Ding Ling S Fiction
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Ding Ling S Fiction
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Author : Yi-tsi Mei Feuerwerker
language : en
Publisher: Harvard University Press
Release Date : 1982
Ding Ling S Fiction written by Yi-tsi Mei Feuerwerker and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Literary Criticism categories.
Fictional Authors Imaginary Audiences
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Author : Bonnie S. McDougall
language : en
Publisher: Chinese University Press
Release Date : 2003
Fictional Authors Imaginary Audiences written by Bonnie S. McDougall and has been published by Chinese University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Education categories.
The authors and audiences for 20th century Chinese literature, especially fiction, are examined in a fresh light. While modern Chinese fictions are imaginary in that they do not constitute reliable portraits of Chinese life, they offer insights into the writers themselves and their implied audiences.
Miss Sophie S Diary And Other Stories
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Author : Ling Ding
language : en
Publisher: Chinese Literature Press
Release Date : 1985
Miss Sophie S Diary And Other Stories written by Ling Ding and has been published by Chinese Literature Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Fiction categories.
The Power Of Weakness
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Author : Ling Ding
language : en
Publisher: Feminist Press
Release Date : 2007
The Power Of Weakness written by Ling Ding and has been published by Feminist Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Fiction categories.
Two of China's greatest 20th century writers renegotiate woman's sense of self and place
The Columbia Companion To Modern Chinese Literature
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Author : Kirk A. Denton
language : en
Publisher: Columbia University Press
Release Date : 2016-04-05
The Columbia Companion To Modern Chinese Literature written by Kirk A. Denton and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-05 with Literary Criticism categories.
The Columbia Companion to Modern Chinese Literature features more than fifty short essays on specific writers and literary trends from the Qing period (1895–1911) to the present. The volume opens with thematic essays on the politics and ethics of writing literary history, the formation of the canon, the relationship between language and form, the role of literary institutions and communities, the effects of censorship, the representation of the Chinese diaspora, the rise and meaning of Sinophone literature, and the role of different media in the development of literature. Subsequent essays focus on authors, their works, and the schools with which they were aligned, featuring key names, titles, and terms in English and in Chinese characters. Woven throughout are pieces on late Qing fiction, popular entertainment fiction, martial arts fiction, experimental theater, post-Mao avant-garde poetry, post–martial law fiction from Taiwan, contemporary genre fiction from China, and recent Internet literature. The volume includes essays on such authors as Liang Qichao, Lu Xun, Shen Congwen, Eileen Chang, Jin Yong, Mo Yan, Wang Anyi, Gao Xingjian, and Yan Lianke. Both a teaching tool and a go-to research companion, this volume is a one-of-a-kind resource for mastering modern literature in the Chinese-speaking world.
Ding Ling
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Author : Orit Wertheim
language : en
Publisher:
Release Date : 1978
Ding Ling written by Orit Wertheim and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with categories.
The Literature Of China In The Twentieth Century
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Author : Bonnie S. McDougall
language : en
Publisher: C. HURST & CO. PUBLISHERS
Release Date : 1997
The Literature Of China In The Twentieth Century written by Bonnie S. McDougall and has been published by C. HURST & CO. PUBLISHERS this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Literary Criticism categories.
This text surveys the literature of the Chinese mainland, concentrating on fiction, poetry and drama, with background surveys on the historical, social and cultural context, and chapters on individual writers and their works. It assumes no knowledge of Chinese. Topics include: the role of writers and the function of literature in a modernizing society; the long, native chinese tradition; the emphasis on culture and propaganda in a modernizing state; the relation of writers to their readers; and writers general impact on modern Chinese society.
The New Woman In Early Twentieth Century Chinese Fiction
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Author : Jin Feng
language : en
Publisher: Purdue University Press
Release Date : 2004
The New Woman In Early Twentieth Century Chinese Fiction written by Jin Feng and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with History categories.
Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals.
From May Fourth To June Fourth
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Author : Ellen Widmer
language : en
Publisher: Harvard University Press
Release Date : 2009-06-30
From May Fourth To June Fourth written by Ellen Widmer and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-06-30 with Social Science categories.
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S. M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu,and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization. --Cyril Birch, University of California, Berkeley
The Book Of Shanghai
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Author : Wang Anyi
language : en
Publisher: Comma Press
Release Date : 2020-04-16
The Book Of Shanghai written by Wang Anyi and has been published by Comma Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-16 with Fiction categories.
As the end of the world arrives in downtown Shanghai, one man’s only wish is to return a library book... When a publisher agrees to let a star author use his company’s attic to write in, little does he suspect this will become the author’s permanent residence... As Shanghai succumbs to a seemingly apocalyptic deluge, a man takes refuge in his bathtub, only to find himself, moments later, floating through the city's streets... The characters in this literary exploration of one of the world’s biggest cities are all on a mission. Whether it is responding to events around them, or following some impulse of their own, they are defined by their determination – a refusal to lose themselves in a city that might otherwise leave them anonymous, disconnected, alone. From the neglected mother whose side-hustle in collecting sellable waste becomes an obsession, to the schoolboy determined to end a long-standing feud between his family and another, these characters show a defiance that reminds us why Shanghai – despite its hurtling economic growth –remains an epicentre for individual creativity.