will Abend Werden


Cantata No 6 Bieib Bei Uns Denn Es Will Abend Werden
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Author : Johann Sebastian Bach
language : en
Publisher: Alfred Music
Release Date :

Cantata No 6 Bieib Bei Uns Denn Es Will Abend Werden written by Johann Sebastian Bach and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.


A Choral Worship Cantata in SATB voicing, composed by Johann Sebastian Bach.



Cantata No 116 Du Friedefurst Herr Jesu Christ


Cantata No 116 Du Friedefurst Herr Jesu Christ
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Author : Johann Sebastian Bach
language : en
Publisher: Alfred Music
Release Date :

Cantata No 116 Du Friedefurst Herr Jesu Christ written by Johann Sebastian Bach and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.


A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.



An Hour In Fairy Land


An Hour In Fairy Land
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Author : Henry Schoeller
language : en
Publisher:
Release Date : 1872

An Hour In Fairy Land written by Henry Schoeller and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1872 with Cantatas, Juvenile categories.




Cantata No 143 Lobe Den Herren Meine Seele


Cantata No 143 Lobe Den Herren Meine Seele
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Author : Johann Sebastian Bach
language : en
Publisher: Alfred Music
Release Date :

Cantata No 143 Lobe Den Herren Meine Seele written by Johann Sebastian Bach and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.


A Choral Worship Cantata in SATB with STB Soli (2nd Setting) voicing, composed by Johann Sebastian Bach.



The Standard Cantatas


The Standard Cantatas
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Author : George Putnam Upton
language : en
Publisher:
Release Date : 1887

The Standard Cantatas written by George Putnam Upton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1887 with Cantatas categories.




The Chamber Cantatas Of Antonio Vivaldi


The Chamber Cantatas Of Antonio Vivaldi
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Author : Michael Talbot
language : en
Publisher: Boydell Press
Release Date : 2006

The Chamber Cantatas Of Antonio Vivaldi written by Michael Talbot and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.


Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.