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Nineteenth Century French Art


Author : Henri Loyrette
language : en
Publisher: Flammarion-Pere Castor
Release Date : 2007

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Almost twenty years after the creation of the Musee d’Orsay, the 19th century seems more than ever to be the “Golden Age” of French art. It boasts names such as Ingres and Delacroix, Manet and Puvis de Chavannes, Gustave Eiffel and Charles Garnier. French art became a universally accepted benchmark, spreading the discoveries of Impressionism, the Haussmann models, and the daring of art nouveau far beyond its borders, and receiving in return, in the form of the countless artists who flocked to its hub, numerous influences from abroad. Other key movements associated with the19th century include Romanticism; Neo-Classicism, “orientalism,” and japonisme; Realism; the Barbizon School and plein-air painting; Neo-Impression, Cloissonism, and the Nabis; and Symbolism.This complete, chronological history is illustrated by more than 400 illustrations and covers painting, sculpture, and architecture, as well as the advent of photography, its impact on painting, and its emergence as an art form of its own.

Art And Ecology In Nineteenth Century France


Author : Greg M. Thomas
language : en
Publisher:
Release Date : 2000

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These paintings - dreams of nature as a web of life in which human beings occupy a peripheral role - overwhelmed Rousseau's contemporaries with their novel light effects, original perspective, and "sheer profusion of visual sensation." While Baudelaire considered them superior to even Corot's works, they baffled art critics and have never fit convincingly into the received categories of naturalism, "pre-Impressionism," or modernism."--Jacket.

The Grove Dictionary Of Art


Author : Jane Turner
language : en
Publisher: Robson Books Limited
Release Date : 2000

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"The late 19th century in France represents an extraordinary period of artistic achievement in the history of Western art. The successive artistic revolutions of Realism, Impressionism, and Post-Impressionism are here charted through more than 300 biographies of the most important painters, sculptors, and graphic artists of the time. Extensive surveys examine the life, training, work, personality, and influence of the renowned leaders of each movement, from Millet and Courbet to Monet, Manet, Renoir, and Degas, and Cezanne and Gauguin. With further in-depth articles on lesser-known artists, this dictionary is the most comprehensive and authoritative guide to one of the most popular periods of art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Women Art Critics In Nineteenth Century France


Author : Wendelin Guentner
language : en
Publisher: University of Delaware
Release Date : 2013-03-14

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This book is the first sustained study of a corpus of writings by women art critics active in nineteenth-century France that have all but “vanished” from the historical record. Written by scholars in art history and in literature, the essays employ a variety of interdisciplinary approaches and methodologies to study the women’s reception of specific artworks and aesthetic movements in the nineteenth century, the intersections of aesthetics and politics in their essays, and their rhetorical strategies and literary styles.

French Art In Nineteenth Century Britain


Author : Edward Morris
language : en
Publisher: Yale University Press
Release Date : 2005

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Early in the nineteenth century French art was largely rejected by British artists, critics and patrons. This rejection reflected both constant political opposition to France over the preceding 130 years and the growth of cultural nationalism in Britain. During the nineteenth century this hostility was gradually replaced by an acceptance and even enthusiasm for French culture, which transformed British art. This book charts the impact of French culture on British art and, to a lesser extent, the influence of British art in France during the nineteenth century. Thoroughly original, it is the first full overview of artistic and cultural relations between the two most important nations for the visual arts of the period. Political conflict between the two countries was replaced during the course of the century by a new internationalism and by a general acceptance of free trade. Romanticism was a common ideal. Cosmopolitan Whig collectors began to collect contemporary French art. The British and French royal families became interested in the art of the other country. French artists travelled to England often as refugees or as economic migrants. widely exhibited in England by enterprising dealers. French artistic training was greatly admired in Britain. French classicist idealism inspired English history painters, and French tonal naturalism was studied by British genre and landscape painters. British artists travelling in France admired many aspects of culture, life and landscape there. The Gothic Revival in England had important French connections. French naturalism in anatomy and technical expertise in bronze revived British sculpture. New serious English art periodicals devoted much space to French art. British moral objections to French art weakened. The new role of women in cultural life proved to be another link between the two nations. Previous studies of this subject have been largely confined to the importance of Romanticism and Impressionism; this book covers the entire field and offers an encyclopaedic account of all aspects of the British reception of French art in the nineteenth century. It will be a vital resource for all those working in the area for the foreseeable future.

French Art In The 19th Century


Author : Gabriel Mourey
language : en
Publisher:
Release Date : 1928

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Nineteenth Century French Art From The Wenneker Collection


Author :
language : en
Publisher:
Release Date : 1986

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