[PDF] Cinema Sa De - eBooks Review

Cinema Sa De


Cinema Sa De
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Sadomania


Sadomania
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Author : Jack Hunter
language : en
Publisher: Cult Movie Files
Release Date : 2012

Sadomania written by Jack Hunter and has been published by Cult Movie Files this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Performing Arts categories.


The Marquis de Sade is prehaps the most extreme example of a writer whose actual life history has been inextricably confused with the events and characters depicted in his fiction, resulting in the popular perception of de Sade as some mythic personification of sexual depravity, cruelty and evil. Hunter investigates the zone where de Sade's life, literature and legend most closely collide with cinema. Featuring examinations of the films of Luis Bunuel, Jesus Franco and Joe D'Amato, covering genres from horror and porn to arthouse and underground, a plethora of films are examined.



Screening The Marquis De Sade


Screening The Marquis De Sade
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Author : Lindsay Anne Hallam
language : en
Publisher: McFarland
Release Date : 2014-01-10

Screening The Marquis De Sade written by Lindsay Anne Hallam and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-01-10 with Performing Arts categories.


Since their publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis of a wide array of film texts. By employing Sade's controversial body-oriented philosophy within film analysis, this book provides a new understanding of notions of pain, pleasure, and the representation of the transgressive body in film. Whereas many analyses have used theory to excuse and thus dilute the power of sexual and violent images, the author has here sought to examine cinematic representations of human relations as unflinchingly as Sade did in his novels.



De Sade


De Sade
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Author : Paul Silvani
language : en
Publisher: Self-Publish
Release Date : 2020-12-15

De Sade written by Paul Silvani and has been published by Self-Publish this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-15 with Performing Arts categories.


De Sade (German title: Das Ausschweifende Leben des Marquis De Sade) is a 1969 American-German drama film starring Keir Dullea and Senta Berger. It is based on the life of Donatien Alphonse François, Marquis de Sade, named Louis Alphonse Donatien in the film. Dullea, in his first film role since the 1968 release of 2001: A Space Odyssey, plays the title character in a film characterized by its psychedelic imagery and go-go sensibilities. As the dying Marquis recalls his life out of sequence, he is terrorized by his uncle and haunted by his own past of debauchery.



Sade S Theatre


Sade S Theatre
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Author : Thomas Wynn
language : en
Publisher:
Release Date : 2007

Sade S Theatre written by Thomas Wynn and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.


Sade's rehabilitation as a major Enlightenment writer has hitherto not extended to a re-evaluation of his dramatic works. With a theoretical framework inspired by psychoanalysis and dramatic theory, and attentive to eighteenth-century theoretical debates, Thomas Wynn demonstrates the value of these neglected works. This is the first study to consider the nature and implications of Sade's dramatic aesthetic, and to define the erotic quality of spectatorship in his experimental plays. Challenging the assumption that the gaze is sadistic, the author uses insights from film theory to argue that Sade adapts contemporary theatrical texts and practice to create an aesthetic distinct from that of his novels. Rather than replicate the style of such works as Les Cent vingt journ es de Sodome, Sade's drama anticipates a masochistic model, as theorised by Theodor Reik and Gilles Deleuze. This analysis of Sadean spectatorship takes a thematic rather than chronological or text-by-text approach. The author argues that Sade, as an atheist materialist, focuses on the structural elements of theatre to produce visual pleasure rather than moral improvement, and that he elaborates an insistently visual dramatic aesthetic, a mode analogous to the linguistic saturation of the novels' tout dire. With reference to eighteenth-century obscene drama, theatre architecture and the history of visuality, the author explores the paradox that Sade's theatre is meant not for the stage, but for the private imagination. His visionary theatre is an example of the late eighteenth-century sublime, an aesthetic of the ineffable and the unrepresentable which, in its emphasis on the survival of the demeaned individual, structurally resembles masochism. Without deforming his technique or strategy, the author shows that Sade's voluptuous theatre - like his fiction - addresses an individual whose sovereignty in a godless world is intimately linked to the independent imagination. This book will be of interest to all those working in eighteenth-century drama and theory of spectatorship.



Mexican Cinema


Mexican Cinema
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Author : Carl J. Mora
language : en
Publisher: Univ of California Press
Release Date : 1989

Mexican Cinema written by Carl J. Mora and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Performing Arts categories.


The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.



Klaus Kinski Beast Of Cinema


Klaus Kinski Beast Of Cinema
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Author : Matthew Edwards
language : en
Publisher: McFarland
Release Date : 2016-07-13

Klaus Kinski Beast Of Cinema written by Matthew Edwards and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-13 with Performing Arts categories.


With more than 130 films and a career spanning four decades, Klaus Kinski (1926-1991) was one of the most controversial actors of his generation. Known for his wild tantrums on set and his legendary collaborations with auteur Werner Herzog--Aguirre, the Wrath of God (1972), Nosferatu the Vampyre (1979)--Kinski's intense performances made him the darling of European arthouse and exploitation/horror cinema. A genius in front of the camera, he was capable of lighting up the most risible films. Yet behind his public persona lurked a depraved man who took his art to the darkest extremes. This first ever collection of essays focusing on Kinski examines his work in exploitation and art house films and spaghetti westerns, along with his performances in such cult classics as Doctor Zhivago (1965), Crawlspace (1986), Venus in Furs (1965), The Great Silence (1968), Android (1982) and his only directorial credit, Paganini (1989). More than 50 reviews of Kinski's films are included, along with exclusive interviews with filmmakers and actors who worked with him.



Mexico On Film


Mexico On Film
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Author : Armida De La Garza Author
language : en
Publisher: Arena books
Release Date : 2006-06-20

Mexico On Film written by Armida De La Garza Author and has been published by Arena books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-06-20 with Social Science categories.


Given its features as a modern mass medium and thus closely related to the nation, cinema has rightly been regarded as a privileged site for putting forward contesting representations of national identity, or in short, as a main area in which narratives of national identity are negotiated.What do films such as Amores Perros or Traffic say about Mexican identity? In what way could Bread and Roses or The Crime of Padre Amaro be part of its transformation? This book looks at representations of "e;Mexicanity"e; in Mexican cinema and also in Hollywood throughout the 20th century and beyond, arguing that the international context plays at least as important a role as ethnicity, religion and language in the construction of images of the national self, although it is seldom taken into account in theories of national identity.The Mexican film may reveal much about Mexican society, e.g., Traffic and the prevalence of drug trafficking, Bread and Roses, and the problems of migration; Amores Perros, in relation to metaphors of the nation as an extended family; The Crime of Father Amaro, in discussing the changing position of the Catholic Church; and Herod's Law, a scathing critique of the political system that dominated Mexico for the best past of the 20th century.Throughout, the book emphases the contingent nature of hegemonic representations, and our ongoing need to tell and to listen to - or indeed, view - stories that weave together a variety of strands to convincingly tell us who we are.



The Marquis De Sade And The Avant Garde


The Marquis De Sade And The Avant Garde
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Author : Alyce Mahon
language : en
Publisher: Princeton University Press
Release Date : 2020-05-26

The Marquis De Sade And The Avant Garde written by Alyce Mahon and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-26 with Art categories.


"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--



The Mexican Masked Wrestler And Monster Filmography


The Mexican Masked Wrestler And Monster Filmography
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Author : Robert Michael “Bobb” Cotter
language : en
Publisher: McFarland
Release Date : 2015-06-14

The Mexican Masked Wrestler And Monster Filmography written by Robert Michael “Bobb” Cotter and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-14 with Performing Arts categories.


Any on-screen schmuck can take down a wolfman with a silver bullet. It takes a certain kind of hero to hoist that wolfman overhead into an airplane spin, follow with a body slam, drop an atomic elbow across his mangy neck, leg-lock him until he howls, and pin his furry back to the mat for a three-count. It takes a Mexican masked wrestler. Add a few half-naked vampire women, Aztec mummies, mad scientists, evil midgets from space, and a goateed Frankenstein monster, and you have just some of the elements of Mexican masked wrestler and monster movies, certainly among the most bizarre, surreal and imaginative films ever produced. This filmography features some of the oddest cinematic showdowns ever concocted--Mexican masked wrestlers battling monsters, evil geniuses and other ne'er-do-wells, be it in caves, cobwebbed castles or in the ring. From the 1950s to the 1970s, these movies were staples of Mexican cinema, combining action, horror, sex, science fiction and comedy into a bizarre amalgam aimed to please the whole family. Chapters examine the roots of the phenomenon, including the hugely popular masked wrestling scene and the classic Universal horror films from which Mexican filmmakers stole without compunction. Subsequent chapters focus on El Santo, Blue Demon, and Mil Mascaras, the three most prominent masked wrestlers; wrestling women; other less prominent masked wrestlers; and the insane mish-mash of monsters pitted against the heroes. Each chapter includes background information and a full filmography, and a wide assortment of striking illustrations--posters, lobby cards and other graphic material, some better than the movies they advertised--accompany the text.



Migration In Contemporary Hispanic Cinema


Migration In Contemporary Hispanic Cinema
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Author : Thomas G. Deveny
language : en
Publisher: Scarecrow Press
Release Date : 2012-06-21

Migration In Contemporary Hispanic Cinema written by Thomas G. Deveny and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-21 with Performing Arts categories.


In Migration in Contemporary Hispanic Cinema, Thomas Deveny takes the unique approach of looking at film and immigration with a global perspective, examining emigration and immigration films from Spain, Mexico, Argentina, Central America, and the Hispanic Caribbean. Deveny approaches each movie with a close textual analysis, keeping in mind the sociological theories regarding migration, as well as incorporating criticism on the film. Films such as Flowers from Another World, Return to Hansala, El Camino, 14 Kilometers, María Full of Grace, and others are studied throughout.