Almanach Hachette
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Almanach Hachette 1942
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Author :
language : fr
Publisher:
Release Date : 1942
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Almanach Hachette 1929
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language : fr
Publisher:
Release Date : 1929
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Almanach Hachette
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Author :
language : fr
Publisher:
Release Date : 1894
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Almanach Hachette 1911 20e Ptie
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Author :
language : fr
Publisher:
Release Date : 1910
Almanach Hachette 1911 20e Ptie written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1910 with Almanacs, French categories.
Almanach Hachette 1988
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Author : Jean-Loup Chiflet
language : fr
Publisher:
Release Date : 1987
Almanach Hachette 1988 written by Jean-Loup Chiflet and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with categories.
Almanach Hachette Pour 1897
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Author :
language : fr
Publisher:
Release Date : 1897
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Almanach Hachette
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Author :
language : fr
Publisher:
Release Date : 1899
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Almanach Hachette 1989
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Author : Jean-Loup Chiflet
language : fr
Publisher:
Release Date : 1988
Almanach Hachette 1989 written by Jean-Loup Chiflet and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with categories.
The Spectator
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Author :
language : en
Publisher:
Release Date : 1895
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French Musical Life
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Author : Katharine Ellis
language : en
Publisher: Oxford University Press
Release Date : 2022
French Musical Life written by Katharine Ellis and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Music categories.
Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.