Paris, Texas Movie Review

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Starring: Aurore Clément, Bernhard Wicki, Claresie Mobley, Dean Stockwell, Edward Fayton, Harry Dean Stanton, Hunter Carson, Nastassja Kinski, Sam Berry, Viva

Paris, Texas Movie Review

Synopsis: Travis Henderson, a drifter who has been missing for four years, wanders out of the desert and must reconnect with society, himself, his life and his family.

Exceptional Cinema: The Beautiful Ending Of ‘paris, Texas’

So many mood tracks only hold their mood as well as the closing credits. the happy melancholy of Paris, Texas endures with memory and association, however distant the last sighting. Cannes has rewarded many great films, but none so permanently, forever retrievable in my memory. Read the full review

Then there are the wonders of performances by Harry Dean Stanton, Nastassja Kinski and Hunter Carson. Read the full review

It’s an eerie, sad story whose meaning disappears into the vast horizon like a highway heading into the desert. Read the full review

It is indeed a beautiful film, sure to convince doubters that Muller is one of cinema’s finest cinematographers. It gives the story a polished surface reminiscent of the paintings of Edward Hopper and Georgia O’Keefe Americana. Some images are positively breathtaking. Read the full review

Paris, Texas: Amazon.fr: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Aurore Clément, Sam Shepard, Bernhard Wicki, John Lurie, Wim Wenders, Harry Dean Stanton, Nastassja Kinski: Dvd Et Blu Ray

Paris, Texas may be missing a crucial piece of authentic Americana, but it still evokes an America that most Americans yearn to look at. An America as prickly and carnivorous as a hawk’s claw, as raw and smug as a downtown mural, and as sweetly enigmatic as an empty lot that doesn’t—that can’t—exist. Read the full review

Like Wenders’ other road movies, this one is very much about the spaces between people and the words they speak—Antonioni informed and infused with German romanticism. the various means of indirection through which the hero communicates with his son (Hunter Carson) and his wife (Nastassja Kinski) form a striking pattern. Read the full review

Paris, Texas is therefore a curiosity. On balance it looks overdone and rickety, as substantial as tumbleweed. And it seems to be less than the sum of its two main parts, Shepard’s script and Wenders’ images. Still, it’s a substantial entry in the Wenders archive, full of hollow points and marks that suggest little. And it would be worth seeing for Stanton’s performance alone. [February 8, 1985, p. 8]

It’s perfect in every way and it’s great in every way, Paris, Texas is a beautiful, realistic, depressing story, with a top performance from the entire cast, especially Harry Dean Stanton, Paris, Texas just became one of my personal favorite and best movies of all time, and this movie is perfect in every way and it’s brilliant in every way, paris, texas is a beautiful, realistic, depressing story, with top acting from the entire cast , especially Harry Dean Stanton, Paris, Texas is just become one of my favorite and best movies of all time, this movie is too good to be made. … They expand

Paris, Texas: Amazon.co.uk: Shepard, Sam, Slater, R.: 9783921568118: Books

“Every man has your voice.” “Paris, Texas” is one of the best art-house westerns out there. A slow burning two and a half hour movie that kept my eyes glued to the screen. How a movie can be so warm and soft to hit the hardest of emotions. The film is long and slow, so of course “Every man has your voice”. “Paris, Texas” is one of the best art-house westerns out there. A slow burning two and a half hour movie that kept my eyes glued to the screen. How a movie can be so warm and soft to hit the hardest of emotions. The movie is long and slow, so of course it won’t be for everyone, but then again, not every movie is for everyone. However, movies like these are a special breed that can’t be duplicated so easily if you tried. Watching this movie knowing nothing about it added so many layers of mystery that placed me perfectly in the heads of the main characters. Travis Henderson (Harry Dean Stanton), once a family man, but now a silent drifter who wanders aimlessly in the Texas desert while having amnesia for certain parts of his life. He has become a worn and tattered version of himself, leaving the audience to wonder why. His brother Walt (Dean Stockwell) finds him and helps him recall his memories, reuniting him with his son, sister-in-law and eventually his wife. So as Travis retraces his steps and rediscovers forgotten memories, you are with him until the end. Harry Dean Stanton is excellent as Travis, a man in a black hole of emotions. He may not be a great father or husband, but he does his best to repair the wounds he caused in the past and leave a personal impact on his son Hunter. Stanton’s nuanced approach to bringing a character like Travis to life is truly amazing because Stanton draws more from Travis’ kindness while also showing the pain behind his kind smile. There were many instances in the film where I thought that if another actor had played the role, he could have easily done it for dramatic effect, but Stanton’s deadpan and yet physical delivery made certain scenes more effective. A good kid performance from Hunter Carson who plays his son Travis who is also named Hunter. The scenes between the two were the sweetest elements of the film and brought a warm smile to my face. Natassja Kinski plays Travis’ wife, who doesn’t appear until the third act, but when she does, she’s immediately hypnotic to watch. An actress of pure beauty and raw talent. Her quiet and soft voice made her presence even more remarkable, because something so simple can leave the biggest impact. She spends most of her scenes in one room, and yet I completely bought the chemistry between Stanton and Kinski, which is impressive considering the two are never in the same room together and only share two scenes in the film. All of Kinski’s emotions come from her reaction and demeanor, so with every blink of her eye and long pauses she communicates so much of her emotional state that a million words couldn’t. It is incredible. The conversation scene towards the end is one of the finest achievements in cinema. Poignant and revealing that even if you don’t cry, you’ll think about crying. It’s as moving as anything I think I’ve ever seen. I get teary eyed just thinking about it. I find it fascinating how a German director like Wim Wenders approaches the depiction of family life in America, because Wender leans more towards the sad elements to destroy the illusion of perfect family life. It’s not all doom and gloom, but it’s not all sunshine and rainbows either, just real enough to keep the audience attached to the characters and story. The score by Ry Cooder is fantastic and plays perfectly in sync with the Texas setting. The music also represents this dry, lonely and reminiscent of the past. It’s the kind of music that makes you feel sad, but the weird kind of sadness that you enjoy. Perhaps the biggest standout in the entire film is Robby Müller’s cinematography. Everything from the mesmerizing landscapes of the Texas desert, where the scorching heat can’t dim the colors of the environment, while Müller shows us a distant land that stretches further away. The other is light and color that is drenched in vibrant neon. The entire film has beautiful visuals that help set the overall mood of the film while also giving it an alien feel. It has some of my favorite shots. Overall rating: A devastating, yet hypnotic film that evokes emotions in me like no other. An absolute masterpiece. … They expand

I adored the shots and colors of the film, as well as the characters. Sin embargo es una pelicula con una plota pesada en algunas partes y cuyo misterio y preguntas que te puedes hacer radican en que te impatientes. En general es muy buena por la historia y fotografia, por la duración no tanto.

For a long time the film seems long and could be shorter. The only things I could enjoy were the beautiful scenery of Texas and a bit of California. There is a mystery to the protagonist’s behavior and it becomes clear that this is the key to the film. His reveal is For a long time the film seems long and could be shorter. The only things I could enjoy were the beautiful scenery of Texas and a bit of California. There is a mystery to the protagonist’s behavior and it becomes clear that this is the key to the film. His revelation is an incredibly powerful scene. At this moment I forgot my surroundings and felt with the characters, so sad. The bad end got me