[PDF] Pure Cinema - eBooks Review

Pure Cinema


Pure Cinema
DOWNLOAD

Download Pure Cinema PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Pure Cinema book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page



The Art Of Pure Cinema


The Art Of Pure Cinema
DOWNLOAD
Author : Bruce Isaacs
language : en
Publisher: Oxford University Press
Release Date : 2020-03-13

The Art Of Pure Cinema written by Bruce Isaacs and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-13 with Performing Arts categories.


In a now-famous interview with François Truffaut in 1962, Alfred Hitchcock described his masterpiece Rear Window (1954) as "the purest expression of a cinematic idea." But what, precisely, did Hitchcock mean by pure cinema? Was pure cinema a function of mise en scène, or composition within the frame? Was it a function of montage, "of pieces of film assembled"? This notion of pure cinema has intrigued and perplexed critics, theorists, and filmmakers alike in the decades following this discussion. And even across his 40-year career, Hitchcock's own ideas about pure cinema remained mired in a lack of detail, clarity, and analytical precision. The Art of Pure Cinema is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s. Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context. In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock.



What Is Cinema


What Is Cinema
DOWNLOAD
Author : André Bazin
language : en
Publisher: Univ of California Press
Release Date : 2005

What Is Cinema written by André Bazin and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Performing Arts categories.


These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.



What Is Cinema


What Is Cinema
DOWNLOAD
Author : André Bazin
language : en
Publisher: Univ of California Press
Release Date : 2005

What Is Cinema written by André Bazin and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Performing Arts categories.


These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.



French Film Theory And Criticism 1907 1929


French Film Theory And Criticism 1907 1929
DOWNLOAD
Author : Richard Abel
language : en
Publisher: Princeton University Press
Release Date : 1993-09-12

French Film Theory And Criticism 1907 1929 written by Richard Abel and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-09-12 with Performing Arts categories.


These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.



The Orientation Of Future Cinema


The Orientation Of Future Cinema
DOWNLOAD
Author : Bruce Isaacs
language : en
Publisher: A&C Black
Release Date : 2013-02-14

The Orientation Of Future Cinema written by Bruce Isaacs and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-14 with Performing Arts categories.


What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems? The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumière’s Arrival of a Train at a Station, Bruce Isaacs confronts the threat of contemporary digital technologies and processes by returning to cinema’s complex history as a technological and industrial phenomenon. The technology of moving images has profoundly changed; and yet cinema materialises ever more forcefully in digital capture and augmentation, 3-D perception and affect, High Frame Rate cinema, and the evolution of spectacle as the dominant aesthetic mode in contemporary studio production.



Italian Neorealism And Global Cinema


Italian Neorealism And Global Cinema
DOWNLOAD
Author : Laura E. Ruberto
language : en
Publisher: Wayne State University Press
Release Date : 2007

Italian Neorealism And Global Cinema written by Laura E. Ruberto and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.


This volume addresses the influence of Italian neorealist films on world cinema well beyond the post-World War II period associated with the movement. Despite its lack of organization and relatively short life span, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945-52, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated. Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues but also how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, France, Belgium, Colombia, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways it continues to complicate the relationship between ideas of nation, national cinema, and national identity. Many of the essays identify similar themes or motifs adapted from neorealism, and several essays address a politicized national film tradition that developed in opposition to a monolithic Western aesthetic. In all, Italian Neorealism and Global Cinema provides a novel critical understanding of the wide-ranging international impact of a short period in Italian cultural history. Film scholars and students of film history will appreciate this insightful text.



Cultural Theory In The Films Of Alfred Hitchcock


Cultural Theory In The Films Of Alfred Hitchcock
DOWNLOAD
Author : Gary McCarron
language : en
Publisher: Anthem Press
Release Date : 2023-07-11

Cultural Theory In The Films Of Alfred Hitchcock written by Gary McCarron and has been published by Anthem Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-11 with Performing Arts categories.


This book is neither biography nor a conventional film critique. Rather, the text explores aspects of Hitchcock’s work in relation to theories drawn from the social sciences and philosophy. The various chapters focus not on specific films, but on broader ideas central to Hitchcock’s work. There is, for instance, a chapter on his idea of the MacGuffin in which I use Ernesto Laclau’s theories of equivalent substitution to explain how the MacGuffin functions in Hitchcock’s works. There is also a chapter on his notion of ‘pure cinema’ which moves from the idea of purity as an anthropological concept to consider purity in relation to current debates regarding so-called hybrid media, and Hitchcock’s relevance to these issues in respect of his dissatisfaction with the advent of sound to the cinema world. Broadly speaking, the book uses Hitchcock’s films to illustrate ideas in the social sciences and philosophy and uses those same ideas to illustrate aspects of Hitchcock’s films.



The French Cinema Book


The French Cinema Book
DOWNLOAD
Author : Michael Temple
language : en
Publisher: Bloomsbury Publishing
Release Date : 2018-01-18

The French Cinema Book written by Michael Temple and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-18 with Performing Arts categories.


This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.



Antonin Artaud


Antonin Artaud
DOWNLOAD
Author : Antonin Artaud
language : en
Publisher: Univ of California Press
Release Date : 1988-10-10

Antonin Artaud written by Antonin Artaud and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-10-10 with Literary Criticism categories.


"Artaud remains one of the significant and influential theorists of modern theatre."—Gerald Rabkin, Rutgers University



Visions Of Japanese Modernity


Visions Of Japanese Modernity
DOWNLOAD
Author : Aaron Andrew Gerow
language : en
Publisher: Univ of California Press
Release Date : 2010

Visions Of Japanese Modernity written by Aaron Andrew Gerow and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Performing Arts categories.


In this study, Aaron Gerow focuses on the early period in which the institutional and narrational structure of Japanese cinema was in flux, arguing that the transnational intertext is less important than the power-laden operations by which the meaning of cinema itself was discursively defined. Both progressive critics of the 'pure film' movement and the more conservative Japanese cultural bureaucrats demanded a unitary text that suppressed the hybrid and unpredictable meanings attendant on early Japanese cinema's informal exhibition contexts. Gerow points out the irony that the progressive and individualist pure film movement critics worked in concert with the Japanese state to undo the 'theft' of Japanese cinema, proposing to replace representations of Japan in Western films by exporting a Japanese cinema 'reformed' to emulate the international norm.