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Neo Avantgarde And Culture Industry


Author : Benjamin H. D. Buchloh
language : en
Publisher: MIT Press
Release Date : 2003

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Leading art critic and theoretician Buchloh discusses post-World War 2 avant-garde artists from both formalist and socio-historical perspectives in this collection of essays.

Neo Avantgarde And Culture Industry


Author : Benjamin H. D. Buchloh
language : en
Publisher:
Release Date : 2003

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Download Neo Avantgarde And Culture Industry written by Benjamin H. D. Buchloh and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with categories.


Item consists of 19 essays each on a different artist published between 1977 and 2000. Artists include Beuys, Broodthaers, Dan Graham, Hans Haacke, Klein, Lamelas, Richter, Serra, Warhol and Lawrence Weiner and others.

Formalism And Historicity


Author : Benjamin H. D. Buchloh
language : en
Publisher: Mit Press
Release Date : 2015-02-06

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These influential essays by the noted critic and art historian Benjamin Buchloh have had a significant impact on the theory and practice of art history. Written over the course of three decades and now collected in one volume, they trace a history of crucial artistic transitions, iterations, and paradigmatic shifts in the twentieth century, considering both the evolution and emergence of artistic forms and the specific historical moment in which they occurred. Buchloh's subject matter ranges through various moments in the history of twentieth-century American and European art, from the moment of the retour à l'ordre of 1915 to developments in the Soviet Union in the 1920s to the beginnings of Conceptual art in the late 1960s to the appropriation artists of the 1980s. He discusses conflicts resulting from historical repetitions (such as the monochrome and collage/montage aesthetics in the 1910s, 1950s, and 1980s), the emergence of crucial neo-avantgarde typologies, and the resuscitation of obsolete genres (including the portrait and landscape, revived by 1980s photography). Although these essays are less monographic than those in Buchloh's earlier collection, Neo-Avantgarde and Culture Industry, two essays in this volume are devoted to Marcel Broodthaers, whose work remains central to Buchloh's theoretical concerns. Engaging with both formal and historical paradigms, Buchloh situates himself productively between the force fields of formal theory and historical narrative, embracing the discrepancies and contradictions between them and within individual artistic trajectories. ContentsFormalism and Historicity (1977)Marcel Broodthaers: Allegories of the Avant-Garde (1980)Figures of Authority, Ciphers of Regression: Notes on the Return of Representation in European Painting (1981)Allegorical Procedures: Appropriations and Montage in Contemporary Art (1982)The Museum Fictions of Marcel Broodthaers (1983)From Faktura to Factography (1984)Readymade, Objet Trouvé, Idée Reçue (1985)The Primary Colors for the Second Time: A Paradigm Repetition of the Neo-Avantgarde (1986)Cold War Constructivism (1986)Conceptual Art 1962--1969: From the Aesthetics of Administration to the Critique of Institutions (1989)Residual Resemblance: Three Notes on the Ends of Portraiture (1994)Sculpture: Publicity and the Poverty of Experience (1996)

Neo Avant Garde


Author : David Hopkins
language : en
Publisher: Rodopi
Release Date : 2006

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The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art's entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the 'cultural logic' of the immediate post-World War II period.

Dada Culture


Author : Dafydd Jones
language : en
Publisher: Rodopi
Release Date : 2006-01

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How Dada is to break its cultural accommodation and containment today necessitates thinking the historical instances through revised application of critical and theoretical models. The volumeDada Culture: Critical Texts on the Avant-Garde moves precisely by this motive, bringing together writings which insist upon the continuity of the early twentieth-century moment now at the start of the twenty-first. Engaging the complex and contradictory nature of Dada strategies, instanced in the linguistic gaming and performativity of the movement's initial formation, and subsequently isolating the specific from the general with essays focusing on Ball, Tzara, Serner, Hausmann, Dix, Heartfield, Schwitters, Baader, Cravan and the exemplary Duchamp, the political philosophy of the avant-garde is brought to bear upon our own contemporary struggle through critical theory to comprehend the cultural usefulness, relevance, validity and effective (or otherwise) oppositionality of Dada's infamous anti-stance.The volume is presented in sections that progressively point towards the expanding complexity of the contemporary engagement with Dada, as what is often exhaustive historical data is forced to rethink, realign and reconfigure itself in response to the analytical rigour and exercise of later twentieth-century animal anarchic thought, the testing and cultural placement of thoughts upon the virtual, and the eventual implications for the once blissfully unproblematic idea of expression. From the opening, provocative proposition that historically Dada may have been the falsest of all false paths, the volume rounds to dispute such condemnation as demarcation continues not only of Dada's embeddedness in western culture, but more precisely of the location of Dada culture. Ten critical essays – by Cornelius Partsch, John Wall, T. J. Demos, Anna Schaffner, Martin I. Gaughan, Curt Germundson, Stephen C. Foster, Dafydd Jones, Joel Freeman and David Cunningham – are supplemented by the critical bibliography prepared by Timothy Shipe, which documents the past decade of Dada scholarship, and in so doing provides a valuable resource for all those engaged in Dada studies today.

The Return Of The Real


Author : Hal Foster
language : en
Publisher: MIT Press
Release Date : 1996

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Foster's concise analysis of art practices over the past three decades traces important models at work in art and theory, with special attention to the controversial connections between the two during this period. The author includes a new narrative of the historical avant-garde and concludes with an original reading of our contemporary situation--and what it portends for future practices of art, theory, culture, and politics. 90 illustrations.

Chronophobia


Author : Pamela M. Lee
language : en
Publisher: MIT Press
Release Date : 2004

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An examination of the pervasive anxiety about and fixation with time seen in 1960s art.