[PDF] Jahrbuch Der Musikbibliothek Peters F R 1906 Vol 13 Classic Reprint - eBooks Review

Jahrbuch Der Musikbibliothek Peters F R 1906 Vol 13 Classic Reprint


Jahrbuch Der Musikbibliothek Peters F R 1906 Vol 13 Classic Reprint
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Helmholtz And The Modern Listener


Helmholtz And The Modern Listener
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Author : Benjamin Steege
language : en
Publisher: Cambridge University Press
Release Date : 2012-07-19

Helmholtz And The Modern Listener written by Benjamin Steege and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-19 with Music categories.


The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.



The Organ Music Of J S Bach


The Organ Music Of J S Bach
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Author : Peter Williams
language : en
Publisher: Cambridge University Press
Release Date : 2003-12-11

The Organ Music Of J S Bach written by Peter Williams and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-12-11 with Music categories.


This is a completely revised 2003 edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This edition takes account of Bach scholarship of the 25 years prior to publication. Peter Williams's piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the 'free works', followed by chorales and ending with the doubtful works, including the 'newly discovered chorales' of 1985.



Guide To Reprints


Guide To Reprints
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Author :
language : en
Publisher:
Release Date : 2007

Guide To Reprints written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Editions categories.




A History Of Six Ideas


A History Of Six Ideas
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Author : W. Tatarkiewicz
language : en
Publisher: Springer Science & Business Media
Release Date : 2012-12-06

A History Of Six Ideas written by W. Tatarkiewicz and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Philosophy categories.


The history of aesthetics, like the histories of other sciences, may be treated in a two-fold manner: as the history of the men who created the field of study, or as the history of the questions that have been raised and resolved in the course of its pursuit. The earlier History of Aesthetics (3 volumes, 1960-68, English-language edition 1970-74) by the author of the present book was a history of men, of writers and artists who in centuries past have spoken up concerning beauty and art, form and crea tivity. The present book returns to the same subject, but treats it in a different way: as the history of aesthetic questions, concepts, theories. The matter of the two books, the previous and the present, is in part the same; but only in part: for the earlier book ended with the 17th century, while the present one brings the subject up to our own times. And from the 18th century to the 20th much happened in aesthetics; it was only in that period that aesthetics achieved recognition as a separate science, received a name of its own, and produced theories that early scholars and artists had never dreamed of.



Historical Sources Of Ethnomusicology In Contemporary Debate


Historical Sources Of Ethnomusicology In Contemporary Debate
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Author : Ingrid Åkesson
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2017-05-11

Historical Sources Of Ethnomusicology In Contemporary Debate written by Ingrid Åkesson and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-11 with Music categories.


This anthology concerns traditional music and archives, and discusses their relationship as seen from historical and epistemological perspectives. Music recordings on wax cylinders, 78 records or magnetic tape, made in the first half of the 20th century, are regarded today as valuable sources for understanding musical processes in their social dimension and as unique cultural heritage. Most of these historical sound recordings are preserved in sound archives, now increasingly accessible in digital formats. Written by renowned experts, the articles here focus on archives, individual and collective memory, and heritage as today’s recreation of the past. Contributors discuss the role of historical sources of traditional music in contemporary research based on examples from music cultures in West Africa, Scandinavia, Turkey, and Portugal, among others. The book will appeal to musicologists and cultural anthropologists, as well as historians and sociologists, and will be of interest to anyone concerned with sound archives, libraries, universities and cultural institutions dedicated to traditional music.



Music S Intellectual History


Music S Intellectual History
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Author : Zdravko Blažeković
language : en
Publisher: Rilm
Release Date : 2009

Music S Intellectual History written by Zdravko Blažeković and has been published by Rilm this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Music categories.


Personalities: music scholars. Personalities: composers. National studies. Encyclopedias. Periodicals. Historiography & its directions



The History Of Musical Pitch


The History Of Musical Pitch
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Author : Alexander John Ellis
language : en
Publisher:
Release Date : 1880

The History Of Musical Pitch written by Alexander John Ellis and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1880 with Musical pitch categories.




Ethno Musicology


Ethno Musicology
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Author : Jaap Kunst
language : en
Publisher: Springer
Release Date : 2012-12-06

Ethno Musicology written by Jaap Kunst and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Music categories.


This booklet hardly needs a preface; the contents, I think, speak for themselves. It contains a short and carefully brought up to date resume of all that I, as a private University Lecturer in Amsterdam, have tried to teach my pupils. It is intended as a general introduction to ethno-musicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for self tuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J.K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam, under the title 'Musicologica'. I have taken care to add many particulars from non-European sources, with the result that now the book is no longer so Europe-centric as it was.



Dictionary Catalog Of The Music Collection


Dictionary Catalog Of The Music Collection
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Author : New York Public Library. Reference Department
language : en
Publisher:
Release Date : 1964

Dictionary Catalog Of The Music Collection written by New York Public Library. Reference Department and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1964 with Music categories.




The Beethoven Syndrome


The Beethoven Syndrome
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Author : Mark Evan Bonds
language : en
Publisher: Oxford University Press, USA
Release Date : 2019

The Beethoven Syndrome written by Mark Evan Bonds and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Music categories.


The "Beethoven Syndrome" is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged only after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers in general--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of "New Objectivity" marked a return not only to certain stylistic features of eighteenth-century music but to the earlier concept of expression itself. Objectivity would go on to become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening.