Maria Eichhorn Public Limited Company
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Maria Eichhorn Aktiengesellschaft
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Author : Maria Eichhorn
language : en
Publisher:
Release Date : 2002
Maria Eichhorn Aktiengesellschaft written by Maria Eichhorn and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Conceptual art categories.
Maria Eichhorn Aktiengesellschaft
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Author : Maria Eichhorn
language : en
Publisher: Walther Konig Verlag
Release Date : 2007
Maria Eichhorn Aktiengesellschaft written by Maria Eichhorn and has been published by Walther Konig Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
The exhibition and this accompanying text "is little more than a literal presentation of a series of standard documents that have to be drawn up and signed when establishing a public limited company."
The Lack Of Interest In Maria Eichhorn S Work
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Author : Elizabeth Allison Ferrell
language : en
Publisher:
Release Date : 2006
The Lack Of Interest In Maria Eichhorn S Work written by Elizabeth Allison Ferrell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with categories.
The Organic Line
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Author : Irene V. Small
language : en
Publisher: Princeton University Press
Release Date : 2024-10-08
The Organic Line written by Irene V. Small and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-10-08 with Art categories.
A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small’s innovative readings of canonical modernist works such as Kazimir Malevich’s Black Square, John Cage’s 4’33”, and Le Corbusier’s machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line’s remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user’s guide and manifesto for reimagining modern and contemporary art for the present.
Institutional Critique
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Author : Alexander Alberro
language : en
Publisher: MIT Press
Release Date : 2011-09-30
Institutional Critique written by Alexander Alberro and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-09-30 with Art categories.
An anthology of writings and projects by artists who developed and extended the genre of institutional critique. "Institutional critique” is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. This anthology traces the development of institutional critique as an artistic concern from the 1960s to the present by gathering writings and representative art projects of artists from across Europe and throughout the Americas who developed and extended the genre. The texts and artworks included are notable for the range of perspectives and positions they reflect and for their influence in pushing the boundaries of what is meant by institutional critique. Like Alberro and Stimson's Conceptual Art: A Critical Anthology this volume will shed new light on its subject through its critical and historical framing. Even readers already familiar with institutional critique will come away from this book with a greater and often redirected understanding of its significance. Artists represented include Wieslaw Borowski, Daniel Buren, Marcel Broodthaers, Groupe de Recherche d'Art Visuel, Hans Haacke, Robert Smithson, John Knight, Graciela Carnevale, Osvaldo Mateo Boglione, Guerilla Art Action Group, Art Workers' Coalition, Mierle Laderman Ukeles, Michael Asher, Mel Ramsden, Adrian Piper, The Guerrilla Girls, Laibach, Silvia Kolbowski, Andrea Fraser, Fred Wilson, Mark Dion, Maria Eichhorn, Critical Art Ensemble, Bureau d'Études, WochenKlausur, The Yes Men, Hito Steyerl, Andreas Siekmann.
Contemporary Art
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Author : Alexander Dumbadze
language : en
Publisher: John Wiley & Sons
Release Date : 2012-12-04
Contemporary Art written by Alexander Dumbadze and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-04 with Art categories.
An engaging account of today’s contemporary art world that features original articles by leading international art historians, critics, curators, and artists, introducing varied perspectives on the most important debates and discussions happening around the world. Features a collection of all-new essays, organized around fourteen specific themes, chosen to reflect the latest debates in contemporary art since 1989 Each topic is prefaced by an introduction on current discussions in the field and investigated by three essays, each shedding light on the subject in new and contrasting ways Topics include: globalization, formalism, technology, participation, agency, biennials, activism, fundamentalism, judgment, markets, art schools, and scholarship International in scope, bringing together over forty of the most important voices in the field, including Sofía Hernández Chong Cuy, David Joselit, Michelle Kuo, Raqs Media Collective, and Jan Verwoert A stimulating guide that will encourage polemical interventions and foster critical dialogue among both students and art aficionados
Postsensual Aesthetics
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Author : James Voorhies
language : en
Publisher: MIT Press
Release Date : 2023-02-21
Postsensual Aesthetics written by James Voorhies and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-02-21 with Art categories.
Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art’s defining moment. Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary “logic of the curatorial.” He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer’s curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge.
Proximate Difference In Aesthetics
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Author : Kevin Malcolm Richards
language : en
Publisher: Rowman & Littlefield
Release Date : 2023
Proximate Difference In Aesthetics written by Kevin Malcolm Richards and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Art categories.
Proximate Difference in Aesthetics explores the interconnections of the philosophy of Jacques Derrida and the artistic practices comprising Institutional Critique as a means of both providing a framework for this heterodox approach to art and examining Derrida's contributions to contemporary aesthetics.
Maria Eichhorn
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Author : Susanne Gaensheimer
language : mul
Publisher:
Release Date : 2004
Maria Eichhorn written by Susanne Gaensheimer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.
In ihrem Projekt "Restitutionspolitik" beschäftigt sich Maria Eichhorn mit der Provenienz von fünfzehn Ölgemälden und einem Aquarell aus der Sammlung der Städtischen Galerie im Lenbachhaus in München. Historisch sind alle sechzehn Werke, die die Künstlerin für diese Untersuschung heranzieht, davon "belastet", dass sie bereits unter dem Verdacht gestanden haben oder immer noch stehen, durch die Nationalsozialisten von ihren Eigentümern unrechtmässig entzogen, sogenannte Raubkunst zu sein.
Is It Ours
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Author : Martha Buskirk
language : en
Publisher: University of California Press
Release Date : 2021-04-13
Is It Ours written by Martha Buskirk and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-13 with Art categories.
If you have tattoos, who owns the rights to the imagery inked on your body? What about the photos you just shared on Instagram? And what if you are an artist, responding to the surrounding landscape of preexisting cultural forms? Most people go about their days without thinking much about intellectual property, but it shapes all aspects of contemporary life. It is a constantly moving target, articulated through a web of laws that are different from country to country, sometimes contradictory, often contested. Some protections are necessary—not only to benefit creators and inventors but also to support activities that contribute to the culture at large—yet overly broad ownership rights stifle innovation. Is It Ours? takes a fresh look at issues of artistic expression and creative protection as they relate to contemporary law. Exploring intellectual property, particularly copyrights, Martha Buskirk draws connections between current challenges and early debates about how something intangible could be defined as property. She examines bonds between artist and artwork, including the ways that artists or their heirs retain control over time. The text engages with fundamental questions about the interplay between authorship and ownership and the degree to which all expressions and inventions develop in response to innovations by others. Most importantly, this book argues for the necessity of sustaining a vital cultural commons.