Le Cinema Sovi Tique
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Cin Ma In Revolution
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Author : Luda Schnitzer
language : en
Publisher:
Release Date : 1973
Cin Ma In Revolution written by Luda Schnitzer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with categories.
Le Cinema Sovietique
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Author :
language : en
Publisher:
Release Date :
Le Cinema Sovietique written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
The Emergence Of Film Culture
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Author : Malte Hagener
language : en
Publisher: Berghahn Books
Release Date : 2014-09-01
The Emergence Of Film Culture written by Malte Hagener and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-01 with Performing Arts categories.
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.
Speaking Truths With Film
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Author : Bill Nichols
language : en
Publisher: Univ of California Press
Release Date : 2016-04-05
Speaking Truths With Film written by Bill Nichols and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-05 with Performing Arts categories.
"What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.
Catalogue Of The Book Library Of The British Film Institute London England Title Catalogue G Z Script Catalogue Subject Catalogue Personality Index Film Index
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Author : British Film Institute. Library
language : en
Publisher:
Release Date : 1975
Catalogue Of The Book Library Of The British Film Institute London England Title Catalogue G Z Script Catalogue Subject Catalogue Personality Index Film Index written by British Film Institute. Library and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Motion pictures categories.
The Reel Middle Ages
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Author : Kevin J. Harty
language : en
Publisher: McFarland
Release Date : 2015-08-13
The Reel Middle Ages written by Kevin J. Harty and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-13 with Performing Arts categories.
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
The Palgrave Handbook Of Comparative New Cinema Histories
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Author : Daniela Treveri Gennari
language : en
Publisher: Springer Nature
Release Date :
The Palgrave Handbook Of Comparative New Cinema Histories written by Daniela Treveri Gennari and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Eisenstein Cinema And History
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Author : James Goodwin
language : en
Publisher: University of Illinois Press
Release Date : 1993
Eisenstein Cinema And History written by James Goodwin and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Performing Arts categories.
Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.
Kino
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Author : Jay Leyda
language : en
Publisher: Princeton University Press
Release Date : 1983-08-21
Kino written by Jay Leyda and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983-08-21 with History categories.
Documents the evolutionary development of the nation's cinema and its film artists, focusing on the period between 1896 and the death of Eisenstein in 1948.
Fictions Nationales Cin Ma Empire Et Nation En Ouzb Kistan 1919 1937
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Author : DRIEU Cloé
language : fr
Publisher: KARTHALA Editions
Release Date : 2013-07-25
Fictions Nationales Cin Ma Empire Et Nation En Ouzb Kistan 1919 1937 written by DRIEU Cloé and has been published by KARTHALA Editions this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-25 with categories.
L’Union des républiques socialistes soviétiques formait-elle un empire ? Comment les États-nations d’Asie centrale – et l’Ouzbékistan en particulier – ont-ils émergé et comment se sont-ils consolidés à la veille de la Seconde Guerre mondiale ? Comment se traduit la violence stalinienne dans la région ? C’est en étudiant le cinéma de fiction produit dans l’entre-deux-guerres en Ouzbékistan que Cloé Drieu répond à ces questions et expose précisément les mécanismes d’assujettissement, tant institutionnels que symboliques, de la périphérie ouzbèque au centre moscovite. En effet, le film, parce qu’il est au coeur d’enjeux politiques et économiques, mais aussi parce qu’il relève de la construction d’imaginaires, tant nationaux qu’impériaux, est un fil conducteur singulier. De 1924, date de naissance politique (création de l’Ouzbékistan soviétique) et cinématographique (réalisation du premier film de fiction), à 1937, date de la terreur stalinienne mais aussi du passage au cinéma parlant, le film suit les circonvolutions de l’histoire tragique des premières élites nationales dans le premier tiers du XXe siècle. Comment les cinéastes ouzbeks se sont-ils emparés de la caméra ? Quels regards ont-ils porté sur l’aventure révolutionnaire ? Comment l’ont-ils traduite cinématographiquement ? Et, finalement, comment ont-ils perdu, temporairement, l’usage de la « parole cinématographique » ? Fruit d’une dizaine d’années de recherches sur des documents filmiques et administratifs consultés dans les archives nationales ouzbèques ou dans divers sites archivistiques à Moscou, cet ouvrage offre un regard neuf sur l’histoire du cinéma soviétique, en s’intéressant à un cinéma national inconnu jusqu’alors. Mais surtout, en privilégiant un regard décentré pour donner la priorité à la périphérie, il permet de saisir la constitution des grandes matrices idéologiques, encore majoritairement à l’oeuvre aujourd’hui. En abordant les questions de domination, d’hégémonie et de violence, d’empire et de nation, de résistance et de consentement, il s’insère pleinement dans les débats actuels des sciences sociales. Cloé Drieu est historienne de l’Asie centrale, chargée de recherche au CNRS au sein du Cetobac. Après s’être intéressée au « premier stalinisme », elle travaille désormais sur la Première Guerre mondiale et ses conséquences dans la région. Table des matières I. Décoloniser l’asie centrale : structure et image cinématographiques (1919-1927) 1. Autonomie culturelle et nation (1919-1924 2. Exotisme révolutionnaire et imaginaire colonial : cinéma et divertissement (1924-1927) II. Une révolution culturelle en tensions : nation, modernité, empire (1927-1931) 1. L’espace cinématographique national 2. Soumettre l’activité cinématographique ouzbèque : le glissement vers l’empire III. Les apories de la politique des nationalités : nationalisme et internationalisme (1931-1937) 1. L’imaginaire cinématographique nationaliste : la subjugation de la classe par la nation 2. L’empire du prolétariat : la subjugation de la nation par la classe