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Art After Iconoclasm


Art After Iconoclasm
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Art After Iconoclasm


Art After Iconoclasm
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Author : Koenraad Jonckheere
language : en
Publisher: Brepols Pub
Release Date : 2012

Art After Iconoclasm written by Koenraad Jonckheere and has been published by Brepols Pub this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.


The beeldenstorm, or the Iconoclastic Fury, that raged throughout the Low Countries in 1566 is a key concept in Netherlandish history. This popular uprising, which was partially grafted on Protestant ideas, has traditionally and unquestioningly been considered a turning point in the history of the Low Countries. It is all the more striking, therefore, that this occurrence has received scant attention in art history and that there has been little interest in the development of painting just after the beeldenstorm and before the advent of the great Baroque masters. Featuring previously unpublished materials, Antwerp Art after Iconoclasm investigates how the esteemed painters of the period--including Adriaen Thomasz Key, Maarten de Vos, Frans Pourbus the Elder, and Michiel Coxcie--sought a new visual idiom. This study explains why this period of Netherlandish history should be considered an important turning point in the broader context of art history. It demonstrates that the era's paintings represent a subtle but nonetheless important reinterpretation of the traditional, religious iconography and style, which served as the starting point of Netherlandish Baroque style.



Antwerp Art After Iconoclasm


Antwerp Art After Iconoclasm
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Author : Koenraad Jonckheere
language : en
Publisher:
Release Date : 2012

Antwerp Art After Iconoclasm written by Koenraad Jonckheere and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.


The beeldenstorm, or the Iconoclastic Fury, that raged throughout the Low Countries in 1566 is a key concept in Netherlandish history. This popular uprising, which was partially grafted on Protestant ideas, has traditionally and unquestioningly been considered a turning point in the history of the Low Countries. It is all the more striking, therefore, that this occurrence has received scant attention in art history and that there has been little interest in the development of painting just after the beeldenstorm and before the advent of the great Baroque masters. Featuring previously unpublished materials, Antwerp Art after Iconoclasm investigates how the esteemed painters of the period—including Adriaen Thomasz Key, Maarten de Vos, Frans Pourbus the Elder, and Michiel Coxcie—sought a new visual idiom. This study explains why this period of Netherlandish history should be considered an important turning point in the broader context of art history. It demonstrates that the era's paintings represent a subtle but nonetheless important reinterpretation of the traditional, religious iconography and style, which served as the starting point of Netherlandish Baroque style.



The Netherlandish Image After Iconoclasm 1566 672


 The Netherlandish Image After Iconoclasm 1566 672
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Author : MiaM. Mochizuki
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Netherlandish Image After Iconoclasm 1566 672 written by MiaM. Mochizuki and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this



The Destruction Of Art


The Destruction Of Art
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Author : Dario Gamboni
language : en
Publisher: Reaktion Books
Release Date : 2013-06-01

The Destruction Of Art written by Dario Gamboni and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-01 with Art categories.


Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.



The Wake Of Iconoclasm


The Wake Of Iconoclasm
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Author : Angela Vanhaelen
language : en
Publisher: Penn State Press
Release Date : 2012

The Wake Of Iconoclasm written by Angela Vanhaelen and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.


"Explores the relationship between art and religion after the iconoclasm of the Dutch Reformation. Reassesses Dutch realism and its pictorial strategies in relation to the religious and political diversity of the Dutch cities"--Provided by publisher.



Image And Imagination In Byzantine Art


Image And Imagination In Byzantine Art
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Author : Henry Maguire
language : en
Publisher: Taylor & Francis
Release Date : 2023-05-31

Image And Imagination In Byzantine Art written by Henry Maguire and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-31 with Music categories.


The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.



From Transformation To Desire Art And Worship After Byzantine Iconoclasm


From Transformation To Desire Art And Worship After Byzantine Iconoclasm
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Author : Charles Barber
language : en
Publisher:
Release Date :

From Transformation To Desire Art And Worship After Byzantine Iconoclasm written by Charles Barber and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with Art, Byzantine categories.




The Medieval Art Of Fear


The Medieval Art Of Fear
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Author : Ravinder Singh Binning
language : en
Publisher:
Release Date : 2018

The Medieval Art Of Fear written by Ravinder Singh Binning and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with categories.


Centuries before the modern conception of surveillance, medieval subjects imagined an entity that monitored their every move: Christ Pantokrator (Ruler of All). My dissertation, The Medieval Art of Fear, investigates how Byzantine image-makers constructed this all-seeing figure in three-dimensions and manipulated spaces in order to create immersive encounters with the fearsome image. Following the crisis of Byzantine Iconoclasm (726-843), the making and display of Christ Pantokrator structured the visual perception of absolute power. Dramatic poetry, rituals and theologies, replete with fear of the Last Judgment, established the modes through which the faithful would perceive the image. My study taps into this textual evidence as it engages in close analysis of how specific monuments and objects were embedded in public and private rituals that invoked this all-seeing figure. Ultimately this dissertation argues for the critical significance of the image of Christ Pantokrator to the study of fear as a visual, spatial and material experience.



Iconoclasm Vs Art And Drama


Iconoclasm Vs Art And Drama
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Author : Clifford Davidson
language : en
Publisher: Medieval Institute Publications
Release Date : 1989

Iconoclasm Vs Art And Drama written by Clifford Davidson and has been published by Medieval Institute Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Art categories.


The radical Protestantism that led to the suppression of religious drama in England also by the early years of Queen Elizabeth I destroyed perhaps the majority of ecclesiastical art in the country. The essays in this book provide analysis of the intellectual and religious motivation as well as new historical information concerning this phase of iconoclasm.



The Netherlandish Image After Iconoclasm 1566 672


 The Netherlandish Image After Iconoclasm 1566 672
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Author : MiaM. Mochizuki
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Netherlandish Image After Iconoclasm 1566 672 written by MiaM. Mochizuki and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this