Some Aspects Of The Drama Of Federico Garc A Lorca

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Four Major Plays

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Author : Federico García Lorca
language : en
Publisher: Oxford University Press, USA
Release Date : 1999

Four Major Plays written by Federico García Lorca and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Drama categories.

In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garc ́ia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.

Federico Garcia Lorca

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Author : Reed Anderson
language : en
Publisher:
Release Date : 1984

Federico Garcia Lorca written by Reed Anderson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Biography & Autobiography categories.

The House Of Bernarda Alba

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Author : Federico García Lorca
language : en
Publisher: Dramatists Play Service Inc
Release Date : 1999

The House Of Bernarda Alba written by Federico García Lorca and has been published by Dramatists Play Service Inc this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Bereavement categories.

THE STORY: A masterpiece of the modern theater, THE HOUSE OF BERNARDA ALBA was written in 1936, just before the start of the Spanish Civil War. The play takes place in a small village in southern Spain following the funeral of Bernarda Alba's secon

Yerma Barren

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Author : Federico Garcia Lorca
language : es
Publisher: Bestsellers Publishing
Release Date : 2019-06-28

Yerma Barren written by Federico Garcia Lorca and has been published by Bestsellers Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-28 with Drama categories.

En Yerma, estrenada el 29 de diciembre de 1934, Federico García Lorca retrata a una mujer que vive entre dos nítidas pasiones igualmente incontenibles que la aprisionan y la aplastan: de un lado, el ansia de ser madre y del otro, su forzosa fidelidad a un marido al que desprecia. In Yerma, released on December 29, 1934, Federico Garcia Lorca portrays a woman who lives between two equally passions that imprison her and crush her: on the one hand, the desire to become a mother and on the other, her forced fidelity to a husband she despises.

From Lorca S Theatre

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Author : Federico García Lorca
language : en
Publisher:
Release Date : 1941

From Lorca S Theatre written by Federico García Lorca and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1941 with Spanish drama categories.

Lorca S The Public

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Author : Rafael Martínez Nadal
language : en
Publisher: London : Calder & Boyars : Lyrebird Press
Release Date : 1974

Lorca S The Public written by Rafael Martínez Nadal and has been published by London : Calder & Boyars : Lyrebird Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with Drama categories.

Psyche And Symbol In The Theater Of Federico Garcia Lorca

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Author : Rupert C. Allen
language : en
Publisher: University of Texas Press
Release Date : 2014-02-19

Psyche And Symbol In The Theater Of Federico Garcia Lorca written by Rupert C. Allen and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02-19 with Literary Criticism categories.

Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because Lorca's dramatic characters are psychic entities made up of both conscious and unconscious elements, they unfold, grow, and meet their fate in a dense realm of shifting symbols. In Psyche and Symbol in the Theater of Federico García Lorca, Rupert Allen analyzes symbologically three dramatic works of Lorca. He has found Perlimplín to be a good deal more complex in both psyche and symbol than it has been admitted to be. Yerma involves psychological complications that have not been considered in the light of modern critical analysis, and the symbolic reaches ofBlood Wedding have until this book remained largely unexplored. Lorca was no stranger to the "agony of creation," and this struggle sometimes appears symbolically in the form of his dramatic characters. Both Yerma and Blood Wedding reflect specific problems underlying the creative act, for they are "translations" into the realm of sexuality of the creative turmoil experienced by Lorca the poet. Perlimplín portrays the paradoxical suicide as a self-murder born out of the futile attempt to create not a poem, but a self. Previous criticism of these three plays has been dominated by critical assumptions that are transcended by Lorca's own twentieth-century mentality. Allen's analysis provides a new view of Lorca as a dramatist and presents new material to students of symbology.

Federico Garc A Lorca And The Public

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Author : Rafael Martínez Nadal
language : en
Publisher: Schocken
Release Date : 1974

Federico Garc A Lorca And The Public written by Rafael Martínez Nadal and has been published by Schocken this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with Literary Criticism categories.

Love Desire And Identity In The Theatre Of Federico Garc A Lorca

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Author : Paul McDermid
language : en
Publisher: Boydell & Brewer
Release Date : 2007

Love Desire And Identity In The Theatre Of Federico Garc A Lorca written by Paul McDermid and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.

Physical desire and metaphysical love in the theatre of Federico García Lorca. A dialectical tension between physical desire and metaphysical love lies at the heart of the theatre works of Federico García Lorca, and the deployment of queer theory's critique of gender and identity is surprisingly effective inthis discussion of love versus desire. Seldom is enough attention paid to the poet's early works, and so this book offers a timely review of the 'religious tragedy' Cristo, as well as Mariana Pineda, uncoveringin these early offerings an explicit proposal of the supremacy of love over desire. A meditation on the fragmentary and challenging El público yields a vivid panorama of identity in crisis, and a paradigmatic Lorcan sacrifice of self for love. The ostensibly more conventional tragedies of Amor de Don Perlimplín con Belisa en su jardín and Yerma are also reassessed in terms of self-sacrifice and self-love. The study concludes with an argument for a practical re-reading of La casa de Bernarda Alba, which emphasises how the play might be saved from po-faced realism with music, humour and drag performance. PAUL McDERMID lectures in Spanish at Queen's University Belfast.

The Public And Play Without A Title

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Author : Federico García Lorca
language : en
Publisher: New Directions Publishing
Release Date : 1983

The Public And Play Without A Title written by Federico García Lorca and has been published by New Directions Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with Drama categories.

Federico Garcia Lorca called The Public "the best thing I've written for the theater." Yet, he acknowledged, "this is for the theater years from now." Now, half a century later, The Public and another of Lorca's most daring works, Play without a Title, are available in English translation for the first time. Surrealism, folk theater, poetry, vivid costumes, black humor--in the The Public, dramatic traditions are ransacked to develop themes as timely in the 1980s as they were taboo when Lorca was writing: if Romeo were a man of thirty and Juliet a boy of fifteen, would their passion be any less authentic? No, says a young observer of the play within the play, "I who climb the mountain twice each day and, when I finish studying, tend an enormous herd of bulls that I've got to struggle with and overpower at every instant, I don't have time to think about whether Juliet's a man or a woman or a child, but only to observe that I like her with such a joyous desire." In both The Public and Play without a Title, the player himself is of as much consequence as the role he plays. The fierce, stark Play without a Title, with its cast of Author, Prompter, Stagehand in the wings, and hecklers in the gallery, clearly heralds developments in today's avant-garde theater. It also reflects the violence of the times in which it was written. As Carlos Bauer notes in his introduction, neither of the plays in this volume was complete in 1936, when Lorca was assassinated by Franco's forces. Still, both have here the unity and grace of finished tours de force.