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The End Of Early Music A Period Performer S History Of Music For The Twenty First Century


The End Of Early Music A Period Performer S History Of Music For The Twenty First Century
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The End Of Early Music


The End Of Early Music
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Author : Bruce Haynes
language : en
Publisher: Oxford University Press
Release Date : 2007-07-20

The End Of Early Music written by Bruce Haynes and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-07-20 with Music categories.


Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.



The End Of Early Music


The End Of Early Music
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Author : Bruce Haynes
language : en
Publisher:
Release Date : 2007

The End Of Early Music written by Bruce Haynes and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.


Covering historical performance practice in its broadest sense this text identifies common performing styles, comparing and using sound recordings from the past. To help musicians distinguish between Period and Romantic styles, it engages with controversial topics in the field in defining the differences between them.



The End Of Early Music


The End Of Early Music
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Author : Bruce Haynes
language : en
Publisher: Oxford University Press
Release Date : 2007-07-20

The End Of Early Music written by Bruce Haynes and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-07-20 with Music categories.


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Early Music A Very Short Introduction


Early Music A Very Short Introduction
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Author : Thomas Forrest Kelly
language : en
Publisher: Oxford University Press
Release Date : 2011-04-25

Early Music A Very Short Introduction written by Thomas Forrest Kelly and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-25 with Music categories.


From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.



Historical Reenactment


Historical Reenactment
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Author : Iain McCalman
language : en
Publisher: Springer
Release Date : 2010-01-20

Historical Reenactment written by Iain McCalman and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-20 with History categories.


Since the late 1700s new forms of visual entertainment have tried to simulate the details of nature: reenactment has now become the most widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as questions about the relationship between realism and affect.



Classical And Romantic Music


Classical And Romantic Music
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Author : David Milsom
language : en
Publisher: Routledge
Release Date : 2017-07-05

Classical And Romantic Music written by David Milsom and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with History categories.


This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.



A Musicology Of Performance


A Musicology Of Performance
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Author : Dorottya Fabian
language : en
Publisher: Open Book Publishers
Release Date : 2015-08-17

A Musicology Of Performance written by Dorottya Fabian and has been published by Open Book Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-17 with Music categories.


This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.



Expressiveness In Music Performance


Expressiveness In Music Performance
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Author : Dorottya Fabian
language : en
Publisher: OUP Oxford
Release Date : 2014-07-03

Expressiveness In Music Performance written by Dorottya Fabian and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-03 with Psychology categories.


What does it mean to be expressive in music performance across diverse historical and cultural domains? What are the means at the disposal of a performer in various time periods and musical practice conventions? What are the conceptualisations of expression and the roles of performers that shape expressive performance? This book brings together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the meaning, means, and contextualisation of expressive performance in music. The contributors to this book explore expressiveness in music performance in four interlinked parts. Starting with the philosophical and historical underpinnings crucially relevant for Western classical musical performance it then reaches out to cross-cultural issues and finally focuses the attention on various specific problems, including the teaching of expressive music performance skills. The overviews provide a focussed and comprehensive account of the current state of research as well as new developments and a prospective of future directions. This is a valuable new book for those in the fields of music, music psychology, and music education.



Renaissance Music


Renaissance Music
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Author : Kenneth Kreitner
language : en
Publisher: Routledge
Release Date : 2017-07-05

Renaissance Music written by Kenneth Kreitner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with History categories.


We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.



Baroque Music


Baroque Music
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Author : Peter Walls
language : en
Publisher: Routledge
Release Date : 2017-07-05

Baroque Music written by Peter Walls and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with History categories.


Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.