Art Action Et Participation
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Art Action And Participation
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Author : Frank Popper
language : en
Publisher:
Release Date : 1975
Art Action And Participation written by Frank Popper and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Art categories.
Art Action Et Participation
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Author : FRANK. POPPER
language : en
Publisher:
Release Date : 1985
Art Action Et Participation written by FRANK. POPPER and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with categories.
Art Action Et Participation
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Author : Frank Popper
language : fr
Publisher:
Release Date : 1985
Art Action Et Participation written by Frank Popper and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Arts, Modern categories.
Depuis une vingtaine d'années, les arts d'avant-garde sont marqués par deux problèmes à la fois sociaux et esthétiques : l'Environnement, la participation du spectateur. De toutes parts s'est ainsi développé un art nouveau, assez affirmé pour faire l'objet d'un ouvrage d'ensemble. Les analyses de Frank Popper éclairent la fonction nouvelle de l'artiste dans les sociétés d'aujourd'hui. Arts plastiques et du spectacle, poésie, musique, multi-média : autant de domaines où le praticien se voit investi de responsabilités inédites à l'égard de ses camarades de travail et surtout du spectateur, qui intervient à divers degrés dans le processus de conception et de création. Mais le nouvel art " populaire " se situe à l'opposé de toute " simplicité " ou " naïveté " : il est lié aux sciences et aux techniques de notre temps, à la cybernétique et l'informatique par exemple. Art populaire que manifestent en outre les graffitis, la peinture murale, les arts " communautaires ", l'art dans le Tiers-Monde et en Chine. Partout se précisent des phénomènes de groupe, de masse, de création collective. Il était donc indispensable de redéfinir les relations entre l'artiste, le théoricien et le spectacteur, et de faire apparaître la formation d'une nouvelle pensée esthétique.
The Gestures Of Participatory Art
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Author : Sruti Bala
language : en
Publisher:
Release Date : 2017-12-29
The Gestures Of Participatory Art written by Sruti Bala and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-29 with Community arts projects categories.
The study critically reclaims participatory art beyond its co-option as a fuzzword of neoliberal governance. It examines a range of artistic practices from community theatre, immersive performance and the visual arts in different sites around the world. It offers a refreshing theorisation of participatory art as gesture.
Participation
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Author : Claire Bishop
language : en
Publisher:
Release Date : 2006-12-06
Participation written by Claire Bishop and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-12-06 with Art categories.
Participation in art has become a prevalent and contested phenomenon since the 1990s. Artists have increasingly sought to create situations and events that invite spectators to become active participants, in dialogue both with their context and with each other. This reader charts a historical lineage and theoretical framework for this tendency, presented through the writings of artists, curators and philosophers from the late 1950s to the present--Publisher's description.
Socially Engaged Public Art In East Asia
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Author : Meiqin Wang
language : en
Publisher: Vernon Press
Release Date : 2022-04-12
Socially Engaged Public Art In East Asia written by Meiqin Wang and has been published by Vernon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-12 with Art categories.
This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have well-grounded knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large.
Time To Play
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Author : Katarzyna Zimna
language : en
Publisher: Bloomsbury Publishing
Release Date : 2014-12-09
Time To Play written by Katarzyna Zimna and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-09 with Art categories.
Play art' or interactive art is becoming a central concept in the contemporary art world, disrupting the traditional role of passive observance usually assumed by audiences, allowing them active participation. The work of 'play' artists - from Carsten Holler's 'Test Site' at the Tate Modern to Gabriel Orozco's 'Ping Pond Table' - must be touched, influenced and experienced; the gallery-goer is no longer a spectator but a co-creator. Time to Play explores the role of play as a central but neglected concept in aesthetics and a model for ground-breaking modern and postmodern experiments that have intended to blur the boundary between art and life. Moving freely between disciplines, Katarzyna Zimna links the theory and history of 20th and 21st century art with ideas developed within play, game and leisure studies, and the philosophical theories of Kant, Gadamer and Derrida, to critically engage with current discussion on the role of the artist, viewers, curators and their spaces of encounter. She combines a consideration of the philosophical implications of play with the examination of how it is actually used in modern and postmodern art - looking at Dada, Surrealism, Fluxus and Relational Aesthetics. Focusing mainly on process-based art, this bold book proposes a fresh approach - reaching beyond classical cultural theories of play.
The Participator In Contemporary Art
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Author : Kaija Kaitavuori
language : en
Publisher: Bloomsbury Publishing
Release Date : 2018-08-30
The Participator In Contemporary Art written by Kaija Kaitavuori and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-30 with Art categories.
The early 21st century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the `participator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic. This highly original book thus offers students and teachers the tools with which to improve their understanding of participatory art and removes the confusing terminology that has characterized so many other discussions.
Mediaarthistories
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Author : Oliver Grau
language : en
Publisher: MIT Press
Release Date : 2010-08-13
Mediaarthistories written by Oliver Grau and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-13 with Art categories.
Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines—film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms—machine, media, exhibition—and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history. Contributors Rudlof Arnheim, Andreas Broeckmann, Ron Burnett, Edmond Couchot, Sean Cubitt, Dieter Daniels, Felice Frankel, Oliver Grau, Erkki Huhtamo, Douglas Kahn, Ryszard W. Kluszczynski, Machiko Kusahara, Timothy Lenoir, Lev Manovich, W.J.T. Mitchell, Gunalan Nadarajan, Christiane Paul, Louise Poissant, Edward A. Shanken, Barbara Maria Stafford, and Peter Weibel
Artificial Hells
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Author : Claire Bishop
language : en
Publisher: Verso Books
Release Date : 2023-01-10
Artificial Hells written by Claire Bishop and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-10 with Art categories.
This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.