A Reply To The Author Of Remarks On The Essay On Musical Expression In A Letter From Mr Avison To His Friend In London
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A Reply To The Author Of Remarks On The Essay On Musical Expression
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Author : Charles Avison
language : en
Publisher:
Release Date : 1753
A Reply To The Author Of Remarks On The Essay On Musical Expression written by Charles Avison and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1753 with categories.
Dictionary Of Anonymous And Pseudonymous English Literature
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Author : Samuel Halkett
language : en
Publisher: Ardent Media
Release Date : 1971
Dictionary Of Anonymous And Pseudonymous English Literature written by Samuel Halkett and has been published by Ardent Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.
Charles Avison S Essay On Musical Expression
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Author : Pierre Dubois
language : en
Publisher: Routledge
Release Date : 2017-07-05
Charles Avison S Essay On Musical Expression written by Pierre Dubois and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
An Essay On Musical Expression 2 Ed With Alterations And Harpe Additions To Wich Is Added A Letter To The Author Concerning The Music Of Ancients Likewise Mr Avison S Repley To The Author Of Remarks On The Essay On Musical Expression
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Author : Charles Avison
language : en
Publisher:
Release Date : 1753
An Essay On Musical Expression 2 Ed With Alterations And Harpe Additions To Wich Is Added A Letter To The Author Concerning The Music Of Ancients Likewise Mr Avison S Repley To The Author Of Remarks On The Essay On Musical Expression written by Charles Avison and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1753 with categories.
Musical Bibliography
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Author : Andrew Deakin
language : en
Publisher:
Release Date : 1892
Musical Bibliography written by Andrew Deakin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1892 with Music categories.
A Dictionary Of The Anonymous And Pseudonymous Literature Of Great Britain
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Author : Samuel Halkett
language : en
Publisher:
Release Date : 1882
A Dictionary Of The Anonymous And Pseudonymous Literature Of Great Britain written by Samuel Halkett and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1882 with Anonyms and pseudonyms, English categories.
Browning S England
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Author : Helen Archibald Clarke
language : en
Publisher: BoD – Books on Demand
Release Date : 2018-09-20
Browning S England written by Helen Archibald Clarke and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-20 with Fiction categories.
Reproduction of the original: Browning ́s England by Helen Archibald Clarke
An Essay On Musical Expression
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Author : Charles Avison
language : en
Publisher:
Release Date : 1775
An Essay On Musical Expression written by Charles Avison and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1775 with Music categories.
Music In The London Theatre From Purcell To Handel
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Author : Colin Timms
language : en
Publisher: Cambridge University Press
Release Date : 2017-06-29
Music In The London Theatre From Purcell To Handel written by Colin Timms and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-06-29 with Art categories.
This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).
Women Writing Music In Late Eighteenth Century England
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Author : Leslie Ritchie
language : en
Publisher: Routledge
Release Date : 2017-07-05
Women Writing Music In Late Eighteenth Century England written by Leslie Ritchie and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Literary Criticism categories.
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.