American Art At Dartmouth
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American Art At Dartmouth
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Author : Hood Museum of Art
language : en
Publisher: University Press of New England
Release Date : 2007
American Art At Dartmouth written by Hood Museum of Art and has been published by University Press of New England this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
First in a series of publications presenting the Hood's extensive and varied collections
Native American Art At Dartmouth
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Author : Hood Museum of Art
language : en
Publisher: Hood/Upne
Release Date : 2011
Native American Art At Dartmouth written by Hood Museum of Art and has been published by Hood/Upne this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Art categories.
Fourth in a series of publications presenting the Hood s extensive and varied collections"
Native American Art At Dartmouth
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Author : Hood Museum of Art
language : en
Publisher:
Release Date : 2012
Native American Art At Dartmouth written by Hood Museum of Art and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with categories.
Modern And Contemporary Art At Dartmouth
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Author : Hood Museum of Art
language : en
Publisher: UPNE
Release Date : 2009
Modern And Contemporary Art At Dartmouth written by Hood Museum of Art and has been published by UPNE this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.
"Modern and Contemporary Art at Dartmouth focuses on post-1945 painting, sculpture, works on paper, photography, and new media, including interactive and multimedia works. The catalogue comprises several extensive entries on areas of strength in the Hood Museum of Art's modern and contemporary collections as well as over one hundred color illustrated entries on individual works, many of which have never before been published. Featured artists include El Anatsui, Romare Bearden, Alexander Calder, Bob Haozous, Juan Munoz, Alice Ned, Amir Nom, Mark Rothko, Ed Ruscha, Alison Saar, Richard Serra, and Lorna Simpson." --Book Jacket.
Paul Sample Painter Of The American Scene
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Author : Paul Sample
language : en
Publisher: Hood Museum of Art Darmouth College
Release Date : 1988
Paul Sample Painter Of The American Scene written by Paul Sample and has been published by Hood Museum of Art Darmouth College this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Art categories.
The first comprehensive survey of this American Regionalist painter, including new information about his life & art.
American Paintings In The Hood Museum Of Art Dartmouth College
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Author : Barbara J. MacAdam
language : en
Publisher:
Release Date : 1985
American Paintings In The Hood Museum Of Art Dartmouth College written by Barbara J. MacAdam and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Painting, American categories.
The Hovey Murals At Dartmouth College
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Author : Brian P. Kennedy
language : en
Publisher: Hood Museum of Art
Release Date : 2015-10-06
The Hovey Murals At Dartmouth College written by Brian P. Kennedy and has been published by Hood Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-06 with Art categories.
Dartmouth College is in the unique position of having a magnificent large fresco by the Mexican muralist Jos Clemente Orozco (1883-1949) adorning the campus library. Completed by the artist in 1934 and titled The Epic of American Civilization, this work was promptly condemned by many alumni as being too critical of the college and academia. In response to Orozco's work, the illustrator and Dartmouth alumnus Walter Beach Humphrey (1892-1966) persuaded President Ernest Martin Hopkins to allow him to create another mural that would be more "Dartmouth" in character. Humphrey painted his mural four years after the completion of Orozco's frescoes on the walls of a faculty dining hall or "grill" at the college. Based on a drinking song by Richard Hovey, Dartmouth Class of 1885, it depicts a mythical founding of the college by Eleazar Wheelock. In the first panel, Wheelock, pulling along a five-hundred-gallon barrel of rum, is happily greeted by young American Indian men, whom he introduces to drunken revelry. The encounter, which takes place as the mural circles the grill room, also features many half-naked Indian women, one of whom reads Eleazer's copy of Gradus ad Parnassum upside down. Fast-forward to the early 1970s and the introduction of the Native American Program and co-education at Dartmouth College: the "Hovey Murals," as the work was known, became so controversial that they were covered over, and the room itself closed. This book aims to provide not only the history (and art history) of this mural but also its wider cultural and historical contexts. The existence of both Orozco's fresco and Humphrey's mural on a college campus provides a unique juxtaposition of certain extremes of 1930s mural art. As such, their creation represents an important and fascinating historical moment while bringing into sharper focus some of the issues surrounding the politics of art and images. This book is intended as a textbook for those studying these murals and also as a guide to understanding how they fit into a troubling and difficult history of envisioning Native Americans by non-natives in American literature and popular art.
Reenvisioning Histories Of American Art
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Author : Curator of Indigenous Art Jami C Powell
language : en
Publisher:
Release Date : 2025-01-28
Reenvisioning Histories Of American Art written by Curator of Indigenous Art Jami C Powell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-01-28 with Art categories.
How museums are changing to embrace a more inclusive vision of American art US museums have faced increasing pressure to reckon with their histories in light of movements against racism, violence, and the erosion of human rights here and abroad. Self-reflection and transformation have emerged in tandem with a focus on incorporating antiracism and decolonization in museum practice. Fundamental to these shifts is the idea that one cannot tell the story of American art without Native American, African American, Asian American, and Latinx art. Featuring innovative scholarship and approaches from art history, anthropology, gender and sexuality studies, history, and ethnic studies, the curators and scholars in this volume write about transforming theory and methodology into museum practice as they reflect on the challenges and possibilities for expanding the canon of American art. Beyond the shortcomings of traditional curatorial approaches, they demonstrate how sustained dialogue, community engagement, and curatorial collaboration have fueled important changes to art curation. A progress report and a how-to guide, this collection considers the flawed past and inclusive future for how American art is displayed and taught.
Nineteenth Century American Prints
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Author : George T. M. Shackelford
language : en
Publisher:
Release Date : 1977
Nineteenth Century American Prints written by George T. M. Shackelford and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Prints categories.
Wenda Gu At Dartmouth
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Author : Wenda Gu
language : en
Publisher: Hood/Upne
Release Date : 2008
Wenda Gu At Dartmouth written by Wenda Gu and has been published by Hood/Upne this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art, Chinese categories.
This fully illustrated catalogue chronicles avant-garde artist Wenda Gu’s creation of two installations, united nations: the green house and united nations: united colors, commissioned by the Hood Museum of Art, Dartmouth College, in partnership with the Dartmouth College Library. Part of the artist’s fourteen-year global conceptual human hair sculpture series, the green house and united colors were made from hair collected from the Dartmouth community, combined with colored hair from other parts of the world. The essays and photographs in the catalogue celebrate the profound scope of the ongoing united nations series as well as the creation and production of these two new works, from community hair collection to the works’ installation and the subsequent local, national, and critical response. Along with Dartmouth’s united nations projects, the Hood Museum of Art premiered Wenda Gu’s forest of stone steles: retranslation and rewriting tang dynasty poetry, a series of large books of rubbings from the artist’s massive stone steles. An essay on this installation, followed by a consideration of Wenda Gu’s work within the global conceptual art movement, completes the volume. Catalogue contributors: Juliette Bianco, Assistant Director, Hood Museum of Art, Dartmouth College; David Cateforis, Associate Professor of Modern and Contemporary Art, University of Kansas; Eleanor Heartney, writer and Art in America critic; Allen Hockley, Associate Professor of Asian Art, Dartmouth College; Brian Kennedy, Director, Hood Museum of Art, Dartmouth College.