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American Etching C 1875 C 1900 Studies In Relation To Its Background In The 19th Century Theory And Practice Of Art


American Etching C 1875 C 1900 Studies In Relation To Its Background In The 19th Century Theory And Practice Of Art
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American Etching C 1875 C 1900 Studies In Relation To Its Background In The 19th Century Theory And Practice Of Art


American Etching C 1875 C 1900 Studies In Relation To Its Background In The 19th Century Theory And Practice Of Art
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Author : George E. Downing
language : en
Publisher:
Release Date : 1946

American Etching C 1875 C 1900 Studies In Relation To Its Background In The 19th Century Theory And Practice Of Art written by George E. Downing and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1946 with categories.




American Etching C 1875 C 1900


American Etching C 1875 C 1900
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Author : George E. Downing
language : en
Publisher:
Release Date : 1978

American Etching C 1875 C 1900 written by George E. Downing and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Art, Modern categories.




The Industrial Etchings And Lithographs Of Joseph Pennell 1857 1926


The Industrial Etchings And Lithographs Of Joseph Pennell 1857 1926
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Author : Andrea O. S. Song
language : en
Publisher:
Release Date : 1975

The Industrial Etchings And Lithographs Of Joseph Pennell 1857 1926 written by Andrea O. S. Song and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with categories.




The National Union Catalog Pre 1956 Imprints


The National Union Catalog Pre 1956 Imprints
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Author : Library of Congress
language : en
Publisher:
Release Date : 1968

The National Union Catalog Pre 1956 Imprints written by Library of Congress and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Catalogs, Union categories.




Comprehensive Dissertation Index 1861 1972 Communications And The Arts


Comprehensive Dissertation Index 1861 1972 Communications And The Arts
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Author : Xerox University Microfilms
language : en
Publisher:
Release Date : 1973

Comprehensive Dissertation Index 1861 1972 Communications And The Arts written by Xerox University Microfilms and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Dissertations, Academic categories.




A Theory Of The Tache In Nineteenth Century Painting


A Theory Of The Tache In Nineteenth Century Painting
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Author : ?stein Sj?ad
language : en
Publisher: Routledge
Release Date : 2017-07-05

A Theory Of The Tache In Nineteenth Century Painting written by ?stein Sj?ad and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.



Etching In America 1886


Etching In America 1886
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Author : Ripley Hitchcock
language : en
Publisher:
Release Date : 2008-06-01

Etching In America 1886 written by Ripley Hitchcock and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-06-01 with categories.


This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.



American Etchings Of The Nineteenth Century


American Etchings Of The Nineteenth Century
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Author : Francine Tyler
language : en
Publisher:
Release Date : 1984

American Etchings Of The Nineteenth Century written by Francine Tyler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Art categories.




The Writing Of Modern Life


The Writing Of Modern Life
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Author : Elizabeth K. Helsinger
language : en
Publisher: Smart Museum of Art, the University of C
Release Date : 2008

The Writing Of Modern Life written by Elizabeth K. Helsinger and has been published by Smart Museum of Art, the University of C this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.


What is it about etching that renders it--according to both the poet-critic Charles Baudelaire and the visionary artist Samuel Palmer--a medium of writing? And, moreover, what makes etching equally adaptable to the expression of both memory and modernity? The "Writing" of Modern Life examines British, French, and American artists who from the polemical beginnings of the Etching Revival in the 1850s to its twentieth-century afterlife practiced etching as a form of quasi-literary authorship. Whether or not these printmakers viewed etching as a medium for expressing thoughts or personality, as Baudelaire and Palmer claimed, they did find in the craft a way to suggest both elegiac recollection and the visual strangeness of modern life. Containing essays by Martha Tedeschi, Peyton Skipwith, Anna Arnar, Allison Morehead, and Elizabeth Helsinger, and generously illustrated with works by both well-known and less-heralded printmakers, The "Writing" of Modern Life is an interdisciplinary collection that will appeal to literary and art historians alike.



American Etchers


American Etchers
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Author : Schuyler van Rensselaer
language : en
Publisher: Forgotten Books
Release Date : 2015-06-17

American Etchers written by Schuyler van Rensselaer and has been published by Forgotten Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-17 with Art categories.


Excerpt from American Etchers The term etching has a definite and limited significance too often disregarded in popular speech. Its maltreatment seems the more inexcusable when we remember that it is not a word originally wider in meaning which has been narrowed by the custom of the studio into limited technical applicability; but that its etymological, dictionary force is at one with its employment in artistic parlance. And as it denotes not an effect but a process, there should not be the least confusion with regard to it. Even if it were possible - as it is not - to produce identical effects by other methods, no work so produced could be called etched work. To etch comes from the same root as to eat, the Greek eòw. Only such prints as are made from plates that have been acted upon by acid - bitten into, eaten away - are to be named etchings. To produce a print of this kind, the artist takes a plate - usually of copper, though sometimes of zinc - and coats it with a preparation formed of wax and other ingredients. Upon this "ground," after it has been blackened with smoke so that his strokes will show more clearly, he draws his subject with a sharp-pointed instrument called a "needle" or "point," using just sufficient pressure to remove the ground along the line of his strokes without scratching the metal underneath. The plate is then immersed in a shallow pan of acid called a "bath." This acid, or "mordant," acts upon the uncovered portions of the plate - upon the artists lines, that is - but has no effect upon the portions still protected by the ground. When the "biting" is accomplished, the plate is cleaned, inked and printed on a roller-press. This is the bald theory of etching; but its practice is a much more complicated affair than might be thought. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.