Restaging The Sixties


Restaging The Sixties
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Restaging The Sixties


Restaging The Sixties
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Author : James Martin Harding
language : en
Publisher: University of Michigan Press
Release Date : 2006

Restaging The Sixties written by James Martin Harding and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Radical theater categories.


A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance



Modern American Drama Playwriting In The 1960s


Modern American Drama Playwriting In The 1960s
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Author : Mike Sell
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-11-14

Modern American Drama Playwriting In The 1960s written by Mike Sell and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-14 with Literary Criticism categories.


The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).



The Sixties Center Stage


The Sixties Center Stage
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Author : James M. Harding
language : en
Publisher: University of Michigan Press
Release Date : 2017-04-06

The Sixties Center Stage written by James M. Harding and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-06 with Art categories.


Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental



Mabou Mines


Mabou Mines
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Author : Iris Smith Fischer
language : en
Publisher: University of Michigan Press
Release Date : 2011

Mabou Mines written by Iris Smith Fischer and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Literary Criticism categories.


The first 10 years of a company known for its creative collaborations and daring innovations



Encyclopedia Of The Sixties 2 Volumes


Encyclopedia Of The Sixties 2 Volumes
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Author : Abbe A. Debolt
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2011-12-12

Encyclopedia Of The Sixties 2 Volumes written by Abbe A. Debolt and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-12-12 with Social Science categories.


Comedian Robin Williams said that if you remember the '60s, you weren't there. This encyclopedia documents the people, places, movements, and culture of that memorable decade for those who lived it and those who came after. Encyclopedia of the Sixties: A Decade of Culture and Counterculture surveys the 1960s from January 1960 to December 1969. Nearly 500 entries cover everything from the British television cult classic The Avengers to the Vietnam War and the civil rights movement. The two-volume work also includes biographies of artists, architects, authors, statesmen, military leaders, and cinematic stars, concentrating on what each individual accomplished during the 1960s, with brief postscripts of their lives beyond the period. There was much more to the Sixties than flower power and LSD, and the entries in this encyclopedia were compiled with an eye to providing a balanced view of the decade. Thus, unlike works that emphasize only the radical and revolutionary aspects of the period to the exclusion of everything else, these volumes include the political and cultural Right, taking a more academic than nostalgic approach and helping to fill a gap in the popular understanding of the era.



Fearless Femininity By Women In American Theatre 1910s To 2010s


Fearless Femininity By Women In American Theatre 1910s To 2010s
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Author : Lynne Greeley
language : en
Publisher: Cambria Press
Release Date : 2015-08-06

Fearless Femininity By Women In American Theatre 1910s To 2010s written by Lynne Greeley and has been published by Cambria Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-06 with Performing Arts categories.


In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.



American Theatre Ensembles Volume 1


American Theatre Ensembles Volume 1
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Author : Mike Vanden Heuvel
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-11-12

American Theatre Ensembles Volume 1 written by Mike Vanden Heuvel and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-12 with Performing Arts categories.


Across two volumes, Mike Vanden Heuvel and a strong roster of contributors present the history, processes, and achievements of American theatre companies renowned for their use of collective and/or ensemble-based techniques to generate new work. This first study considers theatre companies that were working between 1970 and 1995: it traces the rise and eventual diversification of activist-based companies that emerged to serve particular constituencies from the countercultural politics of the 1960s, and examines the shift in the 1980s that gave rise to the next generation of company-based work, rooted in a new interest in form and the more mediated and dispersed forms of politics. Ensembles examined are Mabou Mines, Theatre X, Goat Island, Lookingglass, Elevator Repair Service, and SITI Company. Preliminary chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. The case studies consider factors such as influence, funding, production, and legacies, as well as the forms of collective devising and creation, while surveying the continuing work of significant long-running companies. Contributors provide detailed case studies of the 6 companies from the period and cover: * A chronicle of development and methods * Key productions and projects * Critical reception and legacy * A chronological overview of significant productions From the long history of collective theatre creation, with its sources in social crises, urgent aesthetic experimentation and utopian dreaming, American ensemble-based theatre has emerged at several key points in history to challenge the primacy of author-based and director-produced theatre. As the volume demonstrates, US ensemble companies have collectively revolutionized the form and content of contemporary performance, influencing experimental, as well as mainstream practice.



Efficiencies Of Slowness


Efficiencies Of Slowness
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Author : Rachel Anderson-Rabel
language : en
Publisher: Stanford University
Release Date : 2011

Efficiencies Of Slowness written by Rachel Anderson-Rabel and has been published by Stanford University this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.


This project focuses on the process and performance of three contemporary collective creation groups: Goat Island, Elevator Repair Service, and Nature Theater of Oklahoma. I draw processual and aesthetic connections between collective creation methodologies and the consequences of those methodologies in performance, claiming that processes leave footprints that are ultimately visible to audiences, though their visibility requires new ways of seeing. Taking into account an American genealogy of collective creation, I outline the footprints of method through the images of everyday employment, instances of untrained bodies enacting danced gesture, and the speeds and velocities that characterize the work of these three contemporary groups. Through these aesthetics we can locate evidence of methodological principles that constitute a politics. In the work of Goat Island, Elevator Repair Service, and Nature Theater of Oklahoma, this politics does not play out through the ideological content of performance, but is embedded within collaborative acts of making.



Cooperatives In New Orleans


Cooperatives In New Orleans
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Author : Anne Gessler
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2020-06-15

Cooperatives In New Orleans written by Anne Gessler and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-15 with History categories.


Cooperatives have been central to the development of New Orleans. Anne Gessler asserts that local cooperatives have reshaped its built environment by changing where people interact and with whom, helping them collapse social hierarchies and envision new political systems. Gessler tracks many neighborhood cooperatives, spanning from the 1890s to the present, whose alliances with union, consumer, and social justice activists animated successive generations of regional networks and stimulated urban growth in New Orleans. Studying alternative forms of social organization within the city’s multiple integrated spaces, women, people of color, and laborers blended neighborhood-based African, Caribbean, and European communal activism with international cooperative principles to democratize exploitative systems of consumption, production, and exchange. From utopian socialist workers’ unions and Rochdale grocery stores to black liberationist theater collectives and community gardens, these cooperative entities integrated marginalized residents into democratic governance while equally distributing profits among members. Besides economic development, neighborhood cooperatives participated in heady debates over urban land use, applying egalitarian cooperative principles to modernize New Orleans’s crumbling infrastructure, monopolistic food distribution systems, and spotty welfare programs. As Gessler indicates, cooperative activists deployed street-level subsistence tactics to mobilize continual waves of ordinary people seizing control over mainstream economic and political institutions.



Charles Ludlam Lives


Charles Ludlam Lives
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Author : Sean Edgecomb
language : en
Publisher: University of Michigan Press
Release Date : 2017-06-15

Charles Ludlam Lives written by Sean Edgecomb and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-06-15 with History categories.


Playwright, actor and director Charles Ludlam (1943–1987) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s. Decades after his death, his place in the chronicle of American theater has remained constant, but his influence has changed. Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain a groundbreaking genre, maintaining its relevance and potency by metamorphosing along with changes in the LGBTQ community. Author Sean F. Edgecomb focuses on the neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mac to trace the connections between Ludlam’s legacy and their performances, using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp. Charles Ludlam Lives! demonstrates that the queer legacy of Ludlam is one of distinct transformation—one where artists can reject faithful interpretations in order to move in new interpretive directions.