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A History In Sound Of European Music


A History In Sound Of European Music
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A History In Sound Of European Music


A History In Sound Of European Music
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Author : Gerald Abraham
language : en
Publisher:
Release Date : 1948

A History In Sound Of European Music written by Gerald Abraham and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1948 with Music categories.




A History In Sound Of European Music


A History In Sound Of European Music
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Author :
language : en
Publisher:
Release Date : 1948

A History In Sound Of European Music written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1948 with categories.




A History In Sound Of European Music Broadcast In The Third Programme By The British Broadcasting Corporation First Etc Series Etc


A History In Sound Of European Music Broadcast In The Third Programme By The British Broadcasting Corporation First Etc Series Etc
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Author : British Broadcasting Corporation
language : en
Publisher:
Release Date : 1948

A History In Sound Of European Music Broadcast In The Third Programme By The British Broadcasting Corporation First Etc Series Etc written by British Broadcasting Corporation and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1948 with categories.




A History Of European Folk Music


A History Of European Folk Music
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Author : Jan Ling
language : en
Publisher: University Rochester Press
Release Date : 1997

A History Of European Folk Music written by Jan Ling and has been published by University Rochester Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Juvenile Nonfiction categories.


The aim of this study is to increase understanding of folk music within an historical, European framework, and to show the genre as a dynamic and changing art form. The book addresses a plethora of questions through its detailed examination of a wide range of music from vastly different national and cultural identities. It attempts to elucidate the connections between, and the varying development of, the music of peoples throughout Europe, firstly by examining the ways in which scholars of different ideological and artistic ambitions have collected, studied and performed folk music, then by investigating the relationship between folk and popular music. Jan Ling is Professor of Musicology at Göteborg University, Sweden.



Musicking In Twentieth Century Europe


Musicking In Twentieth Century Europe
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Author : Klaus Nathaus
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-12-16

Musicking In Twentieth Century Europe written by Klaus Nathaus and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-16 with History categories.


Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.



Cultural Histories Of Noise Sound And Listening In Europe 1300 1918


Cultural Histories Of Noise Sound And Listening In Europe 1300 1918
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Author : Ian D. Biddle
language : en
Publisher: Lund Humphries Publishers
Release Date : 2015

Cultural Histories Of Noise Sound And Listening In Europe 1300 1918 written by Ian D. Biddle and has been published by Lund Humphries Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with History categories.


These essays present historical case studies on the sounding worlds of the European past. They explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century. They consider, in particular: sound and music in the later Middle Ages; the politics of sound in the early modern period; the history of the body and perception during the Ancien Régime; the sounds of the city in the nineteenth century and sound and colonial rule at the fin de siècle. Out of these case studies emerge significant themes: sound, power and identity; sound as a marker of power or violence; sound, physiology and sensory perception and technologies of sound, consumption and meaning.



The Sight Of Sound


The Sight Of Sound
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Author : Richard Leppert
language : en
Publisher: Univ of California Press
Release Date : 1993-12-01

The Sight Of Sound written by Richard Leppert and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-12-01 with Music categories.


Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.



A History Of European Music


A History Of European Music
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Author : David G. Hughes
language : en
Publisher: McGraw-Hill Companies
Release Date : 1974

A History Of European Music written by David G. Hughes and has been published by McGraw-Hill Companies this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with Music categories.




What Makes Music European


What Makes Music European
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Author : Marcello Sorce Keller
language : en
Publisher: Scarecrow Press
Release Date : 2011-11-17

What Makes Music European written by Marcello Sorce Keller and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-17 with Music categories.


We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music? Should music be original, and how much can it be? Why do people identify with songs, pieces, styles, and repertoire? Why is music so ideological? Why do we misunderstand the music of different times and places, and why do we enjoy doing so? He also explores the juxtaposition of economy, society, and music making, as well as the concept of "illegal harmonies." In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.



Cultural Histories Of Noise Sound And Listening In Europe 1300 1918


Cultural Histories Of Noise Sound And Listening In Europe 1300 1918
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Author : Kirsten Gibson
language : en
Publisher: Routledge
Release Date : 2016-11-18

Cultural Histories Of Noise Sound And Listening In Europe 1300 1918 written by Kirsten Gibson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-18 with Music categories.


Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century. They consider, in particular: sound and music in the later Middle Ages; the politics of sound in the early modern period; the history of the body and perception during the Ancien Régime; and the sounds of the city in the nineteenth century and sound and colonial rule at the fin de siècle. The case studies also range in geographical orientation to include considerations not only of Britain and France, the countries most considered in European historical sound studies in English-language scholarship to date, but also Bosnia-Herzegovina, British Colonial India, Germany, Italy and Portugal. Out of this diverse group of case studies emerge significant themes that recur time and again, varying according to time and place: sound, power and identity; sound as a marker of power or violence; and sound, physiology and sensory perception and technologies of sound, consumption and meaning.