Auto Biography As A Musicological Discourse
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Auto Biography As A Musicological Discourse The Ninth International Conference
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Author : Tatjana Marković
language : de
Publisher:
Release Date : 2010
Auto Biography As A Musicological Discourse The Ninth International Conference written by Tatjana Marković and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Autobiography categories.
Auto Biography As A Musicological Discourse
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Author : Tatjana Marković
language : en
Publisher:
Release Date : 2008
Auto Biography As A Musicological Discourse written by Tatjana Marković and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Music Is My Life
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Author : Daniel Stein
language : en
Publisher: University of Michigan Press
Release Date : 2012-05-03
Music Is My Life written by Daniel Stein and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-03 with Biography & Autobiography categories.
A groundbreaking study of Louis Armstrong’s autobiographical practices
The Story Of A Musical Life
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Author : Geo F. Root
language : en
Publisher:
Release Date : 2017-08-12
The Story Of A Musical Life written by Geo F. Root and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08-12 with categories.
Popular Music Autobiography
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Author : Oliver Lovesey
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2021-12-02
Popular Music Autobiography written by Oliver Lovesey and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-02 with Music categories.
The 1960s saw the nexus of the revolution in popular music by a post-war generation amid demographic upheavals and seismic shifts in technology. Over the past two decades, musicians associated with this period have produced a large amount of important autobiographical writing. This book situates these works -- in the forms of formal autobiographies and memoirs, auto-fiction, songs, and self-fashioned museum exhibitions -- within the context of the recent expansion of interest in autobiography, disability, and celebrity studies. It argues that these writings express anxiety over musical originality and authenticity, and seeks to dispel their writers' celebrity status and particularly the association with a lack of seriousness. These works often constitute a meditation on the nature of postmodern fame within a celebrity-obsessed culture, and paradoxically they aim to regain the private self in a public forum.
The Performance Of Authenticity
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Author : Teófilo Espada-Brignoni
language : en
Publisher: Rowman & Littlefield
Release Date : 2022-01-28
The Performance Of Authenticity written by Teófilo Espada-Brignoni and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-28 with Music categories.
In The Performance of Authenticity: The Makings of Jazz and the Self in Autobiography Teófilo Espada-Brignoni analyzes the autobiographies of New Orleans musicians (Baby Dodds, Sidney Bechet, Pops Foster, and Lee Collins) who throughout their texts construct New Orleans jazz as an authentic musical expression grounded in their experiences and culture. The author argues the autobiographies reproduce and reinterpret modernist conceptions of authenticity to assert and affirm authority over the public representations and discussions of jazz. Through the autobiographers' use of ideas about authenticity, they establish the value of their narratives but at the same time reinforce some of the power dynamics they set out to criticize. Their narratives also reveal the complex ethics that emerged during the first decades of the music and problematize modernist values such as individualism, the dichotomy of work and life, as well as the self and the social. The book adopts Foucauldian and social-constructivist perspectives, complementing analysis of the autobiographies by drawing from literary theory, psychology, sociology, and jazz scholarship.
Musicology The Key Concepts
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Author : David Beard
language : en
Publisher: Routledge
Release Date : 2016-01-22
Musicology The Key Concepts written by David Beard and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-22 with Art categories.
Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.
Critical Music Historiography Probing Canons Ideologies And Institutions
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Author : Vesa Kurkela
language : en
Publisher: Routledge
Release Date : 2016-03-09
Critical Music Historiography Probing Canons Ideologies And Institutions written by Vesa Kurkela and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-09 with Music categories.
During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard’s grand narratives, as a sign of what he diagnosed as our ’postmodern condition’, has become more or less an established and unquestioned point of departure among historians. This suspicion, at its most extreme, has led to a radical conclusion of the ’end of history’ in the work of postmodern scholars such as Jean Baudrillard and Francis Fukuyama. The contributors to Critical Music Historiography take a step back and argue that the radical view of the ’impossibility of history’, as well as the unavoidable ideology of any history, are counter-productive points of departure for historical scholarship. It is argued that metanarratives in history are still possible and welcome, even if their limitations are acknowledged. Foucault, Lyotard and others should be taken into account but systematized viewpoints and methods for a more critical and multi-faceted re-evaluation of the past through research are needed. As to the metanarratives of music history, they must avoid the pitfalls of evolutionism, hagiography, and teleology, all hallmarks of traditional historiography. In this volume the contributors put these methods and principles into practice. The chapters tackle under-researched and non-conventional domains of music history as well as rethinking older historiographical concepts such as orientalism and nationalism, and consequently introduce new concepts such as occidentalism and transnationalism. The volume is a challenging collection of work that stakes out a unique territory for itself among the growing body of work on critical music history.
The Oxford Handbook Of Music And Intellectual Culture In The Nineteenth Century
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Author : Paul Watt
language : en
Publisher: Oxford Handbooks
Release Date : 2020
The Oxford Handbook Of Music And Intellectual Culture In The Nineteenth Century written by Paul Watt and has been published by Oxford Handbooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with History categories.
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
The Story Of A Musical Life An Autobiography
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Author : George Frederick Root
language : en
Publisher: Palala Press
Release Date : 2018-02-22
The Story Of A Musical Life An Autobiography written by George Frederick Root and has been published by Palala Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-22 with History categories.
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