The Novel As Irony

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Irony

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Author : Claire Colebrook
language : en
Publisher: Psychology Press
Release Date : 2004

Irony written by Claire Colebrook and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Irony in literature categories.

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The Function Of Irony In The Novel

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Author : Susan Randi Liff
language : en
Publisher:
Release Date : 1961

The Function Of Irony In The Novel written by Susan Randi Liff and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1961 with categories.

The Compass Of Irony

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Author : D. C. Muecke
language : en
Publisher: Routledge
Release Date : 2021-06-23

The Compass Of Irony written by D. C. Muecke and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-23 with Language Arts & Disciplines categories.

First published in 1969, The Compass of Irony is a detailed study of the nature, qualities, classifications, and significance of irony. Divided into two parts, the book offers first a general account of the formal qualities of irony and a classification of the more familiar kinds. It then explores newer forms of irony, its functions, topics, and cultural significance. A wide variety of examples are drawn from a range of different authors, such as Musil, Diderot, Schlegel, and Thomas Mann. The final chapter considers the detachment and seeming superiority of the ironist and discusses what this means for the morality of irony. The Compass of Irony will appeal to anyone with an interest in the history of irony as both a literary and a cultural phenomenon.

Irony

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Author : Douglas Colin Muecke
language : en
Publisher:
Release Date : 1970

Irony written by Douglas Colin Muecke and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Literary Criticism categories.

Nature of irony -- Sarcasm -- Impersonal irony -- Self-disparaging irony -- Ingenu irony -- Irony of self-betrayal -- Irony of simple incongruity -- Dramatic irony -- General irony -- Romantic irony.

Irony And The Ironic

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Author : D. C. Muecke
language : en
Publisher: Taylor & Francis
Release Date : 2017-07-06

Irony And The Ironic written by D. C. Muecke and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-06 with Literary Criticism categories.

First published in 1970 and revised in 1982, this work provides a critical overview of the concept of irony in literary criticism. After establishing the relationship of the ironical and the non-ironical, it summarises the history of the concept of irony, before isolating and discussing its basic aspects and the variable features that determine its nature, effect and quality. The book will be a useful resource for those studying irony and English Literature.

Romantic Irony

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Author : Frederick Garber
language : en
Publisher: John Benjamins Publishing
Release Date : 1988-01-01

Romantic Irony written by Frederick Garber and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-01-01 with Literary Criticism categories.

This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding “syntheses” treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater – innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Irony And The Logic Of Modernity

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Author : Armen Avanessian
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2015-09-14

Irony And The Logic Of Modernity written by Armen Avanessian and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-14 with Literary Collections categories.

The logic of modernity is an ironical logic. Modern irony, a flash of genius produced by Romantic theorists, is first discussed, e.g. in Hegel and Kierkegaard, as an ethical problem personified in figures such as the aesthete, the seducer, the flaneur, or the dandy. It fully develops in the novel, the modern genre par excellence: in novels of the early 19th century no less than in those of postmodernity or in those of the masters of citation, parody, and pastiche of classical modernism (Musil, Joyce, and Proust). This book, however, goes one step further. Looking at how such different authors as Schmitt, Kafka, and Rorty identify the political conflicts, contradictions, and paradoxes of the 20th century as ironical and offers a comprehensive account of the constitutive irony of modernity’s ethical, poetical, and political logic.

Irony In Charles Dickens Oliver Twist

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Author : Simon Philipps
language : en
Publisher: GRIN Verlag
Release Date : 2007-08-25

Irony In Charles Dickens Oliver Twist written by Simon Philipps and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-25 with Language Arts & Disciplines categories.

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,3, RWTH Aachen University (Institut für Anglistik, Lehrstuhl 1), course: Charles Dickens, 13 entries in the bibliography, language: English, abstract: When first reading 'Oliver Twist' it is obvious to most attentive readers that Dickens uses irony. What also becomes clear is that he uses irony in a variety of forms. To grasp this variety it is hardly ever sufficient to use the classical definition of irony exclusively according to which "an ironical utterance is traditionally analyzed as literally saying one thing and figuratively meaning the opposite." In order to give the reader a more detailed idea of what irony is, the main part of this work will be divided into two sub-divisions. The first sub-division tries to give an answer to the question what irony is in general and how it can be sub-classified into more specific types of irony. The second sub-division is supposed to show the reader which of the formerly described types of irony can or cannot be applied to Oliver Twist and why they can be or cannot be applied. This should give the reader a better idea of why an utterance or a situation is perceived as ironic. The aim is not only to make the reader realise irony but also to make him able to say as to why this situation or that utterance can be seen as ironic. The conclusion will then show to what extent the definitions given in the first sub-division of the main part are useful to analyze irony in the novel. It is also supposed to answer the question why Dickens used irony and what he wanted to achieve using it. The definition of irony and the sub-categorization into the different types of irony, which is the basis of the first sub-division of the main part, was mainly overtaken from The Bedford Glossary of Critical and Literary Terms . The main advantage of this definition is that it draws clear cut boundaries between the different types of iro

Irony In Jane Austen S Emma

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Author : Julia Diedrich
language : en
Publisher: GRIN Verlag
Release Date : 2012-02-17

Irony In Jane Austen S Emma written by Julia Diedrich and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-17 with Literary Criticism categories.

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,0, Ernst Moritz Arndt University of Greifswald, course: Jane Austen's Emma, language: English, abstract: Many critics still regard Jane Austen as one of the “most popular and enduring English writers of all time” (Byrne 20). Throughout the literary world, she is renowned for her skills in novel writing (cf. Trickett 162). Among other qualities, Austen has particularly been acknowledged for being a “dazzling satirist of snobbery and elitism” (Byrne 2). Concerning her novels, Emma, being published in 1816, is nowadays seen as Austen’s greatest achievement (cf. Mansell 146). Even early critics acknowledged that the special nature of this novel in comparison to what she had written before (cf. Byrne 32). According to Odmark, Emma particularly reflects how Austen successfully established and further developed methods of writing used in her earlier novels (cf. Odmark 24). The success of Emma can also be seen in the fact that it was the first of Austen’s novels which was reviewed by a famous author of her time, Sir Walter Scott (1771-1832) (cf. Byrne 32). Scott particularly pointed to the “naturalness” and “pervasive realism” Austen employed in Emma (Trickett 163). However, he also claimed that this novel had not much of a story in the traditional narrative sense (cf. Trickett 168). While the climax of a story is normally reached through a number of incidents and adventures, Austen’s Emma does not present such features (cf. Trickett 168). What is most important about this novel was summed up by the novelist Thomas Henry Lister, who praised Austen for her “rare and difficult art of making her readers intimately acquainted with the characters” of her novel (qtd. in Trickett 165). He moreover stated that Austen’s novel provides the feeling of having literally lived among these characters; “and yet she employs no elaborate description – no metaphysical analysis – no antithetical balance of their good and bad qualities. She scarcely does more than make them act and talk [...].” (qtd. in Trickett 165). In Emma, the characters themselves are thus more important than the plot in the traditional sense. This is why critics often categorize Emma and other works by Austen as “novels of manners” (Marsh 28). In a novel of manners, the writer scrutinizes and minutely presents the characters’ behaviour (cf. Marsh 28). These specific manners, in turn, serve to reflect the characters’ moral attitudes (cf. Odmark 11). By analysing these, the reader is thus enabled to understand the deeper structure of the novel and the inner-lying messages of it (cf. Marsh 28)...

The Critical Mythology Of Irony

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Author : Joseph A. Dane
language : en
Publisher: University of Georgia Press
Release Date : 2011

The Critical Mythology Of Irony written by Joseph A. Dane and has been published by University of Georgia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Literary Criticism categories.

An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.