Le Cin Ma Sovi Tique
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Eisenstein Cinema And History
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Author : James Goodwin
language : en
Publisher: University of Illinois Press
Release Date : 1993
Eisenstein Cinema And History written by James Goodwin and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Performing Arts categories.
Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.
Catalogue Of The Book Library Of The British Film Institute London England Title Catalogue G Z Script Catalogue Subject Catalogue Personality Index Film Index
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Author : British Film Institute. Library
language : en
Publisher:
Release Date : 1975
Catalogue Of The Book Library Of The British Film Institute London England Title Catalogue G Z Script Catalogue Subject Catalogue Personality Index Film Index written by British Film Institute. Library and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Motion pictures categories.
The Reel Middle Ages
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Author : Kevin J. Harty
language : en
Publisher: McFarland
Release Date : 2015-08-13
The Reel Middle Ages written by Kevin J. Harty and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-13 with Performing Arts categories.
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
The Palgrave Handbook Of Comparative New Cinema Histories
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Author : Daniela Treveri Gennari
language : en
Publisher: Springer Nature
Release Date :
The Palgrave Handbook Of Comparative New Cinema Histories written by Daniela Treveri Gennari and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Histoire Du Cin Ma 1 Le Cin Ma Muet
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Author : Maurice Bardèche
language : fr
Publisher: FeniXX
Release Date : 1953-01-01T00:00:00+01:00
Histoire Du Cin Ma 1 Le Cin Ma Muet written by Maurice Bardèche and has been published by FeniXX this book supported file pdf, txt, epub, kindle and other format this book has been release on 1953-01-01T00:00:00+01:00 with Science categories.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Fictions Nationales Cin Ma Empire Et Nation En Ouzb Kistan 1919 1937
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Author : DRIEU Cloé
language : fr
Publisher: KARTHALA Editions
Release Date : 2013-07-25
Fictions Nationales Cin Ma Empire Et Nation En Ouzb Kistan 1919 1937 written by DRIEU Cloé and has been published by KARTHALA Editions this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-25 with categories.
L’Union des républiques socialistes soviétiques formait-elle un empire ? Comment les États-nations d’Asie centrale – et l’Ouzbékistan en particulier – ont-ils émergé et comment se sont-ils consolidés à la veille de la Seconde Guerre mondiale ? Comment se traduit la violence stalinienne dans la région ? C’est en étudiant le cinéma de fiction produit dans l’entre-deux-guerres en Ouzbékistan que Cloé Drieu répond à ces questions et expose précisément les mécanismes d’assujettissement, tant institutionnels que symboliques, de la périphérie ouzbèque au centre moscovite. En effet, le film, parce qu’il est au coeur d’enjeux politiques et économiques, mais aussi parce qu’il relève de la construction d’imaginaires, tant nationaux qu’impériaux, est un fil conducteur singulier. De 1924, date de naissance politique (création de l’Ouzbékistan soviétique) et cinématographique (réalisation du premier film de fiction), à 1937, date de la terreur stalinienne mais aussi du passage au cinéma parlant, le film suit les circonvolutions de l’histoire tragique des premières élites nationales dans le premier tiers du XXe siècle. Comment les cinéastes ouzbeks se sont-ils emparés de la caméra ? Quels regards ont-ils porté sur l’aventure révolutionnaire ? Comment l’ont-ils traduite cinématographiquement ? Et, finalement, comment ont-ils perdu, temporairement, l’usage de la « parole cinématographique » ? Fruit d’une dizaine d’années de recherches sur des documents filmiques et administratifs consultés dans les archives nationales ouzbèques ou dans divers sites archivistiques à Moscou, cet ouvrage offre un regard neuf sur l’histoire du cinéma soviétique, en s’intéressant à un cinéma national inconnu jusqu’alors. Mais surtout, en privilégiant un regard décentré pour donner la priorité à la périphérie, il permet de saisir la constitution des grandes matrices idéologiques, encore majoritairement à l’oeuvre aujourd’hui. En abordant les questions de domination, d’hégémonie et de violence, d’empire et de nation, de résistance et de consentement, il s’insère pleinement dans les débats actuels des sciences sociales. Cloé Drieu est historienne de l’Asie centrale, chargée de recherche au CNRS au sein du Cetobac. Après s’être intéressée au « premier stalinisme », elle travaille désormais sur la Première Guerre mondiale et ses conséquences dans la région. Table des matières I. Décoloniser l’asie centrale : structure et image cinématographiques (1919-1927) 1. Autonomie culturelle et nation (1919-1924 2. Exotisme révolutionnaire et imaginaire colonial : cinéma et divertissement (1924-1927) II. Une révolution culturelle en tensions : nation, modernité, empire (1927-1931) 1. L’espace cinématographique national 2. Soumettre l’activité cinématographique ouzbèque : le glissement vers l’empire III. Les apories de la politique des nationalités : nationalisme et internationalisme (1931-1937) 1. L’imaginaire cinématographique nationaliste : la subjugation de la classe par la nation 2. L’empire du prolétariat : la subjugation de la nation par la classe
Le Cin Ma Stalinien Questions D Histoire
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Author : Natacha Laurent
language : fr
Publisher: Presses Univ. du Mirail
Release Date : 2003
Le Cin Ma Stalinien Questions D Histoire written by Natacha Laurent and has been published by Presses Univ. du Mirail this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Communism and motion pictures categories.
The production and distribution of images in Russia during the Stalinist period had a aestheitic imposed upon it, but was Soviet Cinema of the time a completely uniform creation without any room for the filmmakers own autonomy.
Speaking Truths With Film
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Author : Bill Nichols
language : en
Publisher: Univ of California Press
Release Date : 2016-04-05
Speaking Truths With Film written by Bill Nichols and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-05 with Performing Arts categories.
"What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.
Identity Place And Subversion In Contemporary Mizrahi Cinema In Israel
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Author : Yaron Shemer
language : en
Publisher: University of Michigan Press
Release Date : 2013-07-30
Identity Place And Subversion In Contemporary Mizrahi Cinema In Israel written by Yaron Shemer and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-30 with Performing Arts categories.
In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel , Yaron Shemer presents the most comprehensive and systematic study to date of Mizrahi (Oriental-Jewish or Arab-Jewish) films produced in Israel in the last several decades. Through an analysis of dozens of films the book illustrates how narratives, characters, and space have been employed to give expression to Mizrahi ethnic identity and to situate the Mizrahi within the broader context of the Israeli societal fabric. The struggle over identity and the effort to redraw ethnic boundaries have taken place against the backdrop of a long-standing Zionist view of the Mizrahi as an inferior other whose “Levantine” culture posed a threat to the Western-oriented Zionist enterprise. In its examination of the nature and dynamics of Mizrahi cinema (defined by subject-matter), the book engages the sensitive topic of Mizrahi ethnicity head-on, confronting the conventional notion of Israeli society as a melting pot and the widespread dismissal of ethnic divisions in the country. Shemer explores the continuous marginalization of the Mizrahi in contemporary Israeli cinema and the challenge some Mizrahi films offer to the subjugation of this ethnic group. He also studies the role cultural policies and institutional power in Israel have played in shaping Mizrahi cinema and the creation of a Mizrahi niche in cinema. In a broader sense, this pioneering work is a probing exploration of Israeli culture and society through the prism of film and cinematic expression. It sheds light on the play of ethnicity, class, gender, and religion in contemporary Israel, and on the heated debates surrounding Zionist ideology and identity politics. By charting a new territory of academic inquiry grounded in an interdisciplinary theoretical framework, the study contributes to the formation of “Mizrahi Cinema” as a recognized and vibrant scholarly field.
The Holy Fool In European Cinema
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Author : Alina G. Birzache
language : en
Publisher: Routledge
Release Date : 2016-02-05
The Holy Fool In European Cinema written by Alina G. Birzache and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-05 with Religion categories.
This monograph explores the way that the profile and the critical functions of the holy fool have developed in European cinema, allowing this traditional figure to capture the imagination of new generations in an age of religious pluralism and secularization. Alina Birzache traces the cultural origins of the figure of the holy fool across a variety of European traditions. In so doing, she examines the critical functions of the holy fool as well as how filmmakers have used the figure to respond to and critique aspects of the modern world. Using a comparative approach, this study for the first time offers a comprehensive explanation of the enduring appeal of this protean and fascinating cinematic character. Birzache examines the trope of holy foolishness in Soviet and post-Soviet cinema, French cinema, and Danish cinema, corresponding broadly to and permitting analysis of the three main orientations in European Christianity: Orthodox, Catholic, and Protestant. This study will be of keen interest to scholars of religion and film, European cinema, and comparative religion.