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Art Theorists Of The Italian Renaissance


Art Theorists Of The Italian Renaissance
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Art Theorists Of The Italian Renaissance


Art Theorists Of The Italian Renaissance
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Author :
language : en
Publisher:
Release Date : 1998

Art Theorists Of The Italian Renaissance written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Architecture, Italian categories.


The database is a collection of treatises on art and architecture from the period 1470 to 1775. It is structured around the two Italian editions of Giorgio Vasari's Lives of the artists.



Artistic Theory In Italy 1450 1600


Artistic Theory In Italy 1450 1600
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Author : Anthony Blunt
language : en
Publisher: Oxford University Press, USA
Release Date : 1962

Artistic Theory In Italy 1450 1600 written by Anthony Blunt and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1962 with Art categories.


Leonardo da Vinci - Alberti - Michelangelo - Vasari - Social position of the artist - Religious art - Minor writers of the High Renaissance - Later mannerists.



Renaissance Theory


Renaissance Theory
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Author : James Elkins
language : en
Publisher: Routledge
Release Date : 2008-04-01

Renaissance Theory written by James Elkins and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-01 with Art categories.


Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism? The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.



Artistic Theory In Italy


Artistic Theory In Italy
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Author : Anthony Blunt
language : en
Publisher:
Release Date : 1940

Artistic Theory In Italy written by Anthony Blunt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1940 with Aesthetics categories.


"This book seeks to broaden the comprehension of the student of Italian Renaissance painting by concentrating not on the works of art themselves, but on the various artistic theories which influenced them or were expressed by them. Taking Alberti's treatises as his starting-point, Anthony Blunt traces the development of artistic theory from Humanism to Mannerism. He discusses the writings of Leonardo, Savonarola, Michelangelo, and Vasari, examines the effect of the Council of Trent on religious art, and chronicles the successful struggle of the painters and sculptors themselves to elevate their status from craftsmen to creative artists."--Amazon



Drawing Relationships In Northern Italian Renaissance Art


Drawing Relationships In Northern Italian Renaissance Art
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Author : Giancarla Periti
language : en
Publisher: Routledge
Release Date : 2017-07-05

Drawing Relationships In Northern Italian Renaissance Art written by Giancarla Periti and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.



Practice And Theory In The Italian Renaissance Workshop


Practice And Theory In The Italian Renaissance Workshop
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Author : Christina Neilson
language : en
Publisher: Cambridge University Press
Release Date : 2019-07-18

Practice And Theory In The Italian Renaissance Workshop written by Christina Neilson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-18 with Art categories.


Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.



Art Theorists Of The Italian Renaissance


Art Theorists Of The Italian Renaissance
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Author : Chadwyck-Healey Ltd
language : en
Publisher:
Release Date : 1997

Art Theorists Of The Italian Renaissance written by Chadwyck-Healey Ltd and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with categories.




The Province Of Painting


The Province Of Painting
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Author : Jeroen Stumpel
language : en
Publisher:
Release Date : 1990

The Province Of Painting written by Jeroen Stumpel and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Painting, Italian categories.




The Patron S Payoff


The Patron S Payoff
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Author : Jonathan K. Nelson
language : en
Publisher: Princeton University Press
Release Date : 2014-03-10

The Patron S Payoff written by Jonathan K. Nelson and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-10 with Architecture categories.


An analysis of Italian Renaissance art from the perspective of the patrons who made 'conspicuous commissions', this text builds on three concepts from the economics of information - signaling, signposting, and stretching - to develop a systematic methodology for assessing the meaning of patronage.



Practice And Theory In The Italian Renaissance Workshop


Practice And Theory In The Italian Renaissance Workshop
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Author : Christina Neilson
language : en
Publisher: Cambridge University Press
Release Date : 2019-05-31

Practice And Theory In The Italian Renaissance Workshop written by Christina Neilson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-31 with History categories.


Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers an analysis of Verrocchio's unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise.