9e Barcarolle
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9e Barcarolle
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Author : Gabriel Fauré
language : fr
Publisher:
Release Date : 1909
9e Barcarolle written by Gabriel Fauré and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1909 with Piano music categories.
9e I E Neuvi Me Barcarolle Op 101
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Author : Gabriel Fauré
language : fr
Publisher:
Release Date : 1909
9e I E Neuvi Me Barcarolle Op 101 written by Gabriel Fauré and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1909 with Piano music categories.
Barcarolle
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Author :
language : en
Publisher:
Release Date : 1869*
Barcarolle written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1869* with categories.
Barcarolle No 9 In A Minor
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Author : Debussy
language : en
Publisher:
Release Date : 2002
Barcarolle No 9 In A Minor written by Debussy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.
Barcarolle In F Sharp Major Op 60
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Author : Frédéric Chopin
language : en
Publisher: Alfred Music
Release Date : 2007-10-25
Barcarolle In F Sharp Major Op 60 written by Frédéric Chopin and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-10-25 with Music categories.
The Barcarolle, Op. 60, is one of the finest works of Frederic Chopin. Its expressive melodies, rich harmonies and formal perfection have been admired by musicians and writers for many generations. This edition, based on numerous sources, includes: extensive background information on the piece; an exploration of the form, interpretation and style; numerous performance suggestions; and critical commentary by the editor.
Nocturnes And Barcarolles For Solo Piano
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Author : Gabriel Fauré
language : en
Publisher: Courier Corporation
Release Date : 1994-01-01
Nocturnes And Barcarolles For Solo Piano written by Gabriel Fauré and has been published by Courier Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-01-01 with Music categories.
These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document Fauré's move through the innovations of late Romanticism to the frontier of early-20th-century music. From authoritative French editions.
The Meyerbeer Libretti
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Author : Richard Arsenty
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2013-02-21
The Meyerbeer Libretti written by Richard Arsenty and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-21 with Music categories.
Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.
The Strad
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Author :
language : en
Publisher:
Release Date : 1895
The Strad written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1895 with Bowed stringed instruments categories.
Alfred S Group Piano For Adults Teacher S Handbook 1 2nd Edition
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Author : E. L. Lancaster
language : en
Publisher: Alfred Music
Release Date :
Alfred S Group Piano For Adults Teacher S Handbook 1 2nd Edition written by E. L. Lancaster and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
Each unit in this highly popular series contains a balance of theory, technique, sight-reading, repertoire, harmonization, improvisation and ensemble activities. Updated for the 2nd edition of Alfred's Group Piano for Adults, the Teacher's Guide includes:new repertoire preparation and analysis suggestions, recommended examinations teaching tips, lesson plans and answer keys, improvisation exercises and two new sections: Reading Focus and Planning Group Lessons.
Interpreting Chopin Analysis And Performance
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Author : Alison Hood
language : en
Publisher: Routledge
Release Date : 2017-05-15
Interpreting Chopin Analysis And Performance written by Alison Hood and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-15 with Music categories.
Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the performer. In Interpreting Chopin Alison Hood brings her experience as a performer to bear on contemporary analytical models. She combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin, casting new light on the composer’s preludes, nocturnes and barcarolle. An extension of Schenkerian analysis, the specific combination of five aspects distinguishes Hood’s method from previous analytical approaches. These five methods are: attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation, following guidelines offered by Steve Larson; a continual concern with what have been called 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shape those decisions. Building on the work of such authors as William Rothstein, Carl Schachter and John Rink, Hood’s approach to Chopin’s oeuvre raises interpretive questions of central interest to performers.