[PDF] Muziektheorie - eBooks Review

Muziektheorie


Muziektheorie
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Music Theory Resource Book


Music Theory Resource Book
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Author : Harold Owen
language : en
Publisher: Oxford University Press, USA
Release Date : 2000

Music Theory Resource Book written by Harold Owen and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.


"Music Theory Resource Book covers topics not usually found in standard theory texts including basic acoustics, contrapuntal techniques, jazz harmony, musics from non-Western cultures, and music since 1950."--BOOK JACKET.



The Theory Of Musical Composition Treated With A View To A Naturally Consecutive Arrangement Of Topics


The Theory Of Musical Composition Treated With A View To A Naturally Consecutive Arrangement Of Topics
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Author : Gottfried Weber
language : en
Publisher:
Release Date : 1851

The Theory Of Musical Composition Treated With A View To A Naturally Consecutive Arrangement Of Topics written by Gottfried Weber and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1851 with Composition (Music) categories.




Towards A Global Music Theory


Towards A Global Music Theory
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Author : Professor Mark Hijleh
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2012-09-01

Towards A Global Music Theory written by Professor Mark Hijleh and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-01 with Music categories.


Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part to advances in higher-speed communications and travel. We live now in a world of global musical practice that will only continue to blossom and develop through the twenty-first century and beyond. Yet music theory as an academic discipline is only just beginning to respond to such a milieu. Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics, not least the hybrid musics that influence (and increasingly define) more and more of the world's musical practices. Towards a Global Music Theory proposes a number of such concepts and methods stemming from durational and acoustic relationships between 'twos' and 'threes' as manifested in various interrelated aspects of music, including rhythm, melody, harmony, process, texture, timbre and tuning, and offers suggestions for how such concepts and methods might be applied effectively to the understanding of music in a variety of contexts. While some of the bases for this foray into possible methods for a twenty-first century music theory lie along well established acoustical and psycho-acoustical lines, Dr Mark Hijleh presents a broad attempt to apply them conceptually and comprehensively to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers.



Unplayed Melodies


Unplayed Melodies
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Author : Marc Perlman
language : en
Publisher: Univ of California Press
Release Date : 2004-10-25

Unplayed Melodies written by Marc Perlman and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-10-25 with Music categories.


The gamelan music of Central Java is one of the world's great orchestral traditions. Its rich sonic texture is not based on Western-style harmony or counterpoint, but revolves around a single melody. The nature of that melody, however, is puzzling. In this book, Marc Perlman uses this puzzle as a key to both the art of the gamelan and the nature of musical knowledge in general. Some Javanese musicians have suggested that the gamelan’s central melody is inaudible, an implicit or "inner" melody. Yet even musicians who agree on its existence may disagree about its shape. Drawing on the insights of Java’s most respected musicians, Perlman shows how irregularities in the relationships between the melodic parts have suggested the existence of "unplayed melodies." To clarify the differences between these implicit-melody concepts, Unplayed Melodies tells the stories behind their formulation, identifying each as the creative contribution of an individual musician in a postcolonial context (sometimes in response to Western ethnomusicological theories). But these stories also contain evidence of the general cognitive processes through which musicians find new ways to conceptualize their music. Perlman’s inquiry into these processes illuminates not only the gamelan’s polyphonic art, but also the very sources of creative thinking about music.



Theory For Today S Musician Workbook Ebook


Theory For Today S Musician Workbook Ebook
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Author : Ralph Turek
language : en
Publisher: Routledge
Release Date : 2014-04-08

Theory For Today S Musician Workbook Ebook written by Ralph Turek and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-08 with Music categories.


The package (ISBN 978-0-415-73036-5) contains the second edition of Theory for Today’s Musician (ISBN: 978-0-415-66332-8) and the Theory for Today’s Musician Workbook (ISBN: 978-0-415-66333-5). The package is available for print books only. Ebook users should purchase the textbook and workbook separately. This workbook accompanies the second edition of Theory for Today's Musician and is full of exercises to help students practice and master the concepts presented in each chapter. Audio files are included.



Alfred S Essentials Of Music Theory


Alfred S Essentials Of Music Theory
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Author : Andrew Surmani
language : en
Publisher: Alfred Music Publishing
Release Date : 2000

Alfred S Essentials Of Music Theory written by Andrew Surmani and has been published by Alfred Music Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.


Thirty reproducible activities plus 6 tests in each volume.



The Memetics Of Music


The Memetics Of Music
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Author : Steven B. Jan
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2007

The Memetics Of Music written by Steven B. Jan and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.


Richard Dawkins's formulation of the meme concept in his 1976 classic The Selfish Gene has inspired three decades of work in what many see as the burgeoning science of memetics. This study is the first musicologically-orientated attempt systematically to apply the theory of memetics to music. In contrast to the two points of view normally adopted in music theory and analysis - namely those of the listener and the composer - the purpose of this book is to argue for a distinct and illuminating third perspective. The perspective is that of the (selfish) replicated musical pattern itself, and adopting it is central to memetics.



Introduction To Music Theory


Introduction To Music Theory
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Author : Allen Winold
language : en
Publisher: Prentice Hall
Release Date : 1979

Introduction To Music Theory written by Allen Winold and has been published by Prentice Hall this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with Music categories.




Starter S Guide To Music Theory And Analysis


Starter S Guide To Music Theory And Analysis
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Author : Murat Yakin
language : en
Publisher:
Release Date : 2016-06-28

Starter S Guide To Music Theory And Analysis written by Murat Yakin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-28 with categories.


This is a step by step guide for music theory and analysis for the beginners. From basics of musical notation to the principles of tonality, all of the difficult subjects of music theory are explained in detail, with demonstrations. The student is prepared for analysis studies step by step. The exercises provided at the end of each chapter (and sometimes extra exercises in the middle of a chapter) are designed for the student to develop what she/he learned by reading and prepare herself/himself for the next challenge.Music theory is generally a scary subject for musicians. This is not true for a person who is capable of developing connections between different aspects of music theory and is able to practice them in a fluid way. That is because the practice holds the analytical secrets inside and the person who opens it is awarded. For most of the students, practicing scales or practicing chords of a scale is something just very very low profile work. The fingers memorize which key on the piano to be pressed in which order when the piano is chosen as the instrument for assistive training, but the brain does not want to develop connections between different aspects of the same theoretical practice such as playing a major scale first, let's say G major, and then playing a different one, let's say A-flat major. The result is a temporary learning of scale practicing, but a possible failure in music theory, since the rules which are just there to see are not exercised at the same time. We observed that a long-term learning is possible by practicing and examining what is practiced to make connections. We searched a way to show these connections in this book. Analysis is another problem in academic education of music. Students from different majors are excepted to make a standard level analysis of musical works from literature. The most difficult thing for those whose major is not composition or theory, who have a strong focus on the matter, is to recognize the chords in a given texture, to eliminate the unnecessary tones, and by this way, to identify the way chord progressions are held in the piece to explain the functionality of the elements used in music. That is the main goal of musical analysis and any level of failure, which also includes composition and theory majors sometimes, becomes a huge headache for both student and the teacher. This book suggests a path to quickly train the lower level students in a class in basics and then to train the medium level and upper level students (along with the trained lower levels) in a different manner than the conventional music theory training does so that even the higher levels will re-consider their knowledge on the facts which will allow them go in the details deeper, and even inspire the way think music and musical analysis. Analysis is expected to be a quiet easy skill that student uses in a fluent way.The book provides exercises at the end of every chapter. The study of these exercises should be sufficient for a basic level learning. The exercises usually cover more than one aspect of a goal in separate questions.Among the other powerful features of this book, we can mention the chapters on musical design. The music student usually learns only one dimension of identification of chords in music which lacks of concerning the textural differences. We find it essential to mention main textural differences and demonstrate how to approach them in order to make a good analysis at the beginner level. We think the basic music theory training should include such an unpronounced aspect of analysis. We also explain the effect of instrumental choice in the work and what to expect to see as well as how to approach different setups for analysis by demonstrations, including orchestral writing.



Music And Memory


Music And Memory
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Author : Bob Snyder
language : en
Publisher: MIT Press
Release Date : 2000

Music And Memory written by Bob Snyder and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.


Divided into two parts, this book shows how human memory influences the organization of music. The first part presents ideas about memory and perception from cognitive psychology and the second part of the book shows how these concepts are exemplified in music.